Serena and Venus are a prime example of black excellence. The Knowles sisters are bleached parasites that feed off of black culture like a virus.
They are likely voting for Trump.
It's interesting that they both are trying to commercialize the BLM movement, but they'd probably receive criticism if they continued to release music about love, sex and such.
When she exploited an Orlando survivor to get viral buzz for her flop single and it still ended up with less than 35 million streams
this was so transparent and pathetic on Katy's part
I love how she writes gross, homophobic songs but when she needs a hit she tries to pander to the gay community. she clearly wanted Rise to be her next Firework but really it just became her 3rd consecutive flop
The title indicates that this EP will lend itself to dealing with grief or sadness.
The first track has another one-word title which comes as contrived and heavy-handed. The actual song however is a relatively simple guitar-driven track. His vocals, accompanied with an extended atmospheric intro, elevate the track and help it evade the monotony such tracks could be prone to have. "Proud to be" is another guitar-driven track that vaguely broaches the subject of race and pride of oneself and one's ancestors. The song has a more ethereal sound than its predecessor, especially towards the end.
The EP takes a more electronic tone with the rest of the songs. On Worth it, his voice is more autotuned than before and layered beats are progressively added to the otherwise stripped down sound. "I don't know if I'm worth it" cries the Californian singer. I'm not sure yet either.
In Lonely World, Moses presents another literal title followed by lyrics that will make sure the listener knows he's lonely. However, those lyrics juxtaposed with the more upbeat ending of the song give a somewhat hopeful tone to the song.
The last song named incantation is placed at the end of the album to balance the first track "Ascension". The EP started with an ascension, and it ended with Moses summoning a deity or higher powers. The song is again more stripped down than the previous two. The tone here of the album is the same as the tone it started with.
"Lamentations" is a solid effort from Moses, albeit a bit contrived. It tries to present a healthy balance between a myriad of sentiments like grief, hope and perseverance, but ultimately, it feels more like meandering reminiscences rather than lamentations.
