Where is Ainsworth? I need to tell my sis of how I actually got my LIFE from Body Party tonight. And it may or may not have been on a stripper pole (sorry kang, i know i promised that would stay in our bedroom).
Though Cameron Diaz almost seems to be picking projects at random these days, there is at least one consistent through line: Whether the movies do well (like her spring sleeper The Other Woman) or arrive at the box office dead on arrival (like this weekend's flop Sex Tape), you can always, always count on them to earn bad reviews. When it comes to consecutive critical duds, in fact, Diaz may be doing worse than any other A-lister. Just check out her recent Rotten Tomatoes résumé, encompassing almost a full decade of work:
Where is Ainsworth? I need to tell my sis of how I actually got my LIFE from Body Party tonight. And it may or may not have been on a stripper pole (sorry kang, i know i promised that would stay in our bedroom).
The interesting thing about Cameron Diaz is that she almost seemed to reject her movie stardom at first. After hitting it big in her movie debut with The Mask in 1994, Diaz made way more indies than she did studio movies, and she spent the bulk of the '90s starring in small films like Being John Malkovich, The Last Supper, She's the One, and Very Bad Things.
Occasionally she'd sign onto a bigger project, but even at the studio level, she was working with A-list directors like Oliver Stone (Any Given Sunday) and Danny Boyle (A Life Less Ordinary).
He looked so hot 
