Originally posted by Gui Blackout View Post
It IS funny that even someone Deadney is more at chance of peforming the SB than Gaga. The way her place in pop music simply disappeared and will never come back
Her brand of feminism (and the brand of feminism assigned to her identity as a pop icon) is severely limited, and her latest activism feels more like strategic consumerist dramatism rather than empowerment.
I just don't believe she cared about these issues at all.
At some point this year, through some mixture of her own design and the hivemind at Interscope Records, Grant was reborn as Lana Del Rey, who is basically the musical equivalent of a smoke-filled room.
(The main difference between her two incarnations, as far as we can tell? Del Rey lets her mouth hang open and her eyes droop half-shut slightly more often than Grant did.)
"Del Rey is just the latest in a long line of meticulously designed personas. But by coming off as a sort of hipster robot that makes no secret about being designed to appeal to listeners, Del Rey pissed people off in the buzziest way possible."
I mean I really don't get why ATRL values artists doing everything by themselves so much. It's such a selfish/narcissistic mindset.
Just like backup dancers enhance performances, so do other writers to music. Collaboration is key.
What does it matter that Taylor writes all her music when the final result is so run-of-the-mill? And she doesn't even do it all by herself, her last album was produced by Max Martin ffs!
I mean I really don't get why ATRL values artists doing everything by themselves so much. It's such a selfish/narcissistic mindset.
Just like backup dancers enhance performances, so do other writers to music. Collaboration is key.
What does it matter that Taylor writes all her music when the final result is so run-of-the-mill? And she doesn't even do it all by herself, her last album was produced by Max Martin ffs!
ffff.
I'll take Beyonce's "team" of writers over Swift's
Quote:
"Cause the players gonna play, play, play, play, play
And the haters gonna hate, hate, hate, hate, hate
Baby, I'm just gonna shake, shake, shake, shake, shake
I shake it off, I shake it off
I mean I really don't get why ATRL values artists doing everything by themselves so much. It's such a selfish/narcissistic mindset.
Just like backup dancers enhance performances, so do other writers to music. Collaboration is key.
What does it matter that Taylor writes all her music when the final result is so run-of-the-mill? And she doesn't even do it all by herself, her last album was produced by Max Martin ffs!
Cause, baby, now we got bad blood
You know it used to be mad love
So take a look what you've done
'Cause, baby, now we got bad blood
Hey
Now we got problems
And I don't think we can solve them
You made a really deep cut
And, baby, now we got bad blood
Hey
They way y'all hype this trick like she is some Fiona Apple level of a songwriter
The disrespect SHITkira could only wish to have 1% of Celine success
It's the other way around. The only Celine song the world know is that Titanic soundtrack. Meanwhile we all know Whenever, Wherever, Hips Don't Lie etc etc.
SHITkira could only wish to have 1% of Celine success