Blow Me (One Last Gospel) is a masterpiece. My #1 for 2012. The base gon deal.
The Truth About Love is epic! The pure brilliance of the lyrics and the production >
I love it because she just keeps it real and tells the truth.
I agree. Some people say that P!nk doesn't evolve and change her sound but this album is diverse. The garage-rock of the title track, the country / folk-influenced midtempo Just Give Me A Reason, the R&B Where Did The Beat Go?, the typical rent-a-rapper hit Here Comes The Weekend ()... I could go on.
Quote:
Originally posted by IAmFree
Your love for P!nk will explode after you heard all of her albums. The most consistent, brilliant pop discography since 2000.
Agree. Too bad that some ATRL members think that she's releasing the same song for 13 years.
Really? It's completely over-reaching to say that without thoroughly listening to her albums. About three weeks back, I got I'm Not Dead, Funhouse and The Truth About Love albums. And it's something that you need to hear to understand. I never for one thought that I was listening to the same song because I paid attention to the production, melody, lyrics and the vocals, all of which are superb.
I agree. Some people say that P!nk doesn't evolve and change her sound but this album is diverse. The garage-rock of the title track, the country / folk-influenced midtempo Just Give Me A Reason, the R&B Where Did The Beat Go?, the typical rent-a-rapper hit Here Comes The Weekend (:eli)... I could go on.
You speak the truth
Not u forgetting about the haunting piano ballad The Great Escape. That song always catches my soul
Really? It's completely over-reaching to say that without thoroughly listening to her albums. About three weeks back, I got I'm Not Dead, Funhouse and The Truth About Love albums. And it's something that you need to hear to understand. I never for one thought that I was listening to the same song because I paid attention to the production, melody, lyrics and the vocals, all of which are superb.
That's Pink's influence.
Edited: Thanks for the heads-up, Michael.
Exactly. I think that many people here mistake staying in the same genre for being a one trick pony. Just because she doesn't release a faux-dubstep song doesn't mean she doesn't experiment with her music. If you listen to her albums in chronological order you can hear that she is very progressive, whether it be lyrics, melodies, vocals, production or overall sound.
Exactly. I think that many people here mistake staying in the same genre for being a one trick pony. Just because she doesn't release a faux-dubstep song doesn't mean she doesn't experiment with her music. If you listen to her albums in chronological order you can hear that she is very progressive, whether it be lyrics, melodies, vocals, production or overall sound.
THIS!
I never understood how people can say Funhouse and TTAL are basically the same. I was like
Exactly. I think that many people here mistake staying in the same genre for being a one trick pony. Just because she doesn't release a faux-dubstep song doesn't mean she doesn't experiment with her music. If you listen to her albums in chronological order you can hear that she is very progressive, whether it be lyrics, melodies, vocals, production or overall sound.
Spill that tea, sis.
And I agree. Not every artist has to crossover or experiment in another genre to make progressive albums. It's that following the pack mindset that really sets back some artists because to be successful in music , you have to carve your own niche that no one can't.
Pink's proven that she's her own person and it's one reason why she's relevant on her terms (AFAIK; whether the label has any part in that, I have no clue, lol). Besides, being at the very top isn't really for everyone. It's like Kelly Clarkson and her Breakaway era, it nearly destroyed her because of the amount of effort it takes to be a pop superstar.
)... I could go on.
