If Superlove was a GREAT song and fit the current radio climate there wouldn't be a problem right now. It always starts and ends with the music.
I agree with two points made on the last few pages-- she should be HUSTLING right now for promo, and that getting dropped is probably the end result of all this mess.
I mean look at CL... she already started doing radio interviews and had an interview with Fader. Sure she has a kpop fanbase but she's virtually unknown in the states. Mike could've invited MTV and other media to the video set, they could've had her do a Q&A on Twitter, they could've had her in dance rehearsal or doing a photoshoot when she took over MTV's snapchat, they could've booked her for every possible pre-VMA event
the list is endless. When I look at careers that stayed strong despite the odds one thing is clear... they were everywhere and constantly working. Every random red carpet, celebrity sporting events, pre and post award show telecasts. I've said it plenty of times but a lot of people don't know who she is, let alone how much talent she has. These quiet down periods between music/re-starting the era are more harmful than the flop singles imo.
Finally, her getting dropped and going indie/signing a distribution deal would probably yield better results than the back-and-forth with RCA. There have been mistakes from both sides and they may have been fatal regarding her chance at being a megastar. That is sad to say but it's the truth. Building a bigger audience and aligning herself with the current alt black singers/rappers wouldn't be the worst thing in the world, at least for the time being. I mean she is already in California, TDE and Odd Future are right there. Collaborating with artists in those circles while building up a sexy girl-next-door image at the same time would be such a huge improvement.
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