Beyoncé thinks her black fans are the ones who are buying her albums. This is why the Lemonade era is a massive pander to the black community. But it's actually the white gays.
The thing that Beyoncé doesn't realise is that it's her rich white gay fans that are buying her money. A community that she hates (her refusing to help with the LGBT in her hometown). These white gays want to be a sassy black woman, so they love stanning Beyst.
Basically, Beyst is a homophobe.
Beyoncé hates white people, same way she hates men and promotes hatred of the police.
The same police officers who have worked hard to protect her concerts, clear the highway for her at the super bowl, and keep her safe.
She is a horrible person and karma is going to get her someday.
Most Beyoncé stans are actually really racist. They only stan her as they can vicariously live through a black woman as a white gay. A lot of them probably wish they were a black woman.
All these white gays talking about the importance Formation. BLASTING "negro nostrils" and "hot sauce in my bag" when their struggle for that day is whether they should wear the purple or the blue jock strap.
Britney craps herself on stage flopping around like a retarded sloth and releases an album of crap rejected demos from demi lovato and the likes
*yas omg godney shes back and slayiiing*
Beyoncé drops lemonade, carefully crafted eclectic songs that tie together and tell a story, tied with a beautiful hour long video directed by top notch directors, followed by a powerful anthemic performance of freedom. An actual statement.
*Lull beyuki is TRASH*
Nope no skin bias here
Yea it's crazy how angry white gays get when they see a successful black woman playing the game better then any of their mayo favs ever could. It's definitely a jealously thing. They wish Bertney could
The defensiveness. The deflecting. Kiii. The fact that you only have greasybruce (a know racist/bigot) and hazard (lol) to back you speaks volumes. Anyways
The way they'll group ANTI, Lemonade, Views, The Life of Pablo, and Blonde and be like "Wow! All the best albums this year have been done by black artists!" and then come at you and call you racist if you disagree.
Views, The Life of Pablo, and Blonde being good albums let alone this year's best albums.
I was surprised to see the mixed reception for this one... and then I wasn't.
Further proof of a deep generational chasm that divides ATRL into two camps; the twentysomething pop sophisticates with 15 to 20 years of top-shelf pop consumption to their name, and an unruly kid crew with Scream Queens avatars and tributes to Nick Jonas in their signatures. It's not that the latter generation is a lost cause entirely, but they've clearly never heard a "Britney" — that is, they've never encountered a voice quite as distinctive as Britney's. "But I know Britney! Circus was the first album I bought!" First off, ask for a refund. And no, you don't know Britney, you know a very stilted and subdued version of the iconic performer.
The Britney of "Private Show" is Britney as Britney is intended to sound. She very skillfully vacillates between a range of tones; she nasally, then guttural, then grainy, then nasally again, then delicate. (And yes, that's how she's supposed to do it.) She's sultry. She's goofy. She's sounds slightly absurd. She's fully engaged. She's expressive in ways that "technically superior" vocalists just aren't. She is brilliant. You have no idea how brilliant she is.
This is the probably purest attempt Britney has made to harness some of that ineffable charm that made her early work so irresistible. I adore it.
The way they'll group ANTI, Lemonade, Views, The Life of Pablo, and Blonde and be like "Wow! All the best albums this year have been done by black artist!" and then come at you and call you racist if you disagree.
Views, The Life of Pablo, and Blonde being good albums let alone this year's best albums.
Not shocking tbh.
They defend Beyoncé inciting violence against police too.