This honestly sounds like EXACTLY what she should have released after "Ass Back Home."
The real melody-driven midtempos verging on uptempos are where she SHINES. Her voice is just perfect for those parts that are strictly based on melody (examples: Shine like go-oo-ooo-ooo-ooo-ooo-ooold... /or/ I don't knoooo-oooo-ooooo-oooww where you're going, ect....) She just sells it so well. It's basically the only reason "Ass Back Home" was successful.
This sounds like something that will get stuck in peoples heads. "F**k U Betta" just came off as too aggressive and out of nowhere to be a debut.