[Thuggin]

Tit is a cute girl, but honestly I feel like the GP is over her trying to sell sex to children in her 30s.

[Lord Blackout]

Originally posted by collin

Love how you made up this random rule as to what makes a #1 legitimate.

That is a rule

[collin]

Originally posted by Sin

This SJW-type "my blackness!!!11" imagery

Uhh...

[collin]

Originally posted by Lord Blackout

That is a rule

My turn, a #1 is only legitimate if Bonnie McKee didn't write it.

[slaveney]

a #1 is a #1, is a #1, is a #1

- Maya Angelou

[Lord Blackout]

Originally posted by collin

My turn, a #1 is only legitimate if Bonnie McKee didn't write it.

Well then Katy has many legitimate #1 hits

[Smilers]

Rihtard has like no songwriting involvement or artistic input into any of her hits

[Halien4Life]

Godbel ended Midget

[SeanET]

Originally posted by Lein

memes and Max Martin (who was brought back by Katy anyway)

ikr


still can't believe TD was way more successful than 1989

[alestevens]

Originally posted by Lein

memes and Max Martin (who was brought back by Katy anyway)

The point was not that she brought Max Martin back or anything (he never left, he was scoring hits with P!nk in 2006 and continued to score hits with P!nk in 2008), its the fact that Adele, specifically, discovered him thanks to her love for I Knew You Were Trouble

And i only mentioned the memes because that's what ATRL mentions the most when they talk about their faves "impacT!!!111!", not because it's actually relevant. Funny how you ignored the rest of the points tho

[Raster]

Originally posted by SeanET

ikr


still can't believe TD was way more successful than 1989

and y'all call the monsters delusional

[Elusive Chanteuse]

Originally posted by slaveney

- Maya Angelou

her poetry is goddamn awful.

[SeanET]

Max Martin's Billboard Hot 100 number one singles:

(in chronological order)

• 1999 – "...Baby One More Time" (Britney Spears)

• 2000 – "It's Gonna Be Me" (NSYNC)

• 2008 – "I Kissed a Girl" (Katy Perry)

...

Katy Perry brought him back

Lein was right

[Matangi]

Originally posted by Smilers

Rihtard has like no songwriting involvement or artistic input into any of her hits

Neither did Whitney or whoever. Rihanna still manages to SLAY and is the best selling digital artist to EVER live.

And don't forget she does HAVE writing credits. Don't let them haters fool you. At least she isn't like Beyonce who just betrays those poor songwriters.

[Lord Blackout]

Originally posted by Matangi

Neither did Whitney or whoever. Rihanna still manages to SLAY and is the best selling digital artist to EVER live.

And don't forget she does HAVE writing credits. Don't let them haters fool you. At least she isn't like Beyonce who just betrays those poor songwriters.

She's exactly like that lol

[Halien4Life]

Joanne will be such a gr8 album, i cannot believe this

[B-Luke]

Frank's Self Control is wonderful. I must admit I lowkey love his album now. The melodies got me hooked.

[Pill]

Not Loose stans talking about artistry like

[Schhh]

Originally posted by SeanET

OOP

Wow, I did not know this. Talent won!

[St. Charles]

For those who think I'm being extra with the SJW stuff w/ Solange...

from her genius page:

Asking to touch a Black woman’s hair is a racial microaggression masqueraded as a compliment. In a patriarchal, white-dominated society it denies black women respect, consent and agency over their own bodies. Solange’s “Don’t Touch My Hair” can be read as an explicit rejection of this behavior, as a simple establishment of boundaries, or as a powerful pledge of personal identity.

her quote:

The reality is that I have been in countless situations where non-black people sing and say the n-word around me or around a predominately Black group of people. That has been really traumatic for me in some ways, and I have constantly had to have that conversation. But, when I think of “F.U.B.U.,” and the album as a whole, I think of punk music and how white kids were allowed to be completely disruptive, allowed to be anti-establishment, and express rage and anger. They were allowed to have the space to do all of that, even if it meant being violent or destroying property and that wasn’t exactly inclusive to us even if we created the groundwork for rock and roll. If we were inclusive and we were violent and destroying property and able to express that kind of rage, then it would not be allowed in the same way.

I believe that hair is incredibly spiritual, and, energetically, it really encompasses and expresses who we are. Obviously, my relationship with hair, being that I grew up literally in a hair salon, is very deep and very complex. I think that one of the things that I’m also trying to communicate through that song is the way that people see us through our hair.

AND YOU GET THIS:

92 Metacritic