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Music News: 'Femme Fatale': Rolling Stone review
Member Since: 10/8/2009
Posts: 35,527
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Quote:
Originally posted by SarahWalker
Here are her scores.. Snatch that Oops wig!
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Femme Fatale is coming for you ..Oops!
but i cant @ Blackout being her second lowest score
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Member Since: 6/5/2009
Posts: 13,743
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YAAAAAAAAAAAS
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Member Since: 5/25/2010
Posts: 23,013
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They gave Cannibal a 3.5, Femme Fatale a 4, and My Beautiful Dark Twisted Fantasy a 5.
Everything is right in the world.
...Vin
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Member Since: 12/22/2009
Posts: 23,538
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Grammyney
sorry for the bad photoshop! lol
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Banned
Member Since: 5/15/2010
Posts: 15,858
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Quote:
Originally posted by Last Boy on Earth
omg
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Gurl, let's not...
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Member Since: 6/10/2010
Posts: 18,057
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Member Since: 12/16/2010
Posts: 8,041
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Quote:
Originally posted by brit_onstar*
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I didn't wanna post it but u did it for me
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Member Since: 8/15/2010
Posts: 8,808
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Quote:
Originally posted by brit_onstar*
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Let's wait for the Metascores to erupt.
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Member Since: 5/25/2010
Posts: 23,013
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Quote:
Originally posted by brit_onstar*
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...Vin
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Banned
Member Since: 5/15/2010
Posts: 15,858
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Quote:
Originally posted by Haus of Wilke$
Let's wait for the Metascores to erupt.
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Idc, Britney was never a Reviewers darling to begin with... She doesn't need it unless she really thinks she could go on with this promotionless era...
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Member Since: 6/10/2010
Posts: 18,057
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Quote:
Originally posted by brit_onstar*
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Exactly.
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Member Since: 1/4/2009
Posts: 11,404
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Quote:
Originally posted by Comedor
"On nearly every track, Britney's voice is twisted, shredded, processed, roboticized. Maybe this is because she doesn't have much of a voice."
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wow how can they give the album a 4/5 and write such thing?
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Member Since: 6/1/2010
Posts: 65,177
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Britney's still not winning any Grammys going up against GaGa and Adele.
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Member Since: 8/15/2010
Posts: 8,808
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Quote:
Originally posted by BadBitchRihanna.
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Go go gurl!
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Member Since: 4/23/2010
Posts: 5,226
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Quote:
Originally posted by ddeizaguirre
On early every track, Britney's voice is twisted, shredded, processed, roboticized. Maybe this is because she doesn't have much of a voice; it's certainly because she, more than almost any other pop diva, is simply game. Femme fatale? Not so much.
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YASS GURL, TELL EM!
nb: I can't believe you receive a warning for that Sis.
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Member Since: 6/15/2010
Posts: 14,318
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Quote:
Originally posted by L/\DY G/\G/\
BTw I dont think FF will be above 80 on Metacritic Theres always those prudes/too good for pop or britney people that will drag down her score. I think itll be in the low 70s
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It really is the strangest thing. I always see HARDCORE rock/metal-oriented publications reviewing her material (which in turn brings her score down to the pits) yet they don't review the albums of any other pop star.
cokemachineglow is an example of that.
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Member Since: 5/25/2010
Posts: 23,013
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Quote:
Originally posted by Cap10Planet
Britney's still not winning any Grammys going up against GaGa and Adele.
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Because Britney really needs a Grammy for validation in the music industry.
...Vin
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Member Since: 6/1/2010
Posts: 65,177
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Quote:
Originally posted by Vin
Because Britney really needs a Grammy for validation in the music industry.
...Vin
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Yes, and not just a local dance award.
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Member Since: 12/25/2010
Posts: 2,692
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Quote:
Originally posted by Cap10Planet
Britney's still not winning any Grammys going up against GaGa and Adele.
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Grammy's for Brit were a long stretch to begin with. As a fan the only thing left I could ask for is respect from critics, respect from fans, and of course sales.
Hopefully she rocks all 3
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Banned
Member Since: 5/15/2010
Posts: 15,858
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Quote:
Originally posted by BadBitchRihanna.
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The Times>>>>>>>>>>>>>> Metacritic...
Quote:
5. Blackout - Britney Spears (SonyBMG, 2007)
The title was pertinent enough — Spears had shaved her head and was in and out of rehab when this vocally scrunched, harshly metallic album appeared. No one expected it to be this good.
4. Speakerboxxx/The Love Below - Outkast (Arista, 2003)
The coolest hip-hop album of the decade. A sprawling, madcap collection of jazz, funk, rock, rap, dance and Southern soul music performed with impeccable wit by the polar opposites Andre 3000 and Big Boi. Hey Ya! indeed.
3. In Rainbows - Radiohead (XL, 2007)
Bereft (at least initially) of the artwork and packaging that comes with physical releases, all we had to appraise were the songs — and what songs they were. Febrile magic hour reveries such as Faust Arp and Reckoner were startling snapshots of a band delighted to discover that each hitherto undiscovered chamber in rock’s Gothic pile contains an entrance to yet another.
2. Back to Black - Amy Winehouse (Island, 2006)
“I told you I was trouble” — and so it proved — but Winehouse’s second album is as close to an instant classic as any this decade. The true magic of this record is in the rich melodies, and lyrics full of busted love and dark humour.
1. Kid A - Radiohead (Parlophone, 2000)
Almost a decade after its release, it’s easy to forget just how much of a leap into the unknown Radiohead’s fourth album presented. With OK Computer hailed by fans and critics as one of the greatest albums of all time, the group’s next challenge was to keep an audience without turning into their own tribute band. In doing so, they came famously close to dissolving completely. Tales of Thom Yorke and Jonny Greenwood — the laptop-prodding axis of the group — sitting in one room while the others wondered if they would even be needed that day have become legion. However, what they emerged with effectively redrew the parameters of the rock album for the new century. The padded-cell ambience of Everything in its Right Place and Morning Bell seem custom-built for these obsessive-compulsive times — as does the fin de siècle night terrors of The National Anthem and Idioteque. And throughout it all — most notably on How To Disappear Completely and Optimistic — Radiohead still found time to remind us that, when the fancy took them, their electrifying live synergy was still intact. Anyone seeking to establish the last time a mainstream rock goup released such an experimental record and maintained their commercial stock would have to go all the way back to 1968 and The White Album. Therein lies the scale of Kid A’s achievement.
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http://entertainment.timesonline.co....cle6922991.ece
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