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Tournament: Create a Label 4 | R.I.P.; Bye, Guys!
Member Since: 12/27/2011
Posts: 4,769
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Pheromone Records Announcement
The newly established "Pheromone Records", a mainstream pop music record label, and Rihanna, the world's largest and most successful pop star of our time, are proud to announce their new contract and partnership. Along with the announcement, Pheromone would like to announce Rihanna's first release with the label.
"Pain Killer" - Rihanna
Written by Rihanna and James Fauntleroy
Produced by The Dream and Future
Genre: Trap, Hip Hop, R&B
Release Date: Sunday, February 9th
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Member Since: 8/18/2013
Posts: 12,666
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'Pain Killer' overshadowing 'Killer Pills' like that
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Member Since: 1/1/2013
Posts: 17,232
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This week and the one after are gonna be slow for Charli tbh, I have too muvh work to do, but she's coming back full time right after
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Member Since: 1/1/2013
Posts: 17,232
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And robbie where's the chart
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Member Since: 12/27/2011
Posts: 4,769
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Rihanna stumbles out of New York City recording studio
Rihanna was seen stepping out of a New York City recording studio acting more than happy. She was beaming, looking pale and sweaty. She shouted some words that the paparazzi couldn't understand, but she expressed excitement for her upcoming single.
Rumors have been swirling of Rihanna battling a coke addiction that has been boiling up for a few weeks.
#PainKiller
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Member Since: 3/15/2013
Posts: 5,981
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Quote:
@OfficialSNS
don't do coke rih am worried -L
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Member Since: 8/18/2013
Posts: 12,666
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Quote:
Originally posted by Fingerprints
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Member Since: 5/6/2012
Posts: 15,354
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Completely forgot to finish the thing I was gonna post Will do so tomorrow night/morning And maybe if Robbie'd let me in since the game is a biT montone and I've been good
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Member Since: 9/9/2012
Posts: 59,872
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Don't Robbie.
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Member Since: 9/1/2013
Posts: 5,014
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Pheromone Records?
*insert Whoopi Goldberg wtf face gif*
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Member Since: 8/18/2013
Posts: 12,666
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Quote:
Originally posted by iHypeMusic
Don't Robbie.
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Member Since: 5/6/2012
Posts: 15,354
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Member Since: 1/1/2013
Posts: 17,232
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Charli XCX Performs at Vancouver Alternative Festival
Charli XCX made a quick appearance at Vancouver's alternative music festival last night. She appeared wearing a red catsuit with black orneents and leather boots and gloves. Her fantastic performance included songs from her previous album "True Romance" like Nuclear Seasons and You're The One but aswell as the songs from her current album "XCX". She even performed her collaboration with Junglepussy. The crowd loved the performance and the critics raved about it. A article about Charli's appearance made today's front page in the biggest local newspaper. Charli XCX's current single "Killer Pills" is now available while her album "XCX" is set to have it's deluxe edition released soon.
Setlist:
1. Nuclear Seasons
2. Asylum
3. How Can I
4. I Love The Poison
5. Dancing Darkness
6. You're The One
7. Sorry
8. No Love (Out Here)
9. Favorite Killer Drug
10. You (Ha Ha Ha)
11. Killer Pills
12. XCX
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Member Since: 1/1/2013
Posts: 17,232
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Charli XCX: The XCX Revolution Tour (Day 19: Los Angeles)
Charli XCX performed the 10th date of The XCX Revolution Tour minutes ago at Los Angeles's Nokia Center . The concert has amazing effects that happen all around the big stage. The whole crowd simply enjoyed the show, they loved it. Lasers were used on multiple songs and fog was used during "Lock You Up", "You're The One", "Alone" and "How Can I". The visuals were stunning and Charli holograms were used during "Lock You Up" and "XCX".
The critics praised the shows and gave it great reviews. Charli sang 23 songs, not including the interludes. The show is divided in 4 acts.
This show's Opening act were Brooke Candy and Azealia Banks who both performed some of their songs.
Next Date: 02/04/14 - Nokia Center, Los Angeles
Setlist:
ACT I
Introlude (Features samples of Asylum)
1. Asylum
For the opening song, Asylum, Charli entered the venue in a jewel like glass box with neon lights around it. While colorful lasers shoot all around it doing mystical and wear shapes. Charli starts singing and the crowd went crazy. Charli got out of the box and a dancer brought her a microphone stand that shoots lights that she sang with the rest of the performance.
2. Nuclear Seasons (Contains samples of Stay Away)
3. So Far Away
In previous dates of the tour, this song was a medley of So Far Away and Take My Hand, but the Take My Hand medley was removed and So Far Away's performance was extended. On this song Charli wears the outfit seen on the cover of her debut album "XCX"
4. Set Me Free
5. Killer Pills
6. Violent (Feat. Brooke Candy) / Cloud Aura (Feat. Brooke Candy)
7. I Love The Poison
After the Violent/Cloud Aura medley on which Brooke Candy made a special appearance, Charli stood infront of a wall of mirrors. The mirrors started moving while she sang the lyrics of the song. When the chorus started all the mirrors started moving really fast and more mirrors started appearing all around the stage reflecting all the lights and lasers and creating an amazing effect.
ACT II
Interlude: What I Like (Music Video)
8. Noises/Lasers
Charli entered on the stage during this act with a key tar and she started playing the first notes of Lasers. When she started singing, lights representing the key board started lighting up. Each time she pressed a key the light representing it showed a new light color. The performance was impressive.
9. Alone
10. Grins
11. Angelic
ACT III
Interlude (Samples Set Me Free)
12. Favorite Killer Drug
13. No Love (Out Here)
14. You (Ha Ha Ha)
15. Electrify Me (Feat. Marina and The Diamonds)
15. Stuck Here (Feat. Azealia Banks)
16. How Do You Feel About Me?
17. Superlove
18. I Love It
ACT IV
Interlude: Black Roses
19. Dancing Darkness (Feat. Natalia Kills)
When then "Black Roses" interlude ended Charli arrived into the dark venue filled with fog. She was all alone and looked like she was nearly crying. She sang the song and made the crowd go wild while she performed the powerful song to which she danced all by herself a mysterious and weird choreography. Lasers started shooting everytime the chorus started. She remained alone and with the same setting for the next 3 songs, "How Can I", "You're The One" and "Lock You Up".
20. How Can I
21. You're The One
22. Lock You Up
This performance made literally the whole crowd cry. It was very powerful and magical. Holograms of Charli started being shown on some parts of the stage for a few seconds and the whole way Charli danced and the holograms acted made everythign amazing.
Interlude: The Revolution
23. XCX
This performance after the interlude "The Revolution" concluded the show. The performance was spectacular with multiple dancers around Charli doing some amazing moves. During The chorus, Charli sang the song energetically before doing synchronised moves with the lasers during the breakdown. The performance concluded the show spectacularly.
Outrolude
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Member Since: 1/1/2013
Posts: 17,232
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Charli XCX Releases "Killer Pills: Remixes"
Charli XCX just released a set of reixes worked on by many producers like herself, Odd Future, Icona Pop, Madeon, RedOne, Dave Aude and more. The remixes are already being played in many night clubs all around the world. Charli XCX who is very busy with her huge tour "The XCX Revolution Tour" explained her absence from the scene more in a twitter Q&A: "I've been very busy touring and at the very same time, i'm working on new material, those two weeks are ganna be less busy in terms of promo, but i'm gonna soon be back on the front of the scene!"
The remixes' snippets were revealed yesterday first on Charli XCX's website CharliXCXMusic.com and an hour later on Amazon and ITunes.
Tracklist:
1. Charli XCX Produced Mix
2. Icona Pop Mix
3. Madeon remix
4. RedOne Pop Mix
5. Zedd EDM Remix
6. Dave Aude Remix
7. Instrumental
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Member Since: 9/9/2012
Posts: 59,872
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Member Since: 5/6/2012
Posts: 15,354
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I have no time to finish it but I'll just post it now to get it over with
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Member Since: 5/6/2012
Posts: 15,354
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No Last Name
The lights were dimmed. A spotlight was focused on the microphone stand which was not accompanied by anyone at the moment. A loud buzzing of electric, television and orchestral noises began to enter the stadium and you could hear an audio.
*Welcome to the show guys! I’m so happy to be performing. By the doors you can donate additional money to the hospital, and there are tons of food and drink stands in the custom-made food court for sale. I hope you guys really enjoy the show!*
Fog came up as the live band, which were on the stage floor began to play an intro. On top of the stage was in fact another stage. A huge platform was made, a nice rectangle, thin-lined platform where the spotlight focused on. The crowd cheered, as George appeared.
“Let’s get this party started!”
He tapped his foot to the beat and the music smoothly transitioned from the created intro to the beginning of “No Last Name”. George clapped his hands to the beat, with the audience following. He started off with an edgy vocal, a bit more sharper than the studio version. He grabbed his microphone stand and dragged it around a little for the pre-chorus. He threw it behind him backstage off the platform, as dancers were lined up and the band added a suspenseful drumroll and guitar crescendo…
The chorus came in exploding as all the dancers and George jumped around, pumping fists and performing some edgy but simplistic choreography. The lights motioned all over the gigantic room. The band continued to play, at a louder and more enticing volume along with the microphone volume going up. The dancers headed their way off the platform as the second verse came in.
George was alone on the slim stage above the stage, moving around and just having a good time. He walked very slowly across the platform as the pre-chorus came in. This time, the lights were gradually dimming before the chorus came in. The intense crescendo to the chorus was extended by two measures, as the room blacked out.
The lights were flickering like crazy everywhere as George performed the same choreography and had the same approach to the performance as the first chorus, just by himself now. The lights now were in different colors — pink, blue, green, yellow, red and white. He made his way down to the stage floor by going behind the platform to access stairs and he came out to play on the bridge.
He went on the drumset, doing a much more complicated and entertaining feature than his previous performances. He slammed his sticks across the cymbals as the electric guitars shrieked out. He threw away the sticks, and ran to a microphone stand on the stage floor. He counted down and the final chorus of the song was cued.
The ending of the song was a great follow-up to the climactic bridge, as George bent down and showcased more powerful vocals, making them his best vocals to date. He held out a note for ten seconds sat the end while a huge drumroll and guitar shriek was held out, and a big “BANG!” of a finish happened sonically with George throwing the microphone stand down off the stage.
“What’s up everybody?!?! So yeah… I’m George G, you might know me as Georgie Skai. And speaking of Georgie Skai… I think you might know this next song. It’s my biggest hit as a label owner… enjoy.”
Bitch Like That
George went onto another stage in the gigantic room, as it was a jail cell. There were five little cells with two boys and two girls scattered — one in each cell. George went inside and locked himself in the middle cell. The band began to play “Bitch Like That”, the iconic single by Miley Cyrus & Lindsay Lohan which he co-wrote and co-produced. The crowd went crazy as George began to sing the track.
He sang Miley’s portion as an unknown voice began to sing too. She arrived on the scene — M.I.A. M.I.A. was playing Lindsay Lohan and George G was playing Miley in this classic jail breakout tale. M.I.A. began to protest outside of the jail cells as the other dancers locked up looked hopeful that she would save them. She helped George escape, as police came onto the scene.
The chorus came, and the lights flashed all over the police officers, blinding them. George and M.I.A. now stood back to back, circling as the officers were experiencing seizures all over the stage due to the lights. The dancers all danced a different pattern in the jail cells and a huge screen above the jail cell showed George and M.I.A.’s faces labelled: ‘WANTED FOR ESCAPE’.
In the second verse, M.I.A. took complete control by punching some bitches back to the ground and performing choreography in sync with the imprisoned backup dancers. George followed up, running away from the cops and having M.I.A. shoot them with a confetti cannon, making them die. The bridge came up, as the two headed to a car right to the left of the scene.
“Let’s get the hell out of here.”
“Drive, bitch!”
The car drove, literally to another stage in the gigantic globe of a room as the track faded away. George got out of the car first, as the cops got to M.I.A.
“Go on without me!”
“M.I.A.!”
“You can do it!”
“Alright! Love you!”
“Love you too.”
George made an escape, fleeing the scene and leading to a brief break.
- Short Break -
You Sound Good To Me
“I actually found out Lucy Hale is here tonight — hey girl! Huge fan! This is her new single, which I absolutely love, it’s called — ‘You Sound Good To Me’. Enjoy!”
The light shined and the setting was very American. There was a camp fire on the side where a lot of mainstream southern teenagers gathered around. George was on top of a pickup truck with a microphone stand and began to sing, as he took a risk doing a Country-Pop song.
He sounded great, as the live band played from behind the scene. He got to the pre-chorus and chorus as the kids by the camp fire began to fool around, having a great time listening to the music.
In the second verse, George got off the pickup truck and started hanging with the teens. They brought out glasses, filled it up with pink lemonade and really had a great time, throwing the lemonade around, dancing, talking and watching George in the middle of it all.
The bridge came and the kids brought out an American flag, making it fly all over the stage as George ran around and went back to the pickup truck. He ended the performance sitting on the truck smiling. He got off and made his way around the room to a new stage.
Determinate
“This next song is something I really wanted to perform for you guys today. If you’ve ever seen that Disney Channel movie ‘Lemonade Mouth’ then you’ll know this one. I just really love this song, and yeah, here we go!”
The piano played as George sung the first lines with some emotion, doing it lightly and calmly. He opened up his vocals to the song and the lights dimmed, but rose again.
The guitar and bass kicked in, electrifying the song, as the back band filled with some teenagers played, as he strutted around with a microphone stand clutched. He sang with an abrupt sharpness, imitating Bridgit Mendler’s edginess on the track. There were some background singers assisting him in the pre-chorus.
The rest of the performance was very edgy, as the entire band and George performed with great chemistry and confidence. George rapped for the bridge as backup singers and dancers filled the scene. Overall it was very epic, and entertaining.
***INTERMISSION***
Dark Horse
An extended instrumental of “Dark Horse” by Katy Perry and Juicy J began to play as George climbed up the steps on the new stage, like a rectangle pyramid, but flat.
“Ladies and gentlemen, she just released her debut single ‘Flippin’ Mah Weave’ today, please welcome Shanaynay!”
Shanaynay came out on the stage, climbing up the stairs to be with George. The audience cheered for her as George began to give an introduction and the song kept on going.
The lights went navy and lavender as Shanaynay began to sing Katy Perry’s portion of the song. She slowly walked down the steps as dancers came out and George was faded away by fog all over the stage. An aura of darkness surrounded the stage as Shanaynay delivered great vocals.
She got to the pre-chorus where a dancer lifted her up and threw her to another dancer. Shanaynay was then slid across the floor where she then began to dance out and crawled around looking captivating.
When the trap break came in, Shanaynay and the dancers swayed from side to side, flipping their weaves too. The second verse came in and Shanaynay began to be lifted up into the air, still serving nice vocals and having a majestic aura on the stage.
She flew around during the pre-chorus, hitting the chorus hard as she swung over the audience and George began to rap Juicy J’s part as he did choreography on the main stage with Shanaynay flying over the audience. The color of the light began to rise as George and Shanaynay sang the final chorus in unison. The lights would keep escalating to a bright white and the performance was over with a stage whiteout.
Jam (Turn It Up)
When the shearing light calmed down, the stage was a completely different set-up. There was a telephone booth, a bar and a huge glass box. The instrumental for “Jam” began to play as George made an announcement.
“Ladies and gentlemen, please welcome Kim Kardashian!”
Kim Kardashian came out on the stage, waving to the crowd dressed in black heels, white skin-tight pants and a lace crop top.
“Our single for St. Jude’s is pushed back to Tuesday, BUT y’all can enjoy it now!”
“Let’s go!”
Kim began to sing as George sang the opening chorus in a higher octave, creating a nice harmony. Kim walked out to the bar, having a few drinks with people as she sang her first verse. George headed over to the telephone booth to make a call. Kim cheered her drinks with the dancers and they went on the dance floor for the chorus.
George was in the telephone booth, harmonizing in and out to the song. Surprisingly, Kim served much better vocals than the 2011 original studio version of the song, although… well yeah, she did a better job. She performed light choreography, flipping her hair and doing some basic but well executed Beyoncé-esque moves. The instrumental slightly changed, as a more Rhythmic beat played.
George came out of the booth and began to sing at a very fast tempo. The lyrical content of the new verse was fitting with theme of partying and fun. He added more lines about music and euphoria. He came out looking very confident and he and Kim winked at each other like they were doing a great job of performing.
The chorus hit and George did more of the lead vocal where Kim harmonized and layered the part a bit. They both performed a bit more complicated of a routine than the first chorus.
The bridge hit and immediately they both started to go in the glass box. The glass box was lit on fire and both of them continued to perform choreography and slay the remix of the charity single. Both looked good, sounded good and entertained the crowd well.
The final chorus hit where the glass box broke, shattering everywhere. Both went to the edge of the stage and got hyped up. Both stepped all around the stage, jumping, smiling and having a great time. They ended holding hands up in the air.
***INTERMISSION***
Tell ‘Em (How It Was)
“Welp, I told y’all that Kim Kardashian wasn’t going to perform… I lied. I gave a setlist to someone to leak… and that wasn’t finalized clearly. So I am here performing a song, and I am so honored to have the woman who made it in this room. I mean first Lucy Hale and now this… thanks for coming again y’all! How about you guys give yourselves a round of applause!”
The instrumental for ‘Tell ‘Em’ began to play and many people recognized the song, gasping and cheering.
“So wherever you are out there Junglepussy, this is ‘Tell ‘Em (How It Was)’. Dedicated to you.”
George started out against the wall as projections began to appear against the wall. The projections of many girls was shown with minor injuries, referencing the lyrical content and concept behind ‘Tell ‘Em’. George began to sing the song, but an octave lower than Junglepussy since of course, he could never even attempt to sing like that.
A few dancers came from behind the wall and they all did some choreography for the chorus against the wall. George spun around off the wall and began to step closer to the audience and the rest of the stage was revealed upon by the lighting.
There were chairs and George sat on one followed by the dancers each sitting down. They did some chair choreography for the second chorus. The audience was very pleased with the performance, as the lights dimmed for the bridge.
For the bridge, the projector showed a video on the wall — a little video of a collection of abused girls’ faces. George had a voiceover:
*Love changes everything. Love yourself, and let others love you*
The lights came back on and George went all out with the dancers performing the last chorus of ‘Tell ‘Em’. They got on the floor, pulled their bodies across with their hands, spun around and got back up serving Broadway meets Urban choreography. George blew a kiss in the air when the song ended, heading on to a new stage.
“Love you JP! Hope y’all liked it!”
George moved down the stage where there was a piano and a pianist set up.
Dope
George sat on a piano which was played by Lana Del Rey’s old pianist.
“I think it would be more appropriate to say ‘I need you more than Coke’, I MEAN THE DRINK OF COURSE!”
The audience laughed while George continued to speak, “But I would like to slow it down a bit more. Here’s ‘Dope’.”
The performance was an utter showstopper. Serving his lower register, George belted out a very heartfelt and intricate rendition of Lady Gaga’s “Dope”. The performance was extremely simple, as George sat on the piano singing with the pianist playing. He bowed in front of the audience and proceeded to break.
- Short Break -
Reflection
The curtain rose, revealing a huge production. On the bottom of the stage was an orchestra. A dual staircase wrapped around the orchestra as on the floor above, George G stood facing a mirror. The orchestra began to play, as George began to speak.
“This is a song I wrote and kept for something special. It’s called ‘Reflection’, and I hope you guys are moved by it. This is my last song tonight, and I hope you guys liked the show.”
The orchestra had a very light, one-note-held out moment. Suddenly all the musicians snapped very lightly, very slowly and George began to sing a ballad for the first time in public. He stood there singing the first verse, with a very dim and intimate setting in the circle-shaped custom made performing centre.
The orchestra hit an uplifting melody as George approached the chorus, expanding his vocals easily. The song was not too challenging to sing, but still very emotional and sentimental. The lyrical content of the song had to do with looking at yourself in a mirror and seeing exactly what you are… but from a different point on view. George brushed his fingers against the glass mirror, and a streak of black paint shown.
The orchestra transitioned to the second verse smoothly, with George walking down the dual staircase on the left. A tear came down his eye, wiping it off smoothly as he landed on the stage floor. He took the conductor’s place, as he conducted the pre-chorus instead of singing.
He headed out to the stage floor and began to sing with a more conflicted, emotional attitude. The mirror above began to have more paint streaks on it magically. George walked around slowly, in a sad tone and the lights shined on the mirror.
The bridge came, making a dramatic incline in violin as George walked around like a psychopath. He looked ill, spastic and worried. The lights were performing an exorcism on the mirror above as George ran up the stairs. His vocal was extremely emotional and raw, with many flaws. By the time he got to the mirror the bridge had ended and the color on the mirror had faded and the mirror was normal again.
George sat down, belting out the last chorus on the floor with his legs crossed. He ended the performance by going up to the mirror and drawing a heart on it with his finger, which was neon pink. The lights dimmed and the concert was over.
“Thank you.”
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Member Since: 3/14/2013
Posts: 37,294
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Member Since: 8/18/2013
Posts: 12,666
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Anyways moving on to something relevant on the page again, where is the chart?
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