Quote:
On songs like the Cole Porter standard "Anything Goes" and the title track, Gaga sounds like what she thinks a jazz singer should sound like; her performances are blatantly affected, marred by shouting and clichéd phrasing. She displays a total dearth of the vocal precision and enunciation that made her so-called idols the masters they were; her timbre on eden ahbez's "Nature Boy," for instance, is wildly inconsistent, shifting from soft and almost pleasant to parodic and comical, often within just a few short bars.
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The irony of this supposed "drag" is that Ms. Campo's
writing hate speech sounds like what she thinks a jazz critic should sound like; her obnoxious and vitriolic references to phrasing, timbre, and intonation, as if she has any inkling on what these terms actually mean in a musical context. Though she might think she's qualified in vocal pedagogy, she's really nothing more than a glorified blogger who couldn't differentiate between a mix or head voice.
Sorry Alexa, one second Gaga's the fake and then suddenly the fake is you!