And in "Love 'Em All," he inadvertently reveals one potential theory for what pitted Raymond versus Raymond: He's just too gosh-darned nice to not spread his love all through this club. With chivalrous magnanimity, he doubles up—no make that triples up—on the females so he can get through them all before the night is through. What a humanitarian.
Slant knows the tea. The album's ballads are some of the strongest Beyoncé has recorded, and "Disappear" and "Satellites" are both surprisingly understated,
Villem and his damn unscheduled guest appearances in here are not cute. He needs to stay in here in one day and enjoy it.
B.O.T: I'm here for Teenage Oragasm !!!
Slant knows the tea. The album's ballads are some of the strongest Beyoncé has recorded, and "Disappear" and "Satellites" are both surprisingly understated,
Slant knows the tea. The album's ballads are some of the strongest Beyoncé has recorded, and "Disappear" and "Satellites" are both surprisingly understated,
Absolutely!
Quote:
Beyoncé: I Am... Sasha Fierce
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Beyoncé
I Am... Sasha Fierce
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by Sal Cinquemani on November 12, 2008
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The biggest problem with Beyoncé's third solo effort is evident right in its title, I Am…Sasha Fierce, which aims for both the alter-ego branding of The Emancipation of Mimi and the structural duality of FutureSex/LoveSounds but just winds up coming off even sillier than Garth Brooks in…The Life of Chris Gaines. The album's songs are divided into two parts, ballads of a purported personal nature on the first disc and more aggressive club tracks attributed to the singer's newly christened doppelganger on the second. It's a momentum-murdering formula that makes for not only a disjointed listening experience but, with the slow songs presented first, an incoherent narrative. This problem would be negligible, particularly in the age of iTunes, if it weren't clear that Beyoncé intended to make an Album and wants it to be consumed as such.
You'll like the song.
