Brooklyn and Bridge of Spies, apart from Mark Rylance's performance [in Spies],
should not be best picture nominees — both are overly sentimental and feel like movies made in the '50s, in the worst sense.
I hope the new rules will kick this bastard out
BEST MAKEUP AND HAIRSTYLING
"I didn't see two of them, and I hated the third. I am voting for Mad Max solely because I want to stop The Revenant"
BEST SOUND EDITING AND SOUND MIXING
"I don't know the difference between the two. Nobody does. I just vote for the movie in the category that I liked the best."