Quote:
Originally posted by Relative
Completely agree. I think that what separates BTW and makes it better is how it really fuses together music from different genres and different decades. There really isn't any thing "simple" about it like The Fame.
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I sent this text to a friend earlier, sums up my opinion perfectly:
The Edge of Gloryis like nothing she has done before. Scheiße is another GaGa-RedOne masterpiece, while Government Hooker is so wonderfully experimental. Judas is really a pop tune, but when you hear the album it becomes clear that she doesn't want to be a POPstar, she wants to be an artist. The standout tracks make this album better than The Fame (Monster). It's a new GaGa. People complained that she isn't producing classic-gaga tracks, but when you listen you realise she doesn't want to - she is progressing, which is good to see. I love ***** (don't want a warning), but their albums are all pop. I suppose this is like Rihanna's Rated R, where she has, musically, gone in a different direction. Don't worry, though, there's a sledgehammering dance beat throughout!
