It's kind of disrespectful but it's such a great song
Rosso Relativo is the biggest surprise to me, y'all stanning a bit too hard for that song
In truth, I gave Rosso Relativo a 10, as I did with Il vento, Killer, Sei sola, Alla mia età, L'ultima notte al mondo, Ti scatterò una foto, Il regalo più grande, Le cose che non dici and Senza scappare mai più, I just hope RR beats La differenza tre me e te, it's not my favourite song from Tiziano, don't really like it that much, to be honest, Il vento and Senza scappare mai più are much better than LDTMET, I still don't know why everyone goes bat**** crazy over this song, the video is really poor for a start.
Nah just the cover of that magazine. He could've told us when in October
He's in Latina this weekend
Seriously, can he get any better looking? I mean, his arms, his face, his smile Not really fond that the girl is there but any way, why is she kissing him? He's probably thinking: "Yes, I know you love me but..." the woman isn't even kissing him properly Does Tiziano kiss his fans? Or do his fans kiss him? Obviously he wouldn't be kissing his male fans and his male fans wouldn't kiss him, would they? , I mean he can kiss me if he wants. I wouldn't mind. Really hoping to go his concert next year in Italy and lowkey hoping I'd 'accidentally' bump into him, if I'm there.
I would have L'amore è una cosa semplice, L'amore e basta (Demo) and Smeraldo playing at my wedding, if my future husband doesn't like Tiziano, well, he knows where to go (Però all'inferno ci vai tu).
The highest rated of his signature ballads is "Non Me Lo So Spiegare", a song that he wrote back in 2000 but that didn't end up on his debut album, as the people around him did not believe in it. He had to fight with his label in order to have it released as the third single from 111. Despite the previous single "Sere Nere"'s massive success, this single was not overshadowed and became a big hit in its own right.
The title track of his debut album makes it all the way to #4. This song, one of several on the album that deal with his relationship with food, was released as the fourth single. It became a top 5 airplay hit and the physical single release almost reached the top 10. Despite the limited success, it is well remembered and appreciated by his fans, and the "Paola, oh Paola" line is an iconic sing-along moment at his concerts.
The video was shot in Ibiza, as the original plan was to give it a summery vibe. A tropical storm ruined this plan, and the video ended up darker and mostly indoors.
One of his weaker singles, but I love all of his singles. Last year's live version was amazing though, one of my favorite moments. The new climax after the bridge >>>
December 2012 gave us a nice surprise when Tiziano announced he had produced the debut album of a young female rapper called Baby K. A month later the single "Killer" dropped, an addictive dance pop duet that sounded a bit like Rihanna's "S.O.S." and Miley's "Can't Be Tamed". It stood in stark contrast to the mostly adult contemporary music of L'Amore È Una Cosa Semplice, an era that hadn't ended yet; seventh single "La Fine" was released a week after "Killer".
This overload of Tiziano singles was one of the reasons "Killer" wasn't as big as it could have been. It still ended up a platinum top 10 hit, but radio never warmed up to it. However, it was enough to put Baby K on the map. Two years later she collaborated with Giusy Ferreri (whose debut album Tiziano produced as well) and released the most successful Italian smash of the decade, "Roma-Bangkok".
Two years later she collaborated with Giusy Ferreri (whose debut album Tiziano produced as well) and released the most successful Italian smash of the decade, "Roma-Bangkok".
The biggest question when Tiziano came out of the closet was how it would affect his career. As a male heartthrob who seemingly relied on the infatuation of young women, few believed he would make it through unscathed. And with Alla Mia Età being such a massive success, there was really nowhere to go but down. Fortunately he came up with "La Differenza Tra Me E Te", a song so brilliant and terrific that Italy couldn't help but lift him up even higher. A new Tiziano was born with this single; he'd never looked so healthy, happy and radiant as in the accompanying music video. Lyrically the bridge is a touching nod to his coming out, making it the perfect way to introduce his genuine self to the public.
"La Differenza" dominated the airwaves, topping the airplay chart for 12 weeks, a new record at the time (later beaten by "Get Lucky"). It was the beginning of another huge era for him, as L'Amore È Una Cosa Semplice became the best selling album of 2012, and to date has not been outsold by any album that was released after it. The video held the record for most watched Italian video until 2015.
The only single that we all agree is among his ten best is "Alla Mia Età". He already had part of this song written early in his career, but he did not complete it until he made a joke about Mexican women, enraging an entire country. He was subjected to a vile hate campaign, and to this day his name remains a running joke in the area. The experience affected him deeply, as he had lived in Mexico for several years and considered it a second home. The fallout spawned "Alla Mia Età", a song about forgiving yourself for your mistakes, appreciating the forgiveness of others, and using this to find the strength to go on.
Released as the lead single from the album that bears the same title, "Alla Mia Età" was different from his previous work and not immediately catchy, making it quite a risky choice. Fortunately it paid off, as critics embraced his incredible artistic growth, and it allowed his audience to diversify even more. While the song is not among his big classics, it is an obvious fan favorite, as this rate proves.