Tournament: Create a Label 5 | Thank You Retro & Miles. - Page 146

iHype.

Quote:

Originally posted by Giselle

Hey children. This game has fell too the second page and is looking even more dead than usual, maybe it's time the LÈGEND makes a comeback.

f; she better try to snatch a Top 3 the deadest week of the game.

C/H/A/N/E/L

tigerlily13

Quote:

Originally posted by iHypeMusic

f; she better try to snatch a Top 3 the deadest week of the game.

n no one's playing?

C/H/A/N/E/L

So she can say Selena finally redeemed haself from her recent reputation.

tigerlily13

C/H/A/N/E/L

I mean, if Rae promoted and went #1, he'd be like "See, y'all! Selena got a #1 with 5 articles! WHO ELSE!"

YUNGKALIMXEL

Tuesday

STREET OUT NOW @faithlee
STREET featuring @NICKIMINAJ
out on iTunes and Vevo NOW
#STREET

STREET OUT NOW @faithlee
On Jimmy Kimmel Live! tonight
with @NICKIMINAJ performing
#STREET! Don't miss it!!!

STREET OUT NOW @faithlee
I'm SOOOO blessed to have
such amazing fans who stick
by me throughout it all! Can't
believe I actually have a SINGLE
out!!! Album coming soon, w/o u
guys I couldn't have done it XD
#STREET

YUNGKALIMXEL

FAITH LEE AND NICKI MINAJ PERFORM NEW SINGLE "STREET" ON JIMMY KIMMEL LIVE!

Faith Lee and Nicki Minaj performed their fresh collaboration "STREET". The Rap Queen Minaj and New Rap Girl On The Block Faith Lee released the saucy music video for their single last night on Vevo and performed it on Jimmy Kimmel Live!. They both wore MOSCHINO outfits similiar to the ones they were in the music videos. They were joined by back up dancers wearing MOSCHINO belts, black sweatpants and a black tank top and performed against a white background for the first half of the performance but an image of falling money and marijuana leaves projected on them. People on social networks have been in uproar about this and also about both of the femcees twerking and pouring golden liquid onto each other and wiping each other down with sponges whilst performing. It certainly was a saucy 4 minutes...

http://www.fashionisers.com/wp-conte...hion_Week8.jpgNicki wears the last outfit on the left and Faith wears the last one on the right for their performance.

C/H/A/N/E/L

Paige Elliot Announces "The Queen"; Talks 'S/E/X' Scrapping

After the release of her last two singles, "S/E/X" and "Swarovski", both confirmed to be on an album from titled 'S/E/X' centered around sexual revolutions and freedom, Paige Elliot recently announced the fact that 'S/E/X' was scrapped in favor of a new album, with a completely different direction and artistic sound.
"Honestly, I'm in love with 'S/E/X'," Elliot began. "But I realize that's not what I want right now. I don't want to get completely crazy and act like a skank and all that for an era. I may end up revisiting 'S/E/X', but for now, I have something else in mind."
Despite the album being currently scrapped (or delayed for a later release), "Swarovski" was confirmed to be on the upcoming album by Elliot's younger sister, Angel Brooklyn. Brooklyn also revealed that she knows a lot more about the album, including it's title, direction, producers, and tracklisting, but isn't allowed to reveal too much about it.
"Paige first wanted to do 'S/E/X'," Brooklyn, 21, stated, "But she realized that was too much for right now. That album's extremely intense. With sex as it's concept, it's really out there, and she was telling me that she doesn't think that's right for now. Her new album is just as dark... Some bits are obviously light, but I consider it an extremely dark album. I mean, the title itself gives you the feel of it... I'm not allowed to say too much, but I know that her song with Taylor Swift, 'Swarovski', is going to be on the album, and that the lead single comes out next week..."
After the announcements from Elliot and Brooklyn, Elliot pushed forward to announce the new lead single of her upcoming album. The single, which already had the entire music video shot this week by director Francis Lawrence with additional directing by photographer Terry Richardson, was written mostly by Elliot in different hotels while travelling through Europe, though small changes were made by the song's producer (who is yet to be revealed) along with additional writer Steve Angello from Swedish House Mafia. Richardson was originally booked for the photoshoot for the 'S/E/X' era, though with the album put on hold (along with all its photos and videos so far), Richardson opted to contribute to Elliot's current era.
The new single from Elliot, titled "The Queen", is due to release this weekend, with Elliot stating she'll release it at any moment these upcoming few days. The song was described, by Brooklyn, as "a mix between a hidden story and a powerful anthem", while Elliot's manager Carlton McGuire, described it as "the biggest song that's going to come out this year, with an extremely infectious hook". Elliot herself finally explained it, saying, "It's about dealing with a celebrity life in a relationship. It may sound stupid, but that's what it is... It's not as obvious as that, but it's there. I mean, I can be this woman who goes out to events and hears screams and cheers but I can still be your girlfriend. That's the basic bit of it, but there's... So much more. I'm not going to be held back by the bad relationships of the past, either. I'm going to live in the now and be the best me that I can be, for the public and for my family and friends."
Finally, a blurred version of the single's cover along with an instrumental snippet of the song were released to Elliot's official website, displaying the powerhouse chorus of the song.

"The Queen" is due to hit stores this weekend, with the video releasing this upcoming week as well. Be sure to keep on the look out for more news and info!

HausOfCarlos

^is Paige being nearly nude and wearing some sort of huge joker hat or something like this cause that's what i'm seeing

looking more closely i think i see Paige sitting on a big heart throne

anyways it's always interesting to see what Paige has in stores for us

btw i quit the game really got a bit boring after playing for a year and a month

C/H/A/N/E/L

Neither of those, sis. But she is nearly naked.

Miles Caulfield

Ok so this week is a total flop, and I apologize for that and for my freaking out earlier this week.

I've come up with a new solution that's fair and doesn't change the parts of the game that need to stay but really does fix everything that's wrong with the game.

That being said, if, and I say if because I might go a different route with this so don't scalp me, the point system were to be reinstated, would everyone want to restart out with 50 or keep going with what they have based off of charts and artists singings?

C/H/A/N/E/L

Based off of what we've earned to date.

tigerlily13

touring

The Witching Hour Tour Night #14

Taylor Swift was live in Austin tonight performing to over 100,000 people. Swift is set for a second date at the stadium. Merchandise was affordable to many of fans' content and Swift also helf meet and greets as well. After th show she also went outside to take pictures with fans who happened to wait outsode. Miss Swift put on a show that involved a huge production, lighting, and plenty of dancing. Crtics have given the tour positive reviews, admiring Taylor's performing skills and the production of the show. Some critics were not favorable of the theme of the tour saying it was full of satanism and Swift was brainwashing concert goers, giving them a Nazi Treatment.

Sabbath

The concert quickly started after Leona Lewis finished up her set. While the stage was being set for Taylor, clips of hte short film for Coven 13 were shown and it all ended with the artwork of the album taking over the screens as the crowd went wild. The venue fell into total darkness and silence as the crowd waited for what was to come. Smoke filled the stage that had dimensions of 37x37 (feet). The half crescents of the stage unexpectedly lit up a dark red as two cloaked figures stood on them. A dark orchaestratic production came on and the audience cheered again. The stadium of people roared as figures turned their backs and walked towards the center of the stage that had a platform risen from the stage, in the shape of an eye.. A light acting almost like moonlight shined over the stage as the four cloaked figures performed a ritual, moving in abnormal and exotic ways. Their cloaks long, they pulled out extensions from the cloak from under and they all moved around in a circle, along with the stage that began rotating. The black fabric connecting them together, the audience watched in fascination as the stage started to revolve faster. It then slowed as a bright red light stunned the audience as the black silky fabric that had engulfed the cloaked figures fell to the floor, fire coming from the stage in a perfect circle. The crescendo of the production reached, as the sound of a low thunder started. The fire died and the cloaked figures were gone and in their place was Taylor standing in a black skintight dress that had a long lace cape built into it, her feet dressed in a pair of black stiletto heels. Her hair was down, along with her makeup giving her a smoky and seductive look. The crowd roared as Swift stood there looking out to the audience as the sinister production of 'Sabbath' took over. Swift started down the platform as fire bursted from the stage as she walked. Reaching her destination she moved the mic to her mouth and began singing the song. The stage stopped and Swift started singing as the cloaked figures returned to assist Swift on stage. The second verse consisted of the dancers lifting Swift in the air in a crucifying position. Let back down on the floor of the stage she looked maliciously out at the audience as she performed a minor choreography scene with her dancers before the bridge hit. The dancers connected hands in a circle around Taylor as she started dancing, doing an exotic dance. Flames shot up in front of them as red lights started flashing quickly. Taylor then screamed into the mic before the stage lit up again and she finished off the performance with lots of hair flips and adlibs. Another blast of fire shot from the stage as Taylor quickly moved on to the next song.

Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour

Swarovski

Encore:
Coven 13

The Witching Hour Tour Night #15

Taylor Swift was live in Glendale tonight performing to over 63,000 people. Swift is set for a second date at the stadium. Merchandise was affordable to many of fans' content and Swift also helf meet and greets as well. After th show she also went outside to take pictures with fans who happened to wait outsode. Miss Swift put on a show that involved a huge production, lighting, and plenty of dancing. Crtics have given the tour positive reviews, admiring Taylor's performing skills and the production of the show. Some critics were not favorable of the theme of the tour saying it was full of satanism and Swift was brainwashing concert goers, giving them a Nazi Treatment.

Sabbath

The concert quickly started after Leona Lewis finished up her set. While the stage was being set for Taylor, clips of hte short film for Coven 13 were shown and it all ended with the artwork of the album taking over the screens as the crowd went wild. The venue fell into total darkness and silence as the crowd waited for what was to come. Smoke filled the stage that had dimensions of 37x37 (feet). The half crescents of the stage unexpectedly lit up a dark red as two cloaked figures stood on them. A dark orchaestratic production came on and the audience cheered again. The stadium of people roared as figures turned their backs and walked towards the center of the stage that had a platform risen from the stage, in the shape of an eye.. A light acting almost like moonlight shined over the stage as the four cloaked figures performed a ritual, moving in abnormal and exotic ways. Their cloaks long, they pulled out extensions from the cloak from under and they all moved around in a circle, along with the stage that began rotating. The black fabric connecting them together, the audience watched in fascination as the stage started to revolve faster. It then slowed as a bright red light stunned the audience as the black silky fabric that had engulfed the cloaked figures fell to the floor, fire coming from the stage in a perfect circle. The crescendo of the production reached, as the sound of a low thunder started. The fire died and the cloaked figures were gone and in their place was Taylor standing in a black skintight dress that had a long lace cape built into it, her feet dressed in a pair of black stiletto heels. Her hair was down, along with her makeup giving her a smoky and seductive look. The crowd roared as Swift stood there looking out to the audience as the sinister production of 'Sabbath' took over. Swift started down the platform as fire bursted from the stage as she walked. Reaching her destination she moved the mic to her mouth and began singing the song. The stage stopped and Swift started singing as the cloaked figures returned to assist Swift on stage. The second verse consisted of the dancers lifting Swift in the air in a crucifying position. Let back down on the floor of the stage she looked maliciously out at the audience as she performed a minor choreography scene with her dancers before the bridge hit. The dancers connected hands in a circle around Taylor as she started dancing, doing an exotic dance. Flames shot up in front of them as red lights started flashing quickly. Taylor then screamed into the mic before the stage lit up again and she finished off the performance with lots of hair flips and adlibs. Another blast of fire shot from the stage as Taylor quickly moved on to the next song.

Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour

Swarovski

Encore:
Coven 13

Tour Progress

The Witching Hour Tour Night #16

Taylor Swift was live in Glendale tonight performing to over 63,000 people. Swift is set for a second date at the stadium. Merchandise was affordable to many of fans' content and Swift also helf meet and greets as well. After th show she also went outside to take pictures with fans who happened to wait outsode. Miss Swift put on a show that involved a huge production, lighting, and plenty of dancing. Crtics have given the tour positive reviews, admiring Taylor's performing skills and the production of the show. Some critics were not favorable of the theme of the tour saying it was full of satanism and Swift was brainwashing concert goers, giving them a Nazi Treatment.

Sabbath

The concert quickly started after Leona Lewis finished up her set. While the stage was being set for Taylor, clips of hte short film for Coven 13 were shown and it all ended with the artwork of the album taking over the screens as the crowd went wild. The venue fell into total darkness and silence as the crowd waited for what was to come. Smoke filled the stage that had dimensions of 37x37 (feet). The half crescents of the stage unexpectedly lit up a dark red as two cloaked figures stood on them. A dark orchaestratic production came on and the audience cheered again. The stadium of people roared as figures turned their backs and walked towards the center of the stage that had a platform risen from the stage, in the shape of an eye.. A light acting almost like moonlight shined over the stage as the four cloaked figures performed a ritual, moving in abnormal and exotic ways. Their cloaks long, they pulled out extensions from the cloak from under and they all moved around in a circle, along with the stage that began rotating. The black fabric connecting them together, the audience watched in fascination as the stage started to revolve faster. It then slowed as a bright red light stunned the audience as the black silky fabric that had engulfed the cloaked figures fell to the floor, fire coming from the stage in a perfect circle. The crescendo of the production reached, as the sound of a low thunder started. The fire died and the cloaked figures were gone and in their place was Taylor standing in a black skintight dress that had a long lace cape built into it, her feet dressed in a pair of black stiletto heels. Her hair was down, along with her makeup giving her a smoky and seductive look. The crowd roared as Swift stood there looking out to the audience as the sinister production of 'Sabbath' took over. Swift started down the platform as fire bursted from the stage as she walked. Reaching her destination she moved the mic to her mouth and began singing the song. The stage stopped and Swift started singing as the cloaked figures returned to assist Swift on stage. The second verse consisted of the dancers lifting Swift in the air in a crucifying position. Let back down on the floor of the stage she looked maliciously out at the audience as she performed a minor choreography scene with her dancers before the bridge hit. The dancers connected hands in a circle around Taylor as she started dancing, doing an exotic dance. Flames shot up in front of them as red lights started flashing quickly. Taylor then screamed into the mic before the stage lit up again and she finished off the performance with lots of hair flips and adlibs. Another blast of fire shot from the stage as Taylor quickly moved on to the next song.

Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour

Swarovski

Encore:
Coven 13

Tour Progress

tigerlily13

touring2

The Witching Hour Tour Night #17

Taylor Swift was live in Glendale tonight performing to over 63,000 people. Swift is set for a second date at the stadium. Merchandise was affordable to many of fans' content and Swift also helf meet and greets as well. After th show she also went outside to take pictures with fans who happened to wait outsode. Miss Swift put on a show that involved a huge production, lighting, and plenty of dancing. Crtics have given the tour positive reviews, admiring Taylor's performing skills and the production of the show. Some critics were not favorable of the theme of the tour saying it was full of satanism and Swift was brainwashing concert goers, giving them a Nazi Treatment.

Sabbath

The concert quickly started after Leona Lewis finished up her set. While the stage was being set for Taylor, clips of hte short film for Coven 13 were shown and it all ended with the artwork of the album taking over the screens as the crowd went wild. The venue fell into total darkness and silence as the crowd waited for what was to come. Smoke filled the stage that had dimensions of 37x37 (feet). The half crescents of the stage unexpectedly lit up a dark red as two cloaked figures stood on them. A dark orchaestratic production came on and the audience cheered again. The stadium of people roared as figures turned their backs and walked towards the center of the stage that had a platform risen from the stage, in the shape of an eye.. A light acting almost like moonlight shined over the stage as the four cloaked figures performed a ritual, moving in abnormal and exotic ways. Their cloaks long, they pulled out extensions from the cloak from under and they all moved around in a circle, along with the stage that began rotating. The black fabric connecting them together, the audience watched in fascination as the stage started to revolve faster. It then slowed as a bright red light stunned the audience as the black silky fabric that had engulfed the cloaked figures fell to the floor, fire coming from the stage in a perfect circle. The crescendo of the production reached, as the sound of a low thunder started. The fire died and the cloaked figures were gone and in their place was Taylor standing in a black skintight dress that had a long lace cape built into it, her feet dressed in a pair of black stiletto heels. Her hair was down, along with her makeup giving her a smoky and seductive look. The crowd roared as Swift stood there looking out to the audience as the sinister production of 'Sabbath' took over. Swift started down the platform as fire bursted from the stage as she walked. Reaching her destination she moved the mic to her mouth and began singing the song. The stage stopped and Swift started singing as the cloaked figures returned to assist Swift on stage. The second verse consisted of the dancers lifting Swift in the air in a crucifying position. Let back down on the floor of the stage she looked maliciously out at the audience as she performed a minor choreography scene with her dancers before the bridge hit. The dancers connected hands in a circle around Taylor as she started dancing, doing an exotic dance. Flames shot up in front of them as red lights started flashing quickly. Taylor then screamed into the mic before the stage lit up again and she finished off the performance with lots of hair flips and adlibs. Another blast of fire shot from the stage as Taylor quickly moved on to the next song.

Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour

Swarovski

Encore:
Coven 13

Tour Progress

The Witching Hour Tour Night #18

Taylor Swift was live in Tulsa tonight performing to over 33,000 people. Swift is set for a second date at the stadium. Merchandise was affordable to many of fans' content and Swift also helf meet and greets as well. After th show she also went outside to take pictures with fans who happened to wait outsode. Miss Swift put on a show that involved a huge production, lighting, and plenty of dancing. Crtics have given the tour positive reviews, admiring Taylor's performing skills and the production of the show. Some critics were not favorable of the theme of the tour saying it was full of satanism and Swift was brainwashing concert goers, giving them a Nazi Treatment.

Sabbath

The concert quickly started after Leona Lewis finished up her set. While the stage was being set for Taylor, clips of hte short film for Coven 13 were shown and it all ended with the artwork of the album taking over the screens as the crowd went wild. The venue fell into total darkness and silence as the crowd waited for what was to come. Smoke filled the stage that had dimensions of 37x37 (feet). The half crescents of the stage unexpectedly lit up a dark red as two cloaked figures stood on them. A dark orchaestratic production came on and the audience cheered again. The stadium of people roared as figures turned their backs and walked towards the center of the stage that had a platform risen from the stage, in the shape of an eye.. A light acting almost like moonlight shined over the stage as the four cloaked figures performed a ritual, moving in abnormal and exotic ways. Their cloaks long, they pulled out extensions from the cloak from under and they all moved around in a circle, along with the stage that began rotating. The black fabric connecting them together, the audience watched in fascination as the stage started to revolve faster. It then slowed as a bright red light stunned the audience as the black silky fabric that had engulfed the cloaked figures fell to the floor, fire coming from the stage in a perfect circle. The crescendo of the production reached, as the sound of a low thunder started. The fire died and the cloaked figures were gone and in their place was Taylor standing in a black skintight dress that had a long lace cape built into it, her feet dressed in a pair of black stiletto heels. Her hair was down, along with her makeup giving her a smoky and seductive look. The crowd roared as Swift stood there looking out to the audience as the sinister production of 'Sabbath' took over. Swift started down the platform as fire bursted from the stage as she walked. Reaching her destination she moved the mic to her mouth and began singing the song. The stage stopped and Swift started singing as the cloaked figures returned to assist Swift on stage. The second verse consisted of the dancers lifting Swift in the air in a crucifying position. Let back down on the floor of the stage she looked maliciously out at the audience as she performed a minor choreography scene with her dancers before the bridge hit. The dancers connected hands in a circle around Taylor as she started dancing, doing an exotic dance. Flames shot up in front of them as red lights started flashing quickly. Taylor then screamed into the mic before the stage lit up again and she finished off the performance with lots of hair flips and adlibs. Another blast of fire shot from the stage as Taylor quickly moved on to the next song.

Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour

Swarovski

Encore:
Coven 13

Tour Progress

tigerlily13

touring3

The Witching Hour Tour Night #19

Taylor Swift was live in Witchita tonight performing to over 33,000 people. Swift is set for a second date at the stadium. Merchandise was affordable to many of fans' content and Swift also helf meet and greets as well. After th show she also went outside to take pictures with fans who happened to wait outsode. Miss Swift put on a show that involved a huge production, lighting, and plenty of dancing. Crtics have given the tour positive reviews, admiring Taylor's performing skills and the production of the show. Some critics were not favorable of the theme of the tour saying it was full of satanism and Swift was brainwashing concert goers, giving them a Nazi Treatment.

Sabbath

The concert quickly started after Leona Lewis finished up her set. While the stage was being set for Taylor, clips of hte short film for Coven 13 were shown and it all ended with the artwork of the album taking over the screens as the crowd went wild. The venue fell into total darkness and silence as the crowd waited for what was to come. Smoke filled the stage that had dimensions of 37x37 (feet). The half crescents of the stage unexpectedly lit up a dark red as two cloaked figures stood on them. A dark orchaestratic production came on and the audience cheered again. The stadium of people roared as figures turned their backs and walked towards the center of the stage that had a platform risen from the stage, in the shape of an eye.. A light acting almost like moonlight shined over the stage as the four cloaked figures performed a ritual, moving in abnormal and exotic ways. Their cloaks long, they pulled out extensions from the cloak from under and they all moved around in a circle, along with the stage that began rotating. The black fabric connecting them together, the audience watched in fascination as the stage started to revolve faster. It then slowed as a bright red light stunned the audience as the black silky fabric that had engulfed the cloaked figures fell to the floor, fire coming from the stage in a perfect circle. The crescendo of the production reached, as the sound of a low thunder started. The fire died and the cloaked figures were gone and in their place was Taylor standing in a black skintight dress that had a long lace cape built into it, her feet dressed in a pair of black stiletto heels. Her hair was down, along with her makeup giving her a smoky and seductive look. The crowd roared as Swift stood there looking out to the audience as the sinister production of 'Sabbath' took over. Swift started down the platform as fire bursted from the stage as she walked. Reaching her destination she moved the mic to her mouth and began singing the song. The stage stopped and Swift started singing as the cloaked figures returned to assist Swift on stage. The second verse consisted of the dancers lifting Swift in the air in a crucifying position. Let back down on the floor of the stage she looked maliciously out at the audience as she performed a minor choreography scene with her dancers before the bridge hit. The dancers connected hands in a circle around Taylor as she started dancing, doing an exotic dance. Flames shot up in front of them as red lights started flashing quickly. Taylor then screamed into the mic before the stage lit up again and she finished off the performance with lots of hair flips and adlibs. Another blast of fire shot from the stage as Taylor quickly moved on to the next song.

Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour

Swarovski

Encore:
Coven 13

CENTER]

The Witching Hour Tour Night #20

Taylor Swift was live in Witchita tonight performing to over 33,000 people. Swift is set for a second date at the stadium. Merchandise was affordable to many of fans' content and Swift also helf meet and greets as well. After th show she also went outside to take pictures with fans who happened to wait outsode. Miss Swift put on a show that involved a huge production, lighting, and plenty of dancing. Crtics have given the tour positive reviews, admiring Taylor's performing skills and the production of the show. Some critics were not favorable of the theme of the tour saying it was full of satanism and Swift was brainwashing concert goers, giving them a Nazi Treatment.

Sabbath

The concert quickly started after Leona Lewis finished up her set. While the stage was being set for Taylor, clips of hte short film for Coven 13 were shown and it all ended with the artwork of the album taking over the screens as the crowd went wild. The venue fell into total darkness and silence as the crowd waited for what was to come. Smoke filled the stage that had dimensions of 37x37 (feet). The half crescents of the stage unexpectedly lit up a dark red as two cloaked figures stood on them. A dark orchaestratic production came on and the audience cheered again. The stadium of people roared as figures turned their backs and walked towards the center of the stage that had a platform risen from the stage, in the shape of an eye.. A light acting almost like moonlight shined over the stage as the four cloaked figures performed a ritual, moving in abnormal and exotic ways. Their cloaks long, they pulled out extensions from the cloak from under and they all moved around in a circle, along with the stage that began rotating. The black fabric connecting them together, the audience watched in fascination as the stage started to revolve faster. It then slowed as a bright red light stunned the audience as the black silky fabric that had engulfed the cloaked figures fell to the floor, fire coming from the stage in a perfect circle. The crescendo of the production reached, as the sound of a low thunder started. The fire died and the cloaked figures were gone and in their place was Taylor standing in a black skintight dress that had a long lace cape built into it, her feet dressed in a pair of black stiletto heels. Her hair was down, along with her makeup giving her a smoky and seductive look. The crowd roared as Swift stood there looking out to the audience as the sinister production of 'Sabbath' took over. Swift started down the platform as fire bursted from the stage as she walked. Reaching her destination she moved the mic to her mouth and began singing the song. The stage stopped and Swift started singing as the cloaked figures returned to assist Swift on stage. The second verse consisted of the dancers lifting Swift in the air in a crucifying position. Let back down on the floor of the stage she looked maliciously out at the audience as she performed a minor choreography scene with her dancers before the bridge hit. The dancers connected hands in a circle around Taylor as she started dancing, doing an exotic dance. Flames shot up in front of them as red lights started flashing quickly. Taylor then screamed into the mic before the stage lit up again and she finished off the performance with lots of hair flips and adlibs. Another blast of fire shot from the stage as Taylor quickly moved on to the next song.

Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour

Swarovski

Encore:
Coven 13

Tour Progress

CENTER]

The Witching Hour Tour Night #21

Taylor Swift was live in Kansas City tonight performing to over 81,000 people. Swift is set for a second date at the stadium. Merchandise was affordable to many of fans' content and Swift also helf meet and greets as well. After th show she also went outside to take pictures with fans who happened to wait outsode. Miss Swift put on a show that involved a huge production, lighting, and plenty of dancing. Crtics have given the tour positive reviews, admiring Taylor's performing skills and the production of the show. Some critics were not favorable of the theme of the tour saying it was full of satanism and Swift was brainwashing concert goers, giving them a Nazi Treatment.

Sabbath

The concert quickly started after Leona Lewis finished up her set. While the stage was being set for Taylor, clips of hte short film for Coven 13 were shown and it all ended with the artwork of the album taking over the screens as the crowd went wild. The venue fell into total darkness and silence as the crowd waited for what was to come. Smoke filled the stage that had dimensions of 37x37 (feet). The half crescents of the stage unexpectedly lit up a dark red as two cloaked figures stood on them. A dark orchaestratic production came on and the audience cheered again. The stadium of people roared as figures turned their backs and walked towards the center of the stage that had a platform risen from the stage, in the shape of an eye.. A light acting almost like moonlight shined over the stage as the four cloaked figures performed a ritual, moving in abnormal and exotic ways. Their cloaks long, they pulled out extensions from the cloak from under and they all moved around in a circle, along with the stage that began rotating. The black fabric connecting them together, the audience watched in fascination as the stage started to revolve faster. It then slowed as a bright red light stunned the audience as the black silky fabric that had engulfed the cloaked figures fell to the floor, fire coming from the stage in a perfect circle. The crescendo of the production reached, as the sound of a low thunder started. The fire died and the cloaked figures were gone and in their place was Taylor standing in a black skintight dress that had a long lace cape built into it, her feet dressed in a pair of black stiletto heels. Her hair was down, along with her makeup giving her a smoky and seductive look. The crowd roared as Swift stood there looking out to the audience as the sinister production of 'Sabbath' took over. Swift started down the platform as fire bursted from the stage as she walked. Reaching her destination she moved the mic to her mouth and began singing the song. The stage stopped and Swift started singing as the cloaked figures returned to assist Swift on stage. The second verse consisted of the dancers lifting Swift in the air in a crucifying position. Let back down on the floor of the stage she looked maliciously out at the audience as she performed a minor choreography scene with her dancers before the bridge hit. The dancers connected hands in a circle around Taylor as she started dancing, doing an exotic dance. Flames shot up in front of them as red lights started flashing quickly. Taylor then screamed into the mic before the stage lit up again and she finished off the performance with lots of hair flips and adlibs. Another blast of fire shot from the stage as Taylor quickly moved on to the next song.

Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour

Swarovski

Encore:
Coven 13

Tour Progress

VDK

Oh gad! I always love tigerlily13's everything in this game! Makes me wanna just sign up!!!

Lucky#17

Saturday, April 5th Promotion
MILEY CYRUS CONTINUES TOUR IN LAS VEGAS, NEVADA

1. Start All Over…*Again

"What's up Miami, how are y'all feeling tonight?!?! Who's ready to get turnt up in here! Well… I was Hannah, then I was Miley…. But now I'm the NEW Miley bitches! So let's get ready to rock!"

*The lights came on + the stage was set. The set was pretty simple: the band was on the sides, while a huge aisle was in the middle of stage. A door rose up, and Miley's presence was revealed. She strutted down in the stage with her microphone while the fans went absolutely insane. She smiled and worked her way to the stand + she put the mic in. She wore a white crop top with a small leather jacket over it + jeans. Her shirt, jeans + jacket were all ripped. She had a tiny bit of glitter right over her dynamic eyeliner + bold red lipstick. Her hair was slicked back to one side, flawlessly as she served a nice rock and roll look.

"But before I became… this badass bitch right here. I had to start from scratch. I had to start all over… again. Hit it boys!"

*The band began to play + Miley started to sing. Her vocals were sharper than ever before, playing with the microphone stand. She titled it, side by side, left then right + leaning on her knee close to the ground. She dragged it around during the beginning, taking off the microphone. She kicked the stand over to the side of the stage, where it fell over onto the crowd + she got into the first chorus. She rocked out on stage, jumping around and pumping her arms in the air. For the second verse, she went over to a guitar player and snatched his guitar. She put it on, played the song + continued to sing as he aimed the microphone towards her lips. Some lights flashed a bit, while Miley was flicking her body back and forth strumming on the guitar to a bit of a rockier version of the song. The band transitioned into a full-out rock solo, where Miley got on her knees and completely gave it 110%. When it was over she spun around, let go of the guitar + it flung into the audience. She snatched her microphone back, singing the bridge. She climbed up onto a platform where the drummer was playing and she began to grind just a tiny bit.*

*She jumped down the stairs and skipped to the center of the stage, hitting notes very well in the final chorus. The lights began to flash again. Faster… faster… faster as Miley's vocals rasped more + more towards the final notes. The guitars rocked, the drums banged + Miley belted out the final lyrics to the song. A huge note on the guitar was held, a drumroll was created + Miley was jumping all over before a loud "BANG!" of music struck + she fell to the floor. The stage blacked out + Miley went to the underground stage for a quick change*

2. My Truth

"I gotta admit, as much as I love to twerk you gotta rock the stage once every now + then. How you Smilers doing?!?!?!?!?!?!?!?!! Well… you see I was living a double life, or at least on TV. But I was so damn sick + tired of being this little puppet like I wasn't here for that sh*t anymore. So with this album - I needed to come clean + show y'all the real me. Because that's the truth. I don't wanna present some fabricated bullsh*t anymore. I wanna make music that's genuine, I wanna make you guys rock the f*ck outta your bedrooms + twerk all up in your mirrors Smilers."

*The stage lights went back on + this time Miley was on a huge platform hanging about thirty feet from the ground. The track played + Miley began to sing. She slowly swayed her body, making the mid-tempo Urban track into a bit of R&B action. Miley slowly sang her words, putting some emotion behind the lyrics + the band members snapped as Miley worked on her falsetto for the chorus. When the chorus came, the lights dimmed + the platform began to descend. Miley channeled her inner Rihanna, opening her legs + swaying her body like Beyoncé. The audience was cheering + the stage was dark. Miley got down + touched some of her fans' hands, turning the performance into a more interactive + intimate experience for her fans*

"I wanna see y'all put your hands up + sway them!"

*Miley swayed her hands in the air + clapped to the beat during the bridge. So far the concert was enjoyable, but Miley was only on song 2/20… so there was lots more to be done! Miley got on her knees + began belting out some last lyrics, getting emotional. But it wasn't the sad, depressed kind of emotional - it was the happy, grateful type of emotional . She ended her performance by sitting down on the ground*

3. Turnt Up

"That was the truth. My truth. So who saw my MTV thing?!?!?! Well, I looked at it + I realized that it looks so high-def on a TV. But I'm so happy you got to see those moments because that's what really made the album. Know that I've had my touching, revolutionary little philosophy speeches. Who the f*ck is ready to get turnt up Smilers?!?!?!?!?!?!?"

*Money began to drizzle + Miley took of her long black coat she wore for My Truth. She had on some Adidas, a sporty black shirt which had ‘MIAMI written on it + some white shorts. Then some dancers came out wearing sport, tight, slightly baggy + party clothes + began to bop with Miley*

*The song began to play + Miley got into her Urban side. Her dancers were all throwing money + popping down low. Miley began to grind slowly on one of the guys + she popped a glass bottle of champagne, pouring it up + serving drinks. The chorus came up + the stage turned into a club. People were drinking, banging + grinding down getting… well, turnt up! Miley threw some money into the crowd, laughing a bit + some shimmer began to fall from the top of the arena. Suddenly, a huge drumbeat came by + there was a short dance break*

*The dancers did flips, while others performed some sick choreography. Miley and some girls were in the center, spanking each other's asses + chewing some gum. They extended the gum, wrapped it around their finger as rings + all huddled around. Miley motioned for the other dancers to huddle as well. The song came back on + the stage became electrifying. Some grey + black lights were shinning onto the stage while everyone danced to a small choreographed number + more money fell from the sky. Suddenly, beer began pouring down + the dancers flicked the beer into the crowd while they spun around + dropped to the floor for some moves. More people came out on stage + Miley shouted to her audience*

"Put ya hands up!"

*She started swaying her hands + bouncing on the floor. She bent down + gave some twerk teas. The song finished, with Miley dropping the microphone + strutting to the back of the stage. The door closed + the dancers all dropped to the floor in sync. Some Urban music began to play that was never heard of before, but it was just a track to take up some time for tour*

4. We Twerk (feat. Khia)

*A low, auto-tuned voice began to speak over some beats: "TWERK IT OUT BITCH. TWERK IT OUT BITCH. WE TWERK, TWERK, TWERK. WE TWERK, TWERK, TWERK. TWERK IT OUT BITCH. TWERK IT OUT BITCH. WE TWERK, TWERK, TWERK. WE TWERK, TWERK, TWERK.*

"Now we gonna twerk! Queen Khia representing! Let's go!"

*Miley began to sing her Twerk Anthem + Khia was on stage moving her body to the music. Miley turned around, where Khia smacked her a bit, serving a bit of raunchy teas. Miley spun around + high-rived Khia. She strutted down a runway which had been laid out + worked like a queen. Some dancers came out from the sides, forming a horizontal line, awaiting Miley + Khia to come onto center stage. In time for the chorus, Miley + Khia got into the middle of the stage*

*The lights went berserk + everyone jumped a 180-degree to begin twerking. Everyone went HARD IN + really got into the performance. Some dancers twerked regularly, others popped more, some bent their bodies all the way down to twerk at the peak of their position + some slapped themselves to create some tension. Miley got back up while the others continued to twerk, the lights went off + everyone's clothes glowed in the dark. Their clothes begin to flash + the lights went even crazier than before. A little sample began to play, with the same auto-tuned, low vocal:

"STRUTTIN' HER STUFF, BANGER. RATCHET BITCHES TWERKING EVERYWHERE. STRUTTIN' HER STUFF, BANGER. RATCHET BITCHES TWERKING EVERYWHERE."

The lights came on + Miley began to jump up + down in the air. Everyone began to twerk even harder than before, making this performance an official twerk-fest. Khia began to recite her flawless rap, while Miley pumped up her arms + began to twerk on Khia. Khia then stunted on some of the dancers, screaming to the crowd + rapping even faster than the track. The crowd cheered more than ever so far, when Miley + Khia struck a pose back-to-back to close the song.

"Now that my ass is FINALLY satisfied, I guess we should get back to the real sh*t now, so be right back Smilers!"

5. Free Falling

*The band played a pop-rock little snippet to keep the fans intrigued while the stage blacked out again + the workers were setting up the stage. Then, the instrumental for Free Falling began to play into the arena. The lights came on + the stage was once again revealed*

*Miley stood above on a large platform hanging from the ceiling, even higher than her performance of My Truth. She stood on the platform + began singing the chorus slowly, acapella. Then the lights kicked in + the band began to play the song*

"I just wanna be free!"

*Miley began to sing, having a microphone stand up with her + there were several flamethrowers on the platform burning for s cool effect. Into the first verse, Miley was getting extremely passionate. She walked across the platform, exuding such confidence acting like she owned the arena, which she certainly did for the night. She got into the chorus, where a flat escalator took her down to the stage. The flat escalator was a fan-favorite + wildly popular prop that Miley used in her early weeks to promote Free Falling. She decided to fuse her old performances with her Teen Choice Awards performance. Miley got to the stage floor where there were cardboard boxes scattered everywhere*

*The chorus kicked in, with Miley kicking all of the boxes around + causing havoc on the stage. She sang with a raspy, edgy voice that was a bit different to any performance she had previously done prior to her tour. It sounded fantastic, with the audience giving it positive feedback by cheering wildly during the performance. Miley went crazy on the stage popping her body, kicking over boxes + spinning around all over the stage. Then the light became red, with a ton of voices calling her. Miley was suddenly grabbed by a Disney executive + he put the Hannah Montana wig on her, duck taping her mouth shut*

*More Disney detectives began to walk + they began taping her down, attaching strings to her + they slid up the flat escalator to the platform about eighty feet above*

"My name is Hannah. Today, I'm going to sing a song for you…."

She suddenly started singing her biggest hit as Hannah Montana, Best of Both Worlds. But then she laughed, grabbed a knife from her pocket + cut the strings that made her imitate a puppet. The Disney executives gasped, right when Miley threw her wig into the crowd + stuck the middle finger up. They began to circle around her, dancing as she sang the chorus. They all took a box, making a pyramid as they escorted Miley to the top of it. She shined like a champion + kicked a Disney executive away from her as they began to chase her around. She reached the bridge where she got back on the escalator to reach the platform once again. The executives began to go after her on the escalators. Miley got to the break where they all cornered her on the huge floor + Miley jumped off*

*She clung to a rope that hung eighty feet from the ground. The Smilers were gasping, screaming, cheering + applauding the fact that she was able to make it onto the rope, that she was swinging on it a tiny bit. The executives ordered her to come back to them, to regain control of her. She asked for creative control while the pre-chorus was played by the band, but her offer was declined. Forced, she climbed back up onto the platform*

"Bye bitches!"

*Miley pushed them off the platform, but they hung onto the ropes. They got automatically tied to the ropes + Miley blew a kiss*

6. Street or Highway

"SMILERS MAKE SOME NOISE! Trust me, we got a LONG way to go guys! But did you really think I was going to make you sit or stand here for two hours to hear sh*t that's already out?!?!?! No, see I love you guys so much. Which is why I wrote this next song. I wrote this song, originally for the album - but I loved it so much, I wanted to save it for the tour. So this song, is called Street or Highway. Let's go!"

*Miley premiered the new song. The song was Rock-driven + Miley channeled Ke$ha with this song, except she added her own twists on her own material*

"Street or highway /
Twerking or rocking the sh*t out -
Street or highway /
Twerking or rocking the sh*t out…"

*The entire song Miley completely took the reigns of the production + just controlled her vocals to a fantastic range. She faces the Urban streets verses the Rock n Roll highways in this track, really giving the fans a track about her new sound. The new song was undeniably one of the best performances of the night + the crowd was buzzing with happiness when they heard fresh material. Street or Highway instantly became a talked-about topic on the internet, gathering lots of acclaim + fan attention*

7. On Top Of The World - to be updated

8. In Your Eyes

*Miley awaited for a piano to be brought on the platform. Once the workers brought it, she sat down + began to tune it. Once she tuned it, she began playing in your eyes acoustically on the piano*

*She began to sing there first verse, with light, airy, + emotional vocals. This was the one true ballad on her song, so she wanted this performance to be absolutely flawless… She kept pushing down on the keys, whispering some of the lyrics + howling some others within the verse. A guitar chord sustained when she began to reach the chorus. At the chorus, her vocals expanded + a guitar joined in with hthe piano quietly, just to add some hints to sound. Her vocals were beaming, the lights soaring + some more guitars playing. Miley belted out her chorus, really giving life with this performance + slowing things down, marking an impression with a ballad. She kicked into the second verse, with a violin adding to the guitars + the piano. The fans cheered as Miley begun to speed the tempo of the song, really showcasing her vocal abilities. Miley entered the second chorus, really pushing her vocal to an extreme level. She began to cry while singing, suffering from nostalgia, having a truly remarkable + emotional performance*

*During the bridge, the guitars rocked with fast violin streaks, as Miley climbed a ladder down eighty feet to reach the stage floor. Smoke came out from the sides, making a dark aura for the stage while Miley put her microphone in the stand. She belted out notes in the final chorus, reaching notes that people thought were impossible for her. She titled the microphone + pointed to her fans while a chord blasted through the speakers, Miley holding out the final note. Her voice soared for miles + the sound of the chord rung through the stadium. The note + chord faded, the crowd cheered louder than ever in the night. Miley smiled + cried a bit before she began her next song*

9. The Climb

10. Where Was the Love?

"Smilers, I wrote this song about someone who was close in my heart + is still close in my heart. This is about Liam. And this is about you, too. Well, I want to help you get through your pain Smilers. If you've ever had a boyfriend, or a girlfriend cheat on you, or if something went wrong - then this one's for you tonight."

*The band kicked it + Miley's vocals roared into the arena. She sang the lyrics of the song aggressively, hurt + very powerfully. During the performance, hearts would fall from the ceiling + shatter on the stage floor. Miley would walk around the stage with her microphone stand, keeping the performance simple but effective. She raise her fists in the air + pounded the air to the beat of the drums, really showing her crazy, break-up mode.

11. On the Radio (feat. Macklemore) - to be updated

12. Shot Me Up (feat. will.i.am) - to be updated

13. Party In the USA

14. Movie Scene

*For this performance, Miley used that screen in the arena to her advantage. She played a mini-movie, rather a music video of the song - which was absolutely stunning*

*The video showed her frolicking through a field of flowers as Hannah Montana, appearing to be shooting a video within the video itself. The content was shown in black + white, having a very dated, 60s-esque feel to it. Miley would pick up one of the flowers + smell it. Her eyes would then turn blue, letting the color escape from the flower + bringing the video to life. Miley took of the wig, untied her hair + let the strands fall down effortlessly. She frolicked through the fields, an emotionless girl. Her face was lost in the beauty around her*

*The on-stage Miley began to sing the song, just standing in front of the crowd as the video kept playing

15. Not That Girl Anymore

*Miley came back onto the stage. This was the Part II of her Free Falling performance. The men were all tied up to the ropes hanging, looking up at the platform. The band began to play the song + Miley began to sing. She strutted around while they were panicking, shaking in her presence. She glared down at each one of the Disney executives while her microphone was clutched to her hand + her voice was sounding completely dark, with a darker arrangement of the song being played. She then was handed a knife, which she took and raised to the sky. Her voice growled more, showing a darker and more aggressive side of her. Suddenly a guitar breakdown came*

16. Can't Be Tamed

17. Fake Diamonds

*Miley re-entered the spectacle. She was on top of the staircase once again. The spotlight shown on her, baring a wedding dress. Her mascara was blurred under her eyes as if she had cried a puddle + her veil was smothered with black oil. Her dress remain perfect, untouched. She opened a tiny box, which contained a diamond ring. She placed the ring onto one of her fingers, gazing off into the audience. Violins played, when she slowly began to walk down the staircase.

*The band began to play the song, with a slower tempo. Miley reached the stage floor + walked to the microphone stand. She slowly clutched the stand with her fingers, then placed her hand on the microphone. She began to sing, her voice riveting + simple. Her body was frozen, her eyes gazing into the crowd. The lights dimmed, then grew brighter… dimmed, then grew brighter over + over again gradually during the performance. At the chorus, the light flashed red + Miley began to tear up as a man walked up to her + placed a diamond ring around her neck. He locked it in, kissing her cheek, then exiting. She slowly took off the necklace when he vanished, letting it hang from her fingertips in the spotlight. The light changed it's color to a violet, as she dropped the necklace*

"Sometimes, I want to go back. Back to the way it was. Back when… I feel like I had nothing to lose. But now I have everything to lose. I don't want to be humiliated, embarrassed, used or wasted. I just want to be loved. But love, is rare. You see, love…. is dangerous."

The band played quieter than ever in the bridge, where Miley began to cry as she lisped the words to the song. Images of happy couples, kissing in the dark + flames began to project on the screen. However, some images lay on her body + a portion on her face. She walked around with the microphone. She howled her notes into the chorus, dragging herself miserably. Then, her love interest re-enters the scene with a bouquet of roses. Upon his release, the roses die. Miley sheds a tear as she continues to sing the final chorus, in a softer tone. The man leaves her, telling her goodbye + kisses her. Miley pulls away, pushing him off the set. She removes her veil, dropping it to the floor. She hits the final note very steady, holding it out lightly. She ends by taking the diamond ring + dropping it. The microphone stand descends to the underground of the stage, leaving Miley alone. She opens her body, breathing heavy + looks up towards the ceiling.

"But I can't do it… If all I get is fake love, fake diamonds."

18. Invisible - to be updated

19. Hurts Like Gold - to be updated

20. Bitch Like That - to be updated

Lucky#17

Sunday, April 6th Promotion
MILEY CYRUS CONTINUES TOUR IN SAN DIEGO, CALIFORNIA

1. Start All Over…*Again

"What's up Miami, how are y'all feeling tonight?!?! Who's ready to get turnt up in here! Well… I was Hannah, then I was Miley…. But now I'm the NEW Miley bitches! So let's get ready to rock!"

*The lights came on + the stage was set. The set was pretty simple: the band was on the sides, while a huge aisle was in the middle of stage. A door rose up, and Miley's presence was revealed. She strutted down in the stage with her microphone while the fans went absolutely insane. She smiled and worked her way to the stand + she put the mic in. She wore a white crop top with a small leather jacket over it + jeans. Her shirt, jeans + jacket were all ripped. She had a tiny bit of glitter right over her dynamic eyeliner + bold red lipstick. Her hair was slicked back to one side, flawlessly as she served a nice rock and roll look.

"But before I became… this badass bitch right here. I had to start from scratch. I had to start all over… again. Hit it boys!"

*The band began to play + Miley started to sing. Her vocals were sharper than ever before, playing with the microphone stand. She titled it, side by side, left then right + leaning on her knee close to the ground. She dragged it around during the beginning, taking off the microphone. She kicked the stand over to the side of the stage, where it fell over onto the crowd + she got into the first chorus. She rocked out on stage, jumping around and pumping her arms in the air. For the second verse, she went over to a guitar player and snatched his guitar. She put it on, played the song + continued to sing as he aimed the microphone towards her lips. Some lights flashed a bit, while Miley was flicking her body back and forth strumming on the guitar to a bit of a rockier version of the song. The band transitioned into a full-out rock solo, where Miley got on her knees and completely gave it 110%. When it was over she spun around, let go of the guitar + it flung into the audience. She snatched her microphone back, singing the bridge. She climbed up onto a platform where the drummer was playing and she began to grind just a tiny bit.*

*She jumped down the stairs and skipped to the center of the stage, hitting notes very well in the final chorus. The lights began to flash again. Faster… faster… faster as Miley's vocals rasped more + more towards the final notes. The guitars rocked, the drums banged + Miley belted out the final lyrics to the song. A huge note on the guitar was held, a drumroll was created + Miley was jumping all over before a loud "BANG!" of music struck + she fell to the floor. The stage blacked out + Miley went to the underground stage for a quick change*

2. My Truth

"I gotta admit, as much as I love to twerk you gotta rock the stage once every now + then. How you Smilers doing?!?!?!?!?!?!?!?!! Well… you see I was living a double life, or at least on TV. But I was so damn sick + tired of being this little puppet like I wasn't here for that sh*t anymore. So with this album - I needed to come clean + show y'all the real me. Because that's the truth. I don't wanna present some fabricated bullsh*t anymore. I wanna make music that's genuine, I wanna make you guys rock the f*ck outta your bedrooms + twerk all up in your mirrors Smilers."

*The stage lights went back on + this time Miley was on a huge platform hanging about thirty feet from the ground. The track played + Miley began to sing. She slowly swayed her body, making the mid-tempo Urban track into a bit of R&B action. Miley slowly sang her words, putting some emotion behind the lyrics + the band members snapped as Miley worked on her falsetto for the chorus. When the chorus came, the lights dimmed + the platform began to descend. Miley channeled her inner Rihanna, opening her legs + swaying her body like Beyoncé. The audience was cheering + the stage was dark. Miley got down + touched some of her fans' hands, turning the performance into a more interactive + intimate experience for her fans*

"I wanna see y'all put your hands up + sway them!"

*Miley swayed her hands in the air + clapped to the beat during the bridge. So far the concert was enjoyable, but Miley was only on song 2/20… so there was lots more to be done! Miley got on her knees + began belting out some last lyrics, getting emotional. But it wasn't the sad, depressed kind of emotional - it was the happy, grateful type of emotional . She ended her performance by sitting down on the ground*

3. Turnt Up

"That was the truth. My truth. So who saw my MTV thing?!?!?! Well, I looked at it + I realized that it looks so high-def on a TV. But I'm so happy you got to see those moments because that's what really made the album. Know that I've had my touching, revolutionary little philosophy speeches. Who the f*ck is ready to get turnt up Smilers?!?!?!?!?!?!?"

*Money began to drizzle + Miley took of her long black coat she wore for My Truth. She had on some Adidas, a sporty black shirt which had ‘MIAMI written on it + some white shorts. Then some dancers came out wearing sport, tight, slightly baggy + party clothes + began to bop with Miley*

*The song began to play + Miley got into her Urban side. Her dancers were all throwing money + popping down low. Miley began to grind slowly on one of the guys + she popped a glass bottle of champagne, pouring it up + serving drinks. The chorus came up + the stage turned into a club. People were drinking, banging + grinding down getting… well, turnt up! Miley threw some money into the crowd, laughing a bit + some shimmer began to fall from the top of the arena. Suddenly, a huge drumbeat came by + there was a short dance break*

*The dancers did flips, while others performed some sick choreography. Miley and some girls were in the center, spanking each other's asses + chewing some gum. They extended the gum, wrapped it around their finger as rings + all huddled around. Miley motioned for the other dancers to huddle as well. The song came back on + the stage became electrifying. Some grey + black lights were shinning onto the stage while everyone danced to a small choreographed number + more money fell from the sky. Suddenly, beer began pouring down + the dancers flicked the beer into the crowd while they spun around + dropped to the floor for some moves. More people came out on stage + Miley shouted to her audience*

"Put ya hands up!"

*She started swaying her hands + bouncing on the floor. She bent down + gave some twerk teas. The song finished, with Miley dropping the microphone + strutting to the back of the stage. The door closed + the dancers all dropped to the floor in sync. Some Urban music began to play that was never heard of before, but it was just a track to take up some time for tour*

4. We Twerk (feat. Khia)

*A low, auto-tuned voice began to speak over some beats: "TWERK IT OUT BITCH. TWERK IT OUT BITCH. WE TWERK, TWERK, TWERK. WE TWERK, TWERK, TWERK. TWERK IT OUT BITCH. TWERK IT OUT BITCH. WE TWERK, TWERK, TWERK. WE TWERK, TWERK, TWERK.*

"Now we gonna twerk! Queen Khia representing! Let's go!"

*Miley began to sing her Twerk Anthem + Khia was on stage moving her body to the music. Miley turned around, where Khia smacked her a bit, serving a bit of raunchy teas. Miley spun around + high-rived Khia. She strutted down a runway which had been laid out + worked like a queen. Some dancers came out from the sides, forming a horizontal line, awaiting Miley + Khia to come onto center stage. In time for the chorus, Miley + Khia got into the middle of the stage*

*The lights went berserk + everyone jumped a 180-degree to begin twerking. Everyone went HARD IN + really got into the performance. Some dancers twerked regularly, others popped more, some bent their bodies all the way down to twerk at the peak of their position + some slapped themselves to create some tension. Miley got back up while the others continued to twerk, the lights went off + everyone's clothes glowed in the dark. Their clothes begin to flash + the lights went even crazier than before. A little sample began to play, with the same auto-tuned, low vocal:

"STRUTTIN' HER STUFF, BANGER. RATCHET BITCHES TWERKING EVERYWHERE. STRUTTIN' HER STUFF, BANGER. RATCHET BITCHES TWERKING EVERYWHERE."

The lights came on + Miley began to jump up + down in the air. Everyone began to twerk even harder than before, making this performance an official twerk-fest. Khia began to recite her flawless rap, while Miley pumped up her arms + began to twerk on Khia. Khia then stunted on some of the dancers, screaming to the crowd + rapping even faster than the track. The crowd cheered more than ever so far, when Miley + Khia struck a pose back-to-back to close the song.

"Now that my ass is FINALLY satisfied, I guess we should get back to the real sh*t now, so be right back Smilers!"

5. Free Falling

*The band played a pop-rock little snippet to keep the fans intrigued while the stage blacked out again + the workers were setting up the stage. Then, the instrumental for Free Falling began to play into the arena. The lights came on + the stage was once again revealed*

*Miley stood above on a large platform hanging from the ceiling, even higher than her performance of My Truth. She stood on the platform + began singing the chorus slowly, acapella. Then the lights kicked in + the band began to play the song*

"I just wanna be free!"

*Miley began to sing, having a microphone stand up with her + there were several flamethrowers on the platform burning for s cool effect. Into the first verse, Miley was getting extremely passionate. She walked across the platform, exuding such confidence acting like she owned the arena, which she certainly did for the night. She got into the chorus, where a flat escalator took her down to the stage. The flat escalator was a fan-favorite + wildly popular prop that Miley used in her early weeks to promote Free Falling. She decided to fuse her old performances with her Teen Choice Awards performance. Miley got to the stage floor where there were cardboard boxes scattered everywhere*

*The chorus kicked in, with Miley kicking all of the boxes around + causing havoc on the stage. She sang with a raspy, edgy voice that was a bit different to any performance she had previously done prior to her tour. It sounded fantastic, with the audience giving it positive feedback by cheering wildly during the performance. Miley went crazy on the stage popping her body, kicking over boxes + spinning around all over the stage. Then the light became red, with a ton of voices calling her. Miley was suddenly grabbed by a Disney executive + he put the Hannah Montana wig on her, duck taping her mouth shut*

*More Disney detectives began to walk + they began taping her down, attaching strings to her + they slid up the flat escalator to the platform about eighty feet above*

"My name is Hannah. Today, I'm going to sing a song for you…."

She suddenly started singing her biggest hit as Hannah Montana, Best of Both Worlds. But then she laughed, grabbed a knife from her pocket + cut the strings that made her imitate a puppet. The Disney executives gasped, right when Miley threw her wig into the crowd + stuck the middle finger up. They began to circle around her, dancing as she sang the chorus. They all took a box, making a pyramid as they escorted Miley to the top of it. She shined like a champion + kicked a Disney executive away from her as they began to chase her around. She reached the bridge where she got back on the escalator to reach the platform once again. The executives began to go after her on the escalators. Miley got to the break where they all cornered her on the huge floor + Miley jumped off*

*She clung to a rope that hung eighty feet from the ground. The Smilers were gasping, screaming, cheering + applauding the fact that she was able to make it onto the rope, that she was swinging on it a tiny bit. The executives ordered her to come back to them, to regain control of her. She asked for creative control while the pre-chorus was played by the band, but her offer was declined. Forced, she climbed back up onto the platform*

"Bye bitches!"

*Miley pushed them off the platform, but they hung onto the ropes. They got automatically tied to the ropes + Miley blew a kiss*

6. Street or Highway

"SMILERS MAKE SOME NOISE! Trust me, we got a LONG way to go guys! But did you really think I was going to make you sit or stand here for two hours to hear sh*t that's already out?!?!?! No, see I love you guys so much. Which is why I wrote this next song. I wrote this song, originally for the album - but I loved it so much, I wanted to save it for the tour. So this song, is called Street or Highway. Let's go!"

*Miley premiered the new song. The song was Rock-driven + Miley channeled Ke$ha with this song, except she added her own twists on her own material*

"Street or highway /
Twerking or rocking the sh*t out -
Street or highway /
Twerking or rocking the sh*t out…"

*The entire song Miley completely took the reigns of the production + just controlled her vocals to a fantastic range. She faces the Urban streets verses the Rock n Roll highways in this track, really giving the fans a track about her new sound. The new song was undeniably one of the best performances of the night + the crowd was buzzing with happiness when they heard fresh material. Street or Highway instantly became a talked-about topic on the internet, gathering lots of acclaim + fan attention*

7. On Top Of The World - to be updated

8. In Your Eyes

*Miley awaited for a piano to be brought on the platform. Once the workers brought it, she sat down + began to tune it. Once she tuned it, she began playing in your eyes acoustically on the piano*

*She began to sing there first verse, with light, airy, + emotional vocals. This was the one true ballad on her song, so she wanted this performance to be absolutely flawless… She kept pushing down on the keys, whispering some of the lyrics + howling some others within the verse. A guitar chord sustained when she began to reach the chorus. At the chorus, her vocals expanded + a guitar joined in with hthe piano quietly, just to add some hints to sound. Her vocals were beaming, the lights soaring + some more guitars playing. Miley belted out her chorus, really giving life with this performance + slowing things down, marking an impression with a ballad. She kicked into the second verse, with a violin adding to the guitars + the piano. The fans cheered as Miley begun to speed the tempo of the song, really showcasing her vocal abilities. Miley entered the second chorus, really pushing her vocal to an extreme level. She began to cry while singing, suffering from nostalgia, having a truly remarkable + emotional performance*

*During the bridge, the guitars rocked with fast violin streaks, as Miley climbed a ladder down eighty feet to reach the stage floor. Smoke came out from the sides, making a dark aura for the stage while Miley put her microphone in the stand. She belted out notes in the final chorus, reaching notes that people thought were impossible for her. She titled the microphone + pointed to her fans while a chord blasted through the speakers, Miley holding out the final note. Her voice soared for miles + the sound of the chord rung through the stadium. The note + chord faded, the crowd cheered louder than ever in the night. Miley smiled + cried a bit before she began her next song*

9. The Climb

10. Where Was the Love?

"Smilers, I wrote this song about someone who was close in my heart + is still close in my heart. This is about Liam. And this is about you, too. Well, I want to help you get through your pain Smilers. If you've ever had a boyfriend, or a girlfriend cheat on you, or if something went wrong - then this one's for you tonight."

*The band kicked it + Miley's vocals roared into the arena. She sang the lyrics of the song aggressively, hurt + very powerfully. During the performance, hearts would fall from the ceiling + shatter on the stage floor. Miley would walk around the stage with her microphone stand, keeping the performance simple but effective. She raise her fists in the air + pounded the air to the beat of the drums, really showing her crazy, break-up mode.

11. On the Radio (feat. Macklemore) - to be updated

12. Shot Me Up (feat. will.i.am) - to be updated

13. Party In the USA

14. Movie Scene

*For this performance, Miley used that screen in the arena to her advantage. She played a mini-movie, rather a music video of the song - which was absolutely stunning*

*The video showed her frolicking through a field of flowers as Hannah Montana, appearing to be shooting a video within the video itself. The content was shown in black + white, having a very dated, 60s-esque feel to it. Miley would pick up one of the flowers + smell it. Her eyes would then turn blue, letting the color escape from the flower + bringing the video to life. Miley took of the wig, untied her hair + let the strands fall down effortlessly. She frolicked through the fields, an emotionless girl. Her face was lost in the beauty around her*

*The on-stage Miley began to sing the song, just standing in front of the crowd as the video kept playing

15. Not That Girl Anymore

*Miley came back onto the stage. This was the Part II of her Free Falling performance. The men were all tied up to the ropes hanging, looking up at the platform. The band began to play the song + Miley began to sing. She strutted around while they were panicking, shaking in her presence. She glared down at each one of the Disney executives while her microphone was clutched to her hand + her voice was sounding completely dark, with a darker arrangement of the song being played. She then was handed a knife, which she took and raised to the sky. Her voice growled more, showing a darker and more aggressive side of her. Suddenly a guitar breakdown came*

16. Can't Be Tamed

17. Fake Diamonds

*Miley re-entered the spectacle. She was on top of the staircase once again. The spotlight shown on her, baring a wedding dress. Her mascara was blurred under her eyes as if she had cried a puddle + her veil was smothered with black oil. Her dress remain perfect, untouched. She opened a tiny box, which contained a diamond ring. She placed the ring onto one of her fingers, gazing off into the audience. Violins played, when she slowly began to walk down the staircase.

*The band began to play the song, with a slower tempo. Miley reached the stage floor + walked to the microphone stand. She slowly clutched the stand with her fingers, then placed her hand on the microphone. She began to sing, her voice riveting + simple. Her body was frozen, her eyes gazing into the crowd. The lights dimmed, then grew brighter… dimmed, then grew brighter over + over again gradually during the performance. At the chorus, the light flashed red + Miley began to tear up as a man walked up to her + placed a diamond ring around her neck. He locked it in, kissing her cheek, then exiting. She slowly took off the necklace when he vanished, letting it hang from her fingertips in the spotlight. The light changed it's color to a violet, as she dropped the necklace*

"Sometimes, I want to go back. Back to the way it was. Back when… I feel like I had nothing to lose. But now I have everything to lose. I don't want to be humiliated, embarrassed, used or wasted. I just want to be loved. But love, is rare. You see, love…. is dangerous."

The band played quieter than ever in the bridge, where Miley began to cry as she lisped the words to the song. Images of happy couples, kissing in the dark + flames began to project on the screen. However, some images lay on her body + a portion on her face. She walked around with the microphone. She howled her notes into the chorus, dragging herself miserably. Then, her love interest re-enters the scene with a bouquet of roses. Upon his release, the roses die. Miley sheds a tear as she continues to sing the final chorus, in a softer tone. The man leaves her, telling her goodbye + kisses her. Miley pulls away, pushing him off the set. She removes her veil, dropping it to the floor. She hits the final note very steady, holding it out lightly. She ends by taking the diamond ring + dropping it. The microphone stand descends to the underground of the stage, leaving Miley alone. She opens her body, breathing heavy + looks up towards the ceiling.

"But I can't do it… If all I get is fake love, fake diamonds."

18. Invisible - to be updated

19. Hurts Like Gold - to be updated

20. Bitch Like That - to be updated

Lucky#17

"Run the Bitch" will not be properly promoted until next week. I did not have ****ing time for this this week