The bass of Preface

The weird sample and the organ parts on Lights On

The sexuality of Two Weeks and it's chorus

The offbeatness in Hours

The harmonies and the adlibs on Pendulum

The pace changes, vibration and lyrics of Video Girl

The fast pace of Numbers

The electro chruch gospel realness of Closer

The vocal samples and the verses of Give Up

The sensuality and the literal orgasm in Kicks
The entire production
It's so cohesive, yet every song is different. It flows flawlessly
