Tournament: Create a Label 5 | Thank You Retro & Miles. - Page 136

HausOfCarlos

hopefully Ariana is in the top 3

when's the chart coming already? tomorrow?

Eglė

MØ performs on Jay Leno

After appearing on numerious TV shows and events this week, MØ stops by yet another TV show as she doesn't rest at all after appearing on both sides of the ocean this week. The next stop on MØ promotion list is the Jay Leno show, and MØ showed up there to perform her single Bikini Daze. On the stage, she showed up all by herself, without a band or backing vocals, or a guitarist. She stood right in the center of the stage infront of a microphone stand to perform her single Bikini Daze. She performed the acoustic and stripped down version of her single, and it all sounded really good, but however, that was a bit weird performance, because it was unusual to see MØ in such a calm and simple phase, because during her gigs and performances she is all energetic, kicking the air, swinging her hair and dancing all around the stage. It was a good and impressive performance!

MØ performs on Strictly Come Dancing

MØ just can't catch a break and continues promoting her new single Bikini Daze around the world. Yesterday, when she was still in UK, MØ stopped by the hit show in the there, called Stricly Come Dancing, which is like the British version of Dancing With The Stars, where she performed her single Bikini Daze. MØ appeared on stage with a live band. As soon as MØ and her live band appeared on stage, the crowd started cheering. MØ was wearing a two-piece, a crop top and a skirt with matching prints, as well as simple black shoes. The girl did an amazing job with performance, and Bikini Daze sounded better than ever because of MØ's and live band's energy, and of course, because people, who were gathered around the stage, literally helped MØ to create amazing feeling and vibe in the ballroom. MØ was hyped and energetic, she danced around the stage, and even jumped into the crowd, where she sang along with her fans and just had a fun time.

MØ performs at Roskilde Festival

MØ performed at the biggest festival in Denmark - Roskilde Festival - when a lot of indie performers gathers around in one place in Denmark to give one of the best festivals. Appearing along with a lot of other exciting acts, such like Arctic Monkeys, Rolling Stones, MØ held her gig as well by headlining the festival with the biggest rock and indie acts. She appeared on the biggest stage during the Roskilde festival when she gave an unforgettable gig when she performed some of her old and some of her new tracks. Also, she premiered some new tracks during her gig as well. The crowd seemed to be loving MØ as they threw things for her and danced as well. Plus, people actually knew the lyrics of her songs and sang along.

1. XXX 88
2. Never Wanna Know
3. No Mythologies To Follow
4. Waste of Time
5. Pilgrim
6. Dust Is Gone
7. Tea Party
8. Maiden
9. Chateau Chantel (feat. Charli XCX)
10. Bikini Daze
11. Wine Is Young
12. The Best We Ever Had
13. Fire Rides
14. Burned Out
15. Tigerhead

MØ appears in court with RCA Victor’s CEO; wins the case

As soon as MØ came back to US after a long week of promoting all around the world, Karen instantly was spotted in the city, and as couple of websites claims, she went to the court with none other than the person who made fun of her on Twitter - her previous label's, RCA Victor, CEO. There is no official confirmation about whoever won the case, but sources guesses that the one who won it is MØ, because she left the court with a huge smile on her face, waving for her fans and blowing kisses for everyone, meanwhile the RCA Victor CEO left covering his face with papers and trying to hide from the paprazzis, who were trying to get a shot of MØ and the CEO.

MØ appears in Beats commercial, Bikini Daze used for it as well

The new Beats by Dr. Dre commercial just started airing today on the biggest TV channels, and the song that was used for it is MØ's first hit single Bikini Daze, which sold about 700,000 in the last two weeks. Also, MØ appears on that commercial as well when she dances and swings her hair with four more girls, who dances later as well. MØ looked really beautiful during that commercial, really cute and nice. Right after the commercial started airing, it jumped couple places more on worldwide and US iTunes charts.

tigerlily13

N I don't even feel like playing anymore.

Eglė

I'm finally done with my promotion.

I think I'll take a break this week.

Lucky#17

Quote:

Originally posted by tigerlily13

N I don't even feel like playing anymore.

Same. I do not have the damn time for this anymore...

tigerlily13

Taylor Swift on Kimmel

Taylor Swift made her second late night television appearance this week as she performed and was interview on Live With Jimmy Kimmel. Swift was on the show to promote not only her brand new album which has spawned some number one singles, but also to promote her upcoming film based on the album, and the official third single from the record. After her interview, Swift gave an amazing performance of 'Born Into Sin', which has become the official song of the Human Rights Campaign. Below is an excerpt or shortened version of the interview.

About Born Into Sin:
I've always supported gay rights thought not always openly. I was a country singer for about five to six years and if you do support it publically, the radio, country radio, will just stop playing your stuff which I think it completely ********. We live in the twenty-first century now. Put on your big girl panties, stop being a *****, and accept it. But the song is just basically telling a story about a man who couldn't come to terms with who he was and the message with the song is just to tell those who are going through the same thing I wrote the song about that you need to feel liberated. You need to feel accepted. Accepted by yourself.

About the upcoming film:
I was lucky enough to be able to write and star in a film based on my album. It's an amazing movie and I really can't wait for people to see it. There's an amazing cast. Paige is in it, and so are other celebrities I worked with over the years. I think people are going to be really impressed with it.

Born Into Sin physical edition

Taylor Swift's latest single 'Born Into Sin' has been officially produced physically, copies being sent out to retailers Tuesday at 1 AM. The physical edition of the single features a slightly different cover with a bit of a saturation difference than the artwork Swift revealed via twitter that pushed the song up from it's #400 position into the top 100. The song has now climbed in the top ten as not only has the physical been released but the same tracklisting has to iTunes, featuring two alternate versions and two remixes. There's an acoustic and piano version of the song, then two remixes by South House and Jason Nevins. You can guy the physical edition now.

The Voice Performance

Taylor Swift was live on The Voice tonight where she gave a heartbreaking performance of her recent single which has caused a bit of controversy from conservatives who stand against the message of the song. Backstage, Swift responded keeping it classy, saying, "I'm a songwriter and I'm not always going to play it safe and write about topics everyone can relate to like love without there being some reaction to it. I've been writing about similar things for my previous albums. I'm going to adress topics I want to with my music. If people do not like it then you can stream and buy someone else's music. Not try to ban it. It's ridiculous." Swift then performed 'Born Into Sin' on a piano where she received a standing ovation for her vocal performance.

Taylor Swift Fader Fort Festival

Taylor Swift as the headlining act at the Fader Fort Festival today hosted through the shoe brand Converse. The festival gathered singers from all genres to perform for a crowd of 10,000 people, which seems quite small for Swift. Except for the fact the concert wasn't free and the venue was sold out in less than five minutes for Swift's set. Not being able to book a bigger venue Swift played her fourteen song set with joy, performing songs from her previous records like All At Once, Speak Now, Red, and even her latest album Coven 13 which has spawned two number one singles and has hit the summit itself.

Setlist:
Red
Holy Ground
Serenity
Haunted
Born Into Sin
Sad Beautiful Tragic
Daughter of Tragedy
Loving The Wrong Way
All Too Well
I Knew You Were Trouble
Girl With The Red Lipstick
Death of Me (ft Brendon Urie)
Love Story
Swarovski

Taylor Swift @ Rock In Rio

Taylor Swift was live at the biggest music festival of the year, Rock In Rio 2014 where she was live from Las Vegas to over 135,000 people who came out to see the singer alongside acts like Rihanna, her opening act Leona Lewis, and new bands such as Five Seconds of Summer, and Rixton. Swift performed fourteen songs for the crowd, keeping her set the same as the one on her tour despite a few additions from her previous album All At Once that happened to sneak up on the set. Swift was decked in all leather at one point of the show, but started off in a black collared dress with some white embroidered on the collar that showed off her alluring long legs. Her vocals were great and she put on an amazing show as the headlining act.

Sabbath
Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour
Swarovski

tigerlily13

'Born Into Sin' Video Teaser

Taylor Swift released the first teaser from her upcoming video for 'Born Into Sin' today via YouTube and VEVO. The teaser is a minute and thirty seconds long and features a clip from the official short film in support for the album. The audio is played as the screen starts off blurred as we see a woman (known to be Taylor) wearing a black dress as her hair is cut, looking very cropped, giving a very edgy look to her as she approaches a great cathedral. The scenery is magnificent as is the cinematography as Swift enters the Beauvais Cathedral (located in Beauvais, France). The song begins to play as Swift starts down a large corridor wool of arches and columns. Taylor walks gracefully but slowly down the corridor, her gaze straight ahead as the camera shows some of the architecture in the building such as the sculptures of the angels which seem to start deteriorating. The roofs are shown and Taylor looks over to one of the angels and stops before walking again. A moment later blood comes from the angels mouth suddenly and drips to the floor. She turns around and the cathedral is stained in blood and men and women are staked to the roof and sides of the grand corridor, dead but some still alive. The camera pans away before the doors to the cathedral close and a date for the video is on the screen.

Born Into Sin becomes the official HRC song

Taylor Swift's latest and third single 'Born Into Sin' has become the official song of the Human Rights Campaign of 2014. Featured in commercials for the non-profit campaign, the song will be made exclusively for download through the site and will carry it to events hosted by the event as well. Swift spoke on the honor saying, "It's an amazing thing for a single so dear to my heart to become the official song for a organization that is so dear to my heart. I'm thankful that I can use the song to support the organization as well. Please support!" Sales from the song will go towards the HRC funds as well.

Jonathan

I have to get back to work. I've been busy all week

Prepare for a tsunami in the next coming hours.

jax.

I have so much promo to do and I just got out of rehearsals, I'm going out to eat in a dew hours, and I am going shopping after that

Lucky#17

WEDNESDAY - APRIL 2ND PROMOTION

KZON 101.5FM

While touring in Arizona for the day, Miley stopped at the capital's biggest station, 101.5FM to sit down with an interview.

Host: On tour right now and with us today is the lovely Miss Miley Cyrus - great to have you here.
Miley: Thank you.
Host: So people have been praising your tour left and right, everyone's calling it amazing. What are you bringing to Phoenix tonight?
Miley: Well, I'm brining my A-game. And... tonight the music video for "Shot Me Up" is going premiere. I normally perform it, but instead I'm going to let the crowd tonight in Phoenix be the first group from the public to see it.
Host: Fantastic! What's the video like?
Miley: It's definitely simpler... a lot simpler than my other videos, and of course will.i.am is in it since he's the feature. The video is visually amazing, it's very will.i.am. It's something more basic yet more edited than anything I've done this era so far. It'll be interesting to see what people think about it...
Host: And tonight your MTV Unplugged special with Madonna will air... how do you feel about that?
Miley: Madonna is the Queen of Pop. I think that sometimes people think just because someone fades a bit, or ages, or even dies means their "crown" has to be passed on. I disagree. What she's done in the past three/four decades has not been done by any female Pop artist, any female artist period.
Host: Can you give us a little preview on what we'll be seeing tonight?
Miley: The opener's amazing. It's one of my favorite songs Madonna has ever done, inspired by one of my favorites movies that has ever been released. There's a lot of adrenaline in the performances, there's a lot of heart too.
Host: Will you be singing material off your latest album?
Miley: Yes, of course, of course. We'll be doing some "Bitch Like That", mixed in with some other stuff. It's going to be pretty amazing.
Host: Well you can catch that tonight at 9:30PM folks. In the meantime, let's play Miley's new single featuring Macklemore, "On the Radio".

- Single is played -

Host: What's your favorite song now?
Miley: My favorite song? I'm really loving "Fancy" by Iggy Azalea and Charli XCX. And "Black Roses" by Clare Bowen from the TV show Nashville. I love that show.
Host: How has it been like on the road?
Miley: It's been a little stressing, but I've got everything under control. I go from city to city on a bus when I'm playing a show. So I'll normally get around seven hours of sleep a day. I normally go to bed around 11-ish and wake up around 6-ish. And then I just get myself going and get ready for what I gotta do for the day.
Host: What do you do on your off time?
Miley: I don't really have any, because I still promote. I take the time on my days off to just go on every show and station I can possibly go on, and keep it moving. I mean once we hit the International Leg things will be easier to handle, but as of right now I'm happy with the way things are.
Host: Your new single has peaked at #4 on the CAL chart, which could end your chart streak. Your album has not hit #1 this year. Do you care?
Miley: Yes, on both. Not too much, but just a little. I really, really want "On the Radio" to go Top Three. But at the same time, I'm fine if it doesn't work out. I really am. As for the album, I'd like to get it #1 somewhere down the road, that'd be very cool... but I'm even more fine if it didn't. Even with minimal promotion I'm still selling at least 200k a week, so that shows that people like the music.
Host: Your album is actually available for $7.99 right now for a limited time, which is great. Thank you so much for stopping by, can't wait to watch you tonight.
Miley: Thanks for having me, and hope y'all tonight.

MILEY CYRUS WORKING WITH DAVID GUETTA

Sources today claimed that they witnessed Miley Cyrus meet up with David Guetta outside KZON's radio station. The two drove away, and after getting followed by some paparazzi, the two were spotted entering a studio. Just about an hour later, Miley was frantically leaving the studio, as David escorted her out and both waved to each other and hugged.

NEW BEATS COMMERCIAL UNLEASHED FEATURING "ON THE RADIO"

A new Beats commercial, part of Miley Cyrus's deal with the company, has surfaced onto television networks all over the world today. The new commercial once again features the brand-new single from Miley Cyrus and Macklemore, "On the Radio". The commercial takes you behind-the-scenes of filming the music video - as Miley and Macklemore ride on a truck in the desert, listening to Beats to prep up for their next shot. Both then step of the pickup to do some choreography and "On the Radio" starts playing to lead the commercial out. The Beats logo and purchase info pops up and the commercial ends a bit after that.

ALBUM SIGNING AND MINI CONCERT - PHOENIX

Miley Cyrus, handling a very eventful day, headed on over to Paradise Valley Mall to hold another album signing and mini concert there. Excited to perform, Miley got up on stage and got the crowd hyped. She started with "Turnt Up", getting low with a ton of dancers. The stage had some dark lighting, as Miley hopped on a couch or two and started getting really crazy. Money cannons shot some cash into the crowds, as Miley advertised her album a little. "It's discounted to $7.99, y'all should go get that." Afterwards, she performed the brand-new single "On the Radio". Her performance was a lot more Pop, as an American flag background dropped from the wall and she had a small platform to get up on and dance. Rapping Macklemore's verse, and delivering a lot of energy, she had another great performance. She closed off the mini concert singing her next single, set to be released on April 14th, "In Your Eyes". She played the piano performing the song, with some rock guitars striking chords in the chorus. Her vocals were absolutely stunning, showing people she can really, really ****ing sing. They all took a bow and Miley went to go sign some albums. Having a very relaxed attitude, Miley met all of her fans and interacted with them - selfies, talking and videos - the whole nine yards. Signing a total of over six thousand albums, Miley left the scene to a very important night.

HausOfCarlos

Quote:

Originally posted by tigerlily13

N I don't even feel like playing anymore.

i've been playing for more than a year i'm getting bored a bit too

Lucky#17

Wednesday, April 2nd Promotion
MILEY CYRUS CONTINUES TOUR IN PHOENIX, ARIZONA

Miley continued her new tour in support of her re-released album 'My Truth' in the city of Phoenix, Arizona Wednesday. Set to premiere the video for "Shot Me Up" exclusively at the tour, Miley had known tonight was going to be an especially amazing night. Performing at the University of Phoenix Stadium, she sold-out the venue, performing in front of 76,000 people. Her show did not disappoint, especially with the "Shot Me Up" exclusive. Since the era of 'My Truth' has taken off, she has spawned a #1 album, as well as three Top Five singles.

1. Start All Over…*Again

"What's up Phoenix, how are y'all feeling tonight?!?! Who's ready to get turnt up in here! Well… I was Hannah, then I was Miley…. But now I'm the NEW Miley bitches! So let's get ready to rock!"

*The lights came on + the stage was set. The set was pretty simple: the band was on the sides, while a huge aisle was in the middle of stage. A door rose up, and Miley's presence was revealed. She strutted down in the stage with her microphone while the fans went absolutely insane. She smiled and worked her way to the stand + she put the mic in. She wore a white crop top with a small leather jacket over it + jeans. Her shirt, jeans + jacket were all ripped. She had a tiny bit of glitter right over her dynamic eyeliner + bold red lipstick. Her hair was slicked back to one side, flawlessly as she served a nice rock and roll look.

"But before I became… this badass bitch right here. I had to start from scratch. I had to start all over… again. Hit it boys!"

*The band began to play + Miley started to sing. Her vocals were sharper than ever before, playing with the microphone stand. She titled it, side by side, left then right + leaning on her knee close to the ground. She dragged it around during the beginning, taking off the microphone. She kicked the stand over to the side of the stage, where it fell over onto the crowd + she got into the first chorus. She rocked out on stage, jumping around and pumping her arms in the air. For the second verse, she went over to a guitar player and snatched his guitar. She put it on, played the song + continued to sing as he aimed the microphone towards her lips. Some lights flashed a bit, while Miley was flicking her body back and forth strumming on the guitar to a bit of a rockier version of the song. The band transitioned into a full-out rock solo, where Miley got on her knees and completely gave it 110%. When it was over she spun around, let go of the guitar + it flung into the audience. She snatched her microphone back, singing the bridge. She climbed up onto a platform where the drummer was playing and she began to grind just a tiny bit.*

*She jumped down the stairs and skipped to the center of the stage, hitting notes very well in the final chorus. The lights began to flash again. Faster… faster… faster as Miley's vocals rasped more + more towards the final notes. The guitars rocked, the drums banged + Miley belted out the final lyrics to the song. A huge note on the guitar was held, a drumroll was created + Miley was jumping all over before a loud "BANG!" of music struck + she fell to the floor. The stage blacked out + Miley went to the underground stage for a quick change*

2. My Truth

"I gotta admit, as much as I love to twerk you gotta rock the stage once every now + then. How you Smilers doing?!?!?!?!?!?!?!?!! Well… you see I was living a double life, or at least on TV. But I was so damn sick + tired of being this little puppet like I wasn't here for that sh*t anymore. So with this album - I needed to come clean + show y'all the real me. Because that's the truth. I don't wanna present some fabricated bullsh*t anymore. I wanna make music that's genuine, I wanna make you guys rock the f*ck outta your bedrooms + twerk all up in your mirrors Smilers."

*The stage lights went back on + this time Miley was on a huge platform hanging about thirty feet from the ground. The track played + Miley began to sing. She slowly swayed her body, making the mid-tempo Urban track into a bit of R&B action. Miley slowly sang her words, putting some emotion behind the lyrics + the band members snapped as Miley worked on her falsetto for the chorus. When the chorus came, the lights dimmed + the platform began to descend. Miley channeled her inner Rihanna, opening her legs + swaying her body like Beyoncé. The audience was cheering + the stage was dark. Miley got down + touched some of her fans' hands, turning the performance into a more interactive + intimate experience for her fans*

"I wanna see y'all put your hands up + sway them!"

*Miley swayed her hands in the air + clapped to the beat during the bridge. So far the concert was enjoyable, but Miley was only on song 2/20… so there was lots more to be done! Miley got on her knees + began belting out some last lyrics, getting emotional. But it wasn't the sad, depressed kind of emotional - it was the happy, grateful type of emotional . She ended her performance by sitting down on the ground*

3. Turnt Up

"That was the truth. My truth. So who saw my MTV thing?!?!?! Well, I looked at it + I realized that it looks so high-def on a TV. But I'm so happy you got to see those moments because that's what really made the album. Know that I've had my touching, revolutionary little philosophy speeches. Who the f*ck is ready to get turnt up Smilers?!?!?!?!?!?!?"

*Money began to drizzle + Miley took of her long black coat she wore for My Truth. She had on some Adidas, a sporty black shirt which had ‘PHOENIX' written on it + some white shorts. Then some dancers came out wearing sport, tight, slightly baggy + party clothes + began to bop with Miley*

*The song began to play + Miley got into her Urban side. Her dancers were all throwing money + popping down low. Miley began to grind slowly on one of the guys + she popped a glass bottle of champagne, pouring it up + serving drinks. The chorus came up + the stage turned into a club. People were drinking, banging + grinding down getting… well, turnt up! Miley threw some money into the crowd, laughing a bit + some shimmer began to fall from the top of the arena. Suddenly, a huge drumbeat came by + there was a short dance break*

*The dancers did flips, while others performed some sick choreography. Miley and some girls were in the center, spanking each other's asses + chewing some gum. They extended the gum, wrapped it around their finger as rings + all huddled around. Miley motioned for the other dancers to huddle as well. The song came back on + the stage became electrifying. Some grey + black lights were shinning onto the stage while everyone danced to a small choreographed number + more money fell from the sky. Suddenly, beer began pouring down + the dancers flicked the beer into the crowd while they spun around + dropped to the floor for some moves. More people came out on stage + Miley shouted to her audience*

"Put ya hands up!"

*She started swaying her hands + bouncing on the floor. She bent down + gave some twerk teas. The song finished, with Miley dropping the microphone + strutting to the back of the stage. The door closed + the dancers all dropped to the floor in sync. Some Urban music began to play that was never heard of before, but it was just a track to take up some time for tour*

4. We Twerk (feat. Khia)

*A low, auto-tuned voice began to speak over some beats: "TWERK IT OUT BITCH. TWERK IT OUT BITCH. WE TWERK, TWERK, TWERK. WE TWERK, TWERK, TWERK. TWERK IT OUT BITCH. TWERK IT OUT BITCH. WE TWERK, TWERK, TWERK. WE TWERK, TWERK, TWERK.*

"Now we gonna twerk! Queen Khia representing! Let's go!"

*Miley began to sing her Twerk Anthem + Khia was on stage moving her body to the music. Miley turned around, where Khia smacked her a bit, serving a bit of raunchy teas. Miley spun around + high-rived Khia. She strutted down a runway which had been laid out + worked like a queen. Some dancers came out from the sides, forming a horizontal line, awaiting Miley + Khia to come onto center stage. In time for the chorus, Miley + Khia got into the middle of the stage*

*The lights went berserk + everyone jumped a 180-degree to begin twerking. Everyone went HARD IN + really got into the performance. Some dancers twerked regularly, others popped more, some bent their bodies all the way down to twerk at the peak of their position + some slapped themselves to create some tension. Miley got back up while the others continued to twerk, the lights went off + everyone's clothes glowed in the dark. Their clothes begin to flash + the lights went even crazier than before. A little sample began to play, with the same auto-tuned, low vocal:

"STRUTTIN' HER STUFF, BANGER. RATCHET BITCHES TWERKING EVERYWHERE. STRUTTIN' HER STUFF, BANGER. RATCHET BITCHES TWERKING EVERYWHERE."

The lights came on + Miley began to jump up + down in the air. Everyone began to twerk even harder than before, making this performance an official twerk-fest. Khia began to recite her flawless rap, while Miley pumped up her arms + began to twerk on Khia. Khia then stunted on some of the dancers, screaming to the crowd + rapping even faster than the track. The crowd cheered more than ever so far, when Miley + Khia struck a pose back-to-back to close the song.

"Now that my ass is FINALLY satisfied, I guess we should get back to the real sh*t now, so be right back Smilers!"

5. Free Falling

*The band played a pop-rock little snippet to keep the fans intrigued while the stage blacked out again + the workers were setting up the stage. Then, the instrumental for Free Falling began to play into the arena. The lights came on + the stage was once again revealed*

*Miley stood above on a large platform hanging from the ceiling, even higher than her performance of My Truth. She stood on the platform + began singing the chorus slowly, acapella. Then the lights kicked in + the band began to play the song*

"I just wanna be free!"

*Miley began to sing, having a microphone stand up with her + there were several flamethrowers on the platform burning for s cool effect. Into the first verse, Miley was getting extremely passionate. She walked across the platform, exuding such confidence acting like she owned the arena, which she certainly did for the night. She got into the chorus, where a flat escalator took her down to the stage. The flat escalator was a fan-favorite + wildly popular prop that Miley used in her early weeks to promote Free Falling. She decided to fuse her old performances with her Teen Choice Awards performance. Miley got to the stage floor where there were cardboard boxes scattered everywhere*

*The chorus kicked in, with Miley kicking all of the boxes around + causing havoc on the stage. She sang with a raspy, edgy voice that was a bit different to any performance she had previously done prior to her tour. It sounded fantastic, with the audience giving it positive feedback by cheering wildly during the performance. Miley went crazy on the stage popping her body, kicking over boxes + spinning around all over the stage. Then the light became red, with a ton of voices calling her. Miley was suddenly grabbed by a Disney executive + he put the Hannah Montana wig on her, duck taping her mouth shut*

*More Disney detectives began to walk + they began taping her down, attaching strings to her + they slid up the flat escalator to the platform about eighty feet above*

"My name is Hannah. Today, I'm going to sing a song for you…."

She suddenly started singing her biggest hit as Hannah Montana, Best of Both Worlds. But then she laughed, grabbed a knife from her pocket + cut the strings that made her imitate a puppet. The Disney executives gasped, right when Miley threw her wig into the crowd + stuck the middle finger up. They began to circle around her, dancing as she sang the chorus. They all took a box, making a pyramid as they escorted Miley to the top of it. She shined like a champion + kicked a Disney executive away from her as they began to chase her around. She reached the bridge where she got back on the escalator to reach the platform once again. The executives began to go after her on the escalators. Miley got to the break where they all cornered her on the huge floor + Miley jumped off*

*She clung to a rope that hung eighty feet from the ground. The Smilers were gasping, screaming, cheering + applauding the fact that she was able to make it onto the rope, that she was swinging on it a tiny bit. The executives ordered her to come back to them, to regain control of her. She asked for creative control while the pre-chorus was played by the band, but her offer was declined. Forced, she climbed back up onto the platform*

"Bye bitches!"

*Miley pushed them off the platform, but they hung onto the ropes. They got automatically tied to the ropes + Miley blew a kiss*

6. Street or Highway

"SMILERS MAKE SOME NOISE! Trust me, we got a LONG way to go guys! But did you really think I was going to make you sit or stand here for two hours to hear sh*t that's already out?!?!?! No, see I love you guys so much. Which is why I wrote this next song. I wrote this song, originally for the album - but I loved it so much, I wanted to save it for the tour. So this song, is called Street or Highway. Let's go!"

*Miley premiered the new song. The song was Rock-driven + Miley channeled Ke$ha with this song, except she added her own twists on her own material*

"Street or highway /
Twerking or rocking the sh*t out -
Street or highway /
Twerking or rocking the sh*t out…"

*The entire song Miley completely took the reigns of the production + just controlled her vocals to a fantastic range. She faces the Urban streets verses the Rock n Roll highways in this track, really giving the fans a track about her new sound. The new song was undeniably one of the best performances of the night + the crowd was buzzing with happiness when they heard fresh material. Street or Highway instantly became a talked-about topic on the internet, gathering lots of acclaim + fan attention*

7. On Top Of The World - to be updated

8. In Your Eyes

*Miley awaited for a piano to be brought on the platform. Once the workers brought it, she sat down + began to tune it. Once she tuned it, she began playing in your eyes acoustically on the piano*

*She began to sing there first verse, with light, airy, + emotional vocals. This was the one true ballad on her song, so she wanted this performance to be absolutely flawless… She kept pushing down on the keys, whispering some of the lyrics + howling some others within the verse. A guitar chord sustained when she began to reach the chorus. At the chorus, her vocals expanded + a guitar joined in with hthe piano quietly, just to add some hints to sound. Her vocals were beaming, the lights soaring + some more guitars playing. Miley belted out her chorus, really giving life with this performance + slowing things down, marking an impression with a ballad. She kicked into the second verse, with a violin adding to the guitars + the piano. The fans cheered as Miley begun to speed the tempo of the song, really showcasing her vocal abilities. Miley entered the second chorus, really pushing her vocal to an extreme level. She began to cry while singing, suffering from nostalgia, having a truly remarkable + emotional performance*

*During the bridge, the guitars rocked with fast violin streaks, as Miley climbed a ladder down eighty feet to reach the stage floor. Smoke came out from the sides, making a dark aura for the stage while Miley put her microphone in the stand. She belted out notes in the final chorus, reaching notes that people thought were impossible for her. She titled the microphone + pointed to her fans while a chord blasted through the speakers, Miley holding out the final note. Her voice soared for miles + the sound of the chord rung through the stadium. The note + chord faded, the crowd cheered louder than ever in the night. Miley smiled + cried a bit before she began her next song*

9. The Climb

10. Where Was the Love?

"Smilers, I wrote this song about someone who was close in my heart + is still close in my heart. This is about Liam. And this is about you, too. Well, I want to help you get through your pain Smilers. If you've ever had a boyfriend, or a girlfriend cheat on you, or if something went wrong - then this one's for you tonight."

*The band kicked it + Miley's vocals roared into the arena. She sang the lyrics of the song aggressively, hurt + very powerfully. During the performance, hearts would fall from the ceiling + shatter on the stage floor. Miley would walk around the stage with her microphone stand, keeping the performance simple but effective. She raise her fists in the air + pounded the air to the beat of the drums, really showing her crazy, break-up mode.

11. On the Radio (feat. Macklemore) - to be updated

12. Shot Me Up (feat. will.i.am) - to be updated

13. Party In the USA

14. Movie Scene

*For this performance, Miley used that screen in the arena to her advantage. She played a mini-movie, rather a music video of the song - which was absolutely stunning*

*The video showed her frolicking through a field of flowers as Hannah Montana, appearing to be shooting a video within the video itself. The content was shown in black + white, having a very dated, 60s-esque feel to it. Miley would pick up one of the flowers + smell it. Her eyes would then turn blue, letting the color escape from the flower + bringing the video to life. Miley took of the wig, untied her hair + let the strands fall down effortlessly. She frolicked through the fields, an emotionless girl. Her face was lost in the beauty around her*

*The on-stage Miley began to sing the song, just standing in front of the crowd as the video kept playing

15. Not That Girl Anymore

*Miley came back onto the stage. This was the Part II of her Free Falling performance. The men were all tied up to the ropes hanging, looking up at the platform. The band began to play the song + Miley began to sing. She strutted around while they were panicking, shaking in her presence. She glared down at each one of the Disney executives while her microphone was clutched to her hand + her voice was sounding completely dark, with a darker arrangement of the song being played. She then was handed a knife, which she took and raised to the sky. Her voice growled more, showing a darker and more aggressive side of her. Suddenly a guitar breakdown came*

16. Can't Be Tamed

17. Fake Diamonds

*Miley re-entered the spectacle. She was on top of the staircase once again. The spotlight shown on her, baring a wedding dress. Her mascara was blurred under her eyes as if she had cried a puddle + her veil was smothered with black oil. Her dress remain perfect, untouched. She opened a tiny box, which contained a diamond ring. She placed the ring onto one of her fingers, gazing off into the audience. Violins played, when she slowly began to walk down the staircase.

*The band began to play the song, with a slower tempo. Miley reached the stage floor + walked to the microphone stand. She slowly clutched the stand with her fingers, then placed her hand on the microphone. She began to sing, her voice riveting + simple. Her body was frozen, her eyes gazing into the crowd. The lights dimmed, then grew brighter… dimmed, then grew brighter over + over again gradually during the performance. At the chorus, the light flashed red + Miley began to tear up as a man walked up to her + placed a diamond ring around her neck. He locked it in, kissing her cheek, then exiting. She slowly took off the necklace when he vanished, letting it hang from her fingertips in the spotlight. The light changed it's color to a violet, as she dropped the necklace*

"Sometimes, I want to go back. Back to the way it was. Back when… I feel like I had nothing to lose. But now I have everything to lose. I don't want to be humiliated, embarrassed, used or wasted. I just want to be loved. But love, is rare. You see, love…. is dangerous."

The band played quieter than ever in the bridge, where Miley began to cry as she lisped the words to the song. Images of happy couples, kissing in the dark + flames began to project on the screen. However, some images lay on her body + a portion on her face. She walked around with the microphone. She howled her notes into the chorus, dragging herself miserably. Then, her love interest re-enters the scene with a bouquet of roses. Upon his release, the roses die. Miley sheds a tear as she continues to sing the final chorus, in a softer tone. The man leaves her, telling her goodbye + kisses her. Miley pulls away, pushing him off the set. She removes her veil, dropping it to the floor. She hits the final note very steady, holding it out lightly. She ends by taking the diamond ring + dropping it. The microphone stand descends to the underground of the stage, leaving Miley alone. She opens her body, breathing heavy + looks up towards the ceiling.

"But I can't do it… If all I get is fake love, fake diamonds."

18. Invisible - to be updated

19. Hurts Like Gold - to be updated

20. Bitch Like That - to be updated

tigerlily13

The Witching Hour Tour Night #13

Taylor Swift was live in Austin tonight performing to over 100,000 people. Swift is set for a second date at the stadium. Merchandise was affordable to many of fans' content and Swift also helf meet and greets as well. After th show she also went outside to take pictures with fans who happened to wait outsode. Miss Swift put on a show that involved a huge production, lighting, and plenty of dancing. Crtics have given the tour positive reviews, admiring Taylor's performing skills and the production of the show. Some critics were not favorable of the theme of the tour saying it was full of satanism and Swift was brainwashing concert goers, giving them a Nazi Treatment.

Sabbath

The concert quickly started after Leona Lewis finished up her set. While the stage was being set for Taylor, clips of hte short film for Coven 13 were shown and it all ended with the artwork of the album taking over the screens as the crowd went wild. The venue fell into total darkness and silence as the crowd waited for what was to come. Smoke filled the stage that had dimensions of 37x37 (feet). The half crescents of the stage unexpectedly lit up a dark red as two cloaked figures stood on them. A dark orchaestratic production came on and the audience cheered again. The stadium of people roared as figures turned their backs and walked towards the center of the stage that had a platform risen from the stage, in the shape of an eye.. A light acting almost like moonlight shined over the stage as the four cloaked figures performed a ritual, moving in abnormal and exotic ways. Their cloaks long, they pulled out extensions from the cloak from under and they all moved around in a circle, along with the stage that began rotating. The black fabric connecting them together, the audience watched in fascination as the stage started to revolve faster. It then slowed as a bright red light stunned the audience as the black silky fabric that had engulfed the cloaked figures fell to the floor, fire coming from the stage in a perfect circle. The crescendo of the production reached, as the sound of a low thunder started. The fire died and the cloaked figures were gone and in their place was Taylor standing in a black skintight dress that had a long lace cape built into it, her feet dressed in a pair of black stiletto heels. Her hair was down, along with her makeup giving her a smoky and seductive look. The crowd roared as Swift stood there looking out to the audience as the sinister production of 'Sabbath' took over. Swift started down the platform as fire bursted from the stage as she walked. Reaching her destination she moved the mic to her mouth and began singing the song. The stage stopped and Swift started singing as the cloaked figures returned to assist Swift on stage. The second verse consisted of the dancers lifting Swift in the air in a crucifying position. Let back down on the floor of the stage she looked maliciously out at the audience as she performed a minor choreography scene with her dancers before the bridge hit. The dancers connected hands in a circle around Taylor as she started dancing, doing an exotic dance. Flames shot up in front of them as red lights started flashing quickly. Taylor then screamed into the mic before the stage lit up again and she finished off the performance with lots of hair flips and adlibs. Another blast of fire shot from the stage as Taylor quickly moved on to the next song.

Born Into Sin
Christian
Hell On Earth
Bitter Reality
Haunted
Sad Beautiful Tragic
Loving The Wrong Way
Let's Die Tonight!
Lose Me In The Dark
Daughter of Tragedy
All Too Well
Love In Retrograde
In Her Eyes
Better Than Revenge
I Knew You Were Trouble
Girl With The Red Lipstick
Electra Heart (Marina & The Diamonds Cover)
Death of Me (with Brendon Urie)
We're Art
Taylamour

Swarovski

Encore:
Coven 13

Tour Progress

Miles Caulfield

Don't forget to send in promo! If you're late by a few hours that's cool, just don't send it in too late.

Also, for the players who have played this in past seasons, how long does a season usually last?

Lucky#17

Quote:

Originally posted by Miles Caulfield

Don't forget to send in promo! If you're late by a few hours that's cool, just don't send it in too late.

Also, for the players who have played this in past seasons, how long does a season usually last?

It really varies. I'd say to keep this one running until July though, like CAL2. CAL3 started in late July and took off in early August last year so July's a good month to end this one. I'm sure we'll make it

tigerlily13

Taylor on TRL

Taylor Swift was live on TRL today for the first time where she talked about her brand new witchcraft inspired album 'Coven 13', which has reached the summit of the charts, debuting at #1, nearing gold in just it's debut week. With her brand new single 'Born Into Sin', a song that speaks out against homophobia, Swift talked about releasing the risky song as the third single, addressing it's performance commercially as it hasn't fared as far as her previous two singles which have both topped in their debut weeks. Read below a few of the questions asked during the interview. Swift then gave an amazing acoustic performance of the song on her guitar for the audience.

Coven 13 has been an amazing success for you. It's guaranteed to go gold this week and now we're wondering what kind of hopes you have for the single [Born Into Sin]
I don't really care how this single does commercially. I mean if it doesn't go number one I'm fine with that. People now-a-days are such chart freaks and are always paying attention to streaks and such. But you know this song isn't just a song that can be a commercial success and be forgotten.

Would you say you're more investing more with promoting this single?
The song speaks for itself and I think even without promotion, it still is having some effect. Which was my intention, of course.

What do you have to say to those who say the song isn't performing as well as the previous songs?
This song isn't exactly radio friendly. I didn't write it with the intent that I wanted it to be a smash single. A generic little pop song that'll hit #1 for a week, or one that radio would just play while doing no promotion for it. That's just not me. I'm putting effort into this song because I believe in it.

What are you listening to right now that you are into?
I really love HAIM's album right now. Rixton is great too.

Lucky#17

FOR JAX:
Azealia:
Monday- Today Show, The Voice
Tuesday- Late Night, Kimmel
Wednesday- Tonight Show
Thursday- The Real, X Factor
Friday- Arsenio Hall

Junglepussy:
Saturday- SNL
Tuesday- Seth Meyers, Watch What Happens Live
Wednesday- Bethenny
Thursday- American Idol, America's Got Talent
Friday- X Factor UK, Paul O’Grady

FOR ME:
Miley:
Wednesday- Good Morning America
Friday- Craig Ferguson

tigerlily13

Taylor on the Helene Fischer Show

Taylor Swift was live on the German weekly program The Helene Fischer, hosted by German megastar Helene Fischer herself. One of the biggest selling female artists in Germany music industry history, she invited Swift on her show to sing a special duet to the ten million people watching from home in Germany. The two performed a duet of Swift's latest single 'Born Into Sin' taking from her sixth studio, and fifth consecutive #1 album, Coven 13. The two sounded flawless singing the song, performing the haunting ballad in elegant gowns. Taylor overshadowed Helene a bit but it was all amazing as the two ladies impressed the audience enough to send the song to numer one on German iTunes.

Miles Caulfield

Quote:

Originally posted by Lucky#17

It really varies. I'd say to keep this one running until July though, like CAL2. CAL3 started in late July and took off in early August last year so July's a good month to end this one. I'm sure we'll make it

July?

I might have to be ending it a bit early because I'm moving at the end of June. Unless Noah wouldn't mind taking control again for two weeks. But then I feel like it would be a mess changing hosts so late in the season. I don't know. We've got awhile still.

tigerlily13

nnn if BIS hits number one im done with the game n