Duca, I thought you said Taylor was a bigger star than Adele in that thread yesterday? Care to explain? Her peaks on Google are bigger than Taylor's and Taylor is only ahead by four points despite Adele taking 3 years off...
45 Years (IFC Films)
The Big Short (Paramount Pictures)
Bridge of Spies (DreamWorks)
Brooklyn (Fox Searchlight)
Carol (Weinstein)
Mad Max: Fury Road (Warner Bros.)
Sicario" (Lionsgate)
Spotlight" (Open Road)
Steve Jobs" (Universal)
Trumbo" (Bleecker)
25 is enormous in the UK. They strangely don't care about her singles much. Rolling in the Deep didn't go #1 there and Set Fire to the Rain missed the top 10 (both went #1 in the States).
It's really weird how no album track from 25 seems to be taking off on its own anywhere.
I think people are so obsessed with Hello that they don't want another smash right now.
When We Were Young at the Grammys & bye everyone else.
So GP of you! What's the point of that? That's how its supposed to end. Watch "ils". It's a brilliant movie. The ending had me fuming for days. It's a satire of the youth of England at that time, and how they were utterly uneducated, but they made their lives work anyway, in spite of others.
One of my favorite horror movies this year was Honeymoon (not the album). It and 'Me and earl and the dying girl' should replace It Follows in my top movies list.
Haven't watched Daredevil but Jessica Jones turns to such gore/torture p*rn after like episode ten. The plot holes and poor writing really start to come through in boatloads too. The episodes that precede it are mostly good if a bit spotty in parts, though. And Krysten Ritter is always great.
Just goes to show that it sucks when even someone who can have multiple 7-digit selling weeks can't bother to offer something other than hype and numbers. Even Celine's MOTR ******** >>>>>>>>> 25
Oh please. Britney was barely anything special in the UK herself, so bye. Adele is a mega star there. People want her entire package, not just singles. And RITD and SFTTR were big there despite its peaks.
The plot holes and poor writing really start to come through in boatloads too. The episodes that precede it are mostly good if a bit spotty in parts, though. And Krysten Ritter is always great.
