I was basically saying it's not an album all tracks produced by MaX Martin. It's not my fault if Taylor pops up in your mind when Max is mentioned. Must be telling something. I wonder why?
How in the hell is "When We Were Young" a Taylor ripoff? Taylor's couldn't reach half of those notes and her shrill light vocals would have gotten ate UP on that production.
No one cares about "Send My Love."
lyrically. although shes obviously not as good as taylor in that department
And a very limp, colourless ending with "Sweet Devotion".
Is this album the most creativity she could muster in 4 years?
Or should we give her the benefit of the doubt and assume she is simply a stifled label puppet who was not allowed to divert from the formula?
Adele's biggest hit is not about her singing that haters gonna hate. Poor that other gurl. Having something so uninspired as your biggest and only global hit...
Witherspoon’s production company, Pacific Standard, has made film hits and Oscar nominees of two best sellers, Wild and Gone Girl, and had already secured the film rights to Luckiest Girl Alive.
Adele's biggest hit is not about her singing that haters gonna hate. Poor that other gurl. Having something so uninspired as your biggest and only global hit...
As opposed to having your biggest hit being a song about desperately and obsessively trying to reconnect with a man who don't give a **** about you no more?
how sad
