[rbautz]

Originally posted by RobynYoBank

Is this satire, this is like a 16 year old girl would write but wait


Lorde:

A couple of weeks ago I was up on a stage. This is not particularly wild news - I'm on stages pretty often. This stage in particular was long and slim, bathed in light, situated on the Lower East Side in New York, and was surrounded by my first American audience.

I played that night to a few hundred people and I gave them everything I had. I had fun - lots of it. People said afterwards that it was good. I was speaking to a journalist from The New Yorker recently and he told me he'd overheard something in the VIP section of that first show.

A silver-haired record company guy had pointed at me, up there onstage, and said slowly to his friend, "Lots of zeroes." I laughed at this. The journalist said, kind of rueful: "Nothing but a spreadsheet with hair." Quite a lot has happened to me, if we take things back pre hirsute, statistical brilliance.

You probably know all about that - most interviews tell the story of my intermediate school talent show performance being filmed and sent to Universal Music, and the subsequent development deal, and the EP written in my school holidays with Kids of 88 contributor Joel Little. You can find out where I live, and go to school, and which famous people have talked about me on Twitter. That's the how and the what of it, I guess -the sped-up version of my involvement in music.

So here I am. Or maybe I'm not here. At the time of you reading this I'll be in another country, on another stage, or in a car with my head out the window, or laughing in the aisle seat of a plane. You could say it's all a bit of a whirlwind, but I hate those stupid clichés so I'll just tell you a bit about what I do, and what it's like, and if you want to use the word whirlwind, or rollercoaster, that's up to you.

I wasn't expecting the Love Club EP to do what it's doing. Not by a long shot. To see it in the top 10 on iTunes in the United States is one of those ludicrous things I'll never get used to. I remember getting 10,000 plays on SoundCloud in the first few days of it being up, and tweeting Joel about it. I used the word booya. Look at us now. I think what's crazy about the success of that EP is the selfishness of it all. Songwriting is selfish - I make music for myself, using it as an outlet, something to fulfill my creative desires - yet the rewards of deciding to write something can keep an artist going for a lifetime, can whip me across datelines, throw me under lights.

I constantly ponder the absurdly cool nature of this. It's personal, and private, writing songs, until you release them. Then they stop being this internalised thing, as people start to live inside them and give them different meanings. There's a changing of hands. They aren't just my secret thoughts any more. That too, is crazy to me - that I can write about moments of complete pain, or fear, or joy, and feel overwhelmed by the starkness of what I'm saying, even when I'm the only one hearing it.

"If I am assertive, I'm a bitch. If a man is assertive, he's a boss. No negative connotation behind bossed up!" Truth is, if Nicki doesn't complain about a bad photo-shoot, people working with her assume those low standards are acceptable, but if she does complain it's very hard for her not to be pegged as a diva, which I think is one of those music industry double standards that has hung around far too long.

I identified with her so strongly when I saw that video - I know what it's like to walk on set and demand something of quality, and feel people thinking, 'Oh, we've got a piece of work here.' That's just me trying to protect my image and my name. I sometimes think if I were a male musician, the reaction to such a basic request would be different.

There're parts of this industry that are ******, for sure. I've missed more birthdays this year and let more friends down than I can count; I've grown accustomed to 4am wake-up calls and sleeping on command; sometimes my boyfriend and I get photographed in the street when we just want to have time that doesn't belong to other people.

Sometimes I feel so lonely I don't want to do it any more. But truth is, I love what I do so much. I've never been so happy, or worked so hard. Adults like to ask me how I'm coping with things, because adults are always nervous there's a looming breakdown on the horizon, I guess. But what I say is for all the moments I dislike, there are these moments where everything feels slow motion, full colour, sweet. Playing at [Byron Bay, Australia, music festival] Splendour in the Grass was one of those. It was in that kind of hazy, crisp period of the newest night, that cool air just touching me.

I sang, and I loved it so much. I felt like all those people in their bright colours were flowers I could walk through, or this great lapping ocean I could leap from the stage into and swim, it stretching out as far as I could see. I felt five metres tall. Things like that, for me, make everything worth it.

I haven't talked yet about the thing you probably all want to read about, the only thing that really matters, which is the record. Pure Heroine. I started writing again as soon as I put out the EP, around November or December, and it was finished midway through July. Joel and I wrote every song together, made every beat. It's all ours, which is kind of cool to me - it lends this cohesion to it, I think. We wrote, as we always have, at Golden Age, Joel's studio in Morningside.

I'll always remember this so vividly -walking to the same few places to get lunch or dinner every day; moments outside the studio when we hurried back, or let our feet drag, either terrified or elated at the prospect of that room; listening back at the end of a day, the fairy lights winking, and both feeling this weary but budding excitement.

Each day I'd take the train. The night-time rides were my chance to breathe, relax for a few minutes. Then I'd pull out my laptop and hit play on whatever we'd worked on that day. For a few seconds with a new song there's always this thudding amnesia, like it's not your work,and you get to listen with fresh ears to this thing that's still newly born. For months and months I took that night train and listened to my voice and the beats over and over, silvery, suspended.

I'd grin like a creep from Kingsland to Grafton, face all moony under the white light. It's the best thing I've ever made. At the end of the lyric booklet inside Pure Heroine, there's a portrait of me. I'm wearing a grey sweater, a silver chain. I'm not smiling. There's a heavy, funereal black border. I showed this to my 11-year-old brother. He looked, and smiled at me, said, "About the author." I really like that. The record can be read as well as listened to, digested as well as danced to. I'm a singer,a performer, a popstar and a writer.

My little brother's reaction to that one photo of me is why I do what I do, why I cultivate a little mystery - why photographers call me difficult and web designers call me a diva. In that one second before he smiled and went to play, I knew it would never be about zeroes. I'm not a spreadsheet with hair; will never be. I am an artist, an author, with a hunger for showing people what I can do and a talent for making people turn my name into a call while they're waiting front row. It's me. I'm here.

[lancelovesgaga]

omg blackface wtf racist donna


she looks good though

[RihannasVeryOwn]

Originally posted by cheers09

omg SAME! if murder was legal, i would've Ted Bundy'd this ugly ass diseased bitch

u have problems.

[YR.]

Oh so you are racist too

[Elusive Chanteuse]

She is way too caught up into Stan culture she's like the only singer who plays into it. She's arrogant and stubborn as a mule. She will fall like Rome. The Barbarians will eat her alive.

lmao

[Badger]

Originally posted by cheers09

i know her cruddy puss must be quivering in fear whenever there's a colored person around so i wouldn't be surprised. racist ass hick...

[johnsuxx]

55. Katy Perry - This Is How We Do

This hitting a new peak, Taylor releasing a new single tomorrow, AATB #1 on iTunes

poor white girls their fathers pockets

[Sazare]

Originally posted by rbautz

Is this satire, this is like a 16 year old girl would write but wait


Lorde:

Equally unbearable.

[Vine101]

Tomorrow is finally the day The Lord will save pop music. I'm ready

[lancelovesgaga]

this is funny

[Shinning]

[Kat]

Originally posted by Nippy'sReceipts

Taylor's team's pre-emptive minimizing of her role in The Giver.
You know if the movie was a blockbuster that molerat would be giggling/ squinting all on TV.
Her crosspromotion scheme backfired.

Yeah probably.

[Nippy'sReceipts]

Originally posted by lancelovesgaga

omg blackface wtf racist donna


she looks good though

so yall were right. the doll really did try to slit her wrists yesterday.

[rbautz]

Originally posted by Sazare

Equally unbearable.

Oh, how is kumbaya Kimbra doing?

[Sazare]

Wait, Taylor's new sing comes out tomorrow? Any info as to whether it's another Max Martin maxterpiece yet?

As much as I hate Taylor it'll be nice to see even her replace that horrid Meghan Trainor abomination at number one on iTunes.

Originally posted by rbautz

Oh, how is kumbaya Kimbra doing?

Just swell. Her new album is getting near-universal praise.

[Ramos]

Same Godney, SAME!

[cheers09]

i am so gonna kill Taylor the next time she visits my country

[rbautz]

Originally posted by lancelovesgaga

this is funny

I will never understand Asia, population 2 billions but they have only one great musician, Ryuichi

Sakamoto, period.

[cheers09]

Originally posted by Ramos

Same Godney, SAME!

ugh need that sweater!

[Nippy'sReceipts]

Hi, I'm Taylor. I love the number 13.

We could tell.

I have blurry eyesight.

We could tell.

My favorite thing in life is writing about life, specifically the parts of life concerning love.

We could tell.