The problem with Invincible is it's got Michael's name on the front but really it's a giant mix of people who wanted to work with him that sort of made a record
around him. He goes from either solely writing or being one of two, maybe three writers on tracks, to being in a long list of writers and producers.
I do love certain aspects though. Privacy's raspy harmonies in the chorus are incredible, and his deep 2000 Watts register slays. I hate the Chris Tucker intro to the album version of YRMW
