- BBMA performance + bought award for brand promo
- Numerous interviews on E! and Extra (Surprised they did anything for someone who isn't a Kardashian)
- Private Show promo which included album promo
- Numerous magazine covers (Featuring her freshly rendered body, obvi)
- Jimmy Kimmel "viral" skit
- Carpool karaoke
- Ryan Seacrest KIIS interview
- Z100 interview
- TODAY Show performance
- iHeart Radio performance
- iHeart Radio Twitter interview
- Kim ****ing K of all people does her promo on Twitter & Instagram
- Trending topic with her emoji next to it
- Apple Music promo
- Make Me discounted
- Make Me discounted again
- VMA version of Make Me sent to radio
- Months of banners on iTunes
- Ads all over YouTube and Spotify
- Ellen Show
YET, 09 (even Barbra) SHARTED all over her
Twitch twitch
Pissney flopping this hard with all that promo and an album that sounds like everything popular on the radio right now
I was surprised to see the mixed reception for this one... and then I wasn't.
Further proof of a deep generational chasm that divides ATRL into two camps; the twentysomething pop sophisticates with 15 to 20 years of top-shelf pop consumption to their name, and an unruly kid crew with Scream Queens avatars and tributes to Nick Jonas in their signatures. It's not that the latter generation is a lost cause entirely, but they've clearly never heard a "Britney" — that is, they've never encountered a voice quite as distinctive as Britney's. "But I know Britney! Circus was the first album I bought!" First off, ask for a refund. And no, you don't know Britney, you know a very stilted and subdued version of the iconic performer.
The Britney of "Private Show" is Britney as Britney is intended to sound. She very skillfully vacillates between a range of tones; she nasally, then guttural, then grainy, then nasally again, then delicate. (And yes, that's how she's supposed to do it.) She's sultry. She's goofy. She's sounds slightly absurd. She's fully engaged. She's expressive in ways that "technically superior" vocalists just aren't. She is brilliant. You have no idea how brilliant she is.
This is the probably purest attempt Britney has made to harness some of that ineffable charm that made her early work so irresistible. I adore it.
I was surprised to see the mixed reception for this one... and then I wasn't.
Further proof of a deep generational chasm that divides ATRL into two camps; the twentysomething pop sophisticates with 15 to 20 years of top-shelf pop consumption to their name, and an unruly kid crew with Scream Queens avatars and tributes to Nick Jonas in their signatures. It's not that the latter generation is a lost cause entirely, but they've clearly never heard a "Britney" — that is, they've never encountered a voice quite as distinctive as Britney's. "But I know Britney! Circus was the first album I bought!" First off, ask for a refund. And no, you don't know Britney, you know a very stilted and subdued version of the iconic performer.
The Britney of "Private Show" is Britney as Britney is intended to sound. She very skillfully vacillates between a range of tones; she nasally, then guttural, then grainy, then nasally again, then delicate. (And yes, that's how she's supposed to do it.) She's sultry. She's goofy. She's sounds slightly absurd. She's fully engaged. She's expressive in ways that "technically superior" vocalists just aren't. She is brilliant. You have no idea how brilliant she is.
This is the probably purest attempt Britney has made to harness some of that ineffable charm that made her early work so irresistible. I adore it.
I was surprised to see the mixed reception for this one... and then I wasn't.
Further proof of a deep generational chasm that divides ATRL into two camps; the twentysomething pop sophisticates with 15 to 20 years of top-shelf pop consumption to their name, and an unruly kid crew with Scream Queens avatars and tributes to Nick Jonas in their signatures. It's not that the latter generation is a lost cause entirely, but they've clearly never heard a "Britney" — that is, they've never encountered a voice quite as distinctive as Britney's. "But I know Britney! Circus was the first album I bought!" First off, ask for a refund. And no, you don't know Britney, you know a very stilted and subdued version of the iconic performer.
The Britney of "Private Show" is Britney as Britney is intended to sound. She very skillfully vacillates between a range of tones; she nasally, then guttural, then grainy, then nasally again, then delicate. (And yes, that's how she's supposed to do it.) She's sultry. She's goofy. She's sounds slightly absurd. She's fully engaged. She's expressive in ways that "technically superior" vocalists just aren't. She is brilliant. You have no idea how brilliant she is.
This is the probably purest attempt Britney has made to harness some of that ineffable charm that made her early work so irresistible. I adore it.
A return to glory — the second coming of Spearsus. Bask in her divine beauty/talent/grace/power!
I was surprised to see the mixed reception for this one... and then I wasn't.
Further proof of a deep generational chasm that divides ATRL into two camps; the twentysomething pop sophisticates with 15 to 20 years of top-shelf pop consumption to their name, and an unruly kid crew with Scream Queens avatars and tributes to Nick Jonas in their signatures. It's not that the latter generation is a lost cause entirely, but they've clearly never heard a "Britney" — that is, they've never encountered a voice quite as distinctive as Britney's. "But I know Britney! Circus was the first album I bought!" First off, ask for a refund. And no, you don't know Britney, you know a very stilted and subdued version of the iconic performer.
The Britney of "Private Show" is Britney as Britney is intended to sound. She very skillfully vacillates between a range of tones; she nasally, then guttural, then grainy, then nasally again, then delicate. (And yes, that's how she's supposed to do it.) She's sultry. She's goofy. She's sounds slightly absurd. She's fully engaged. She's expressive in ways that "technically superior" vocalists just aren't. She is brilliant. You have no idea how brilliant she is.
This is the probably purest attempt Britney has made to harness some of that ineffable charm that made her early work so irresistible. I adore it.
