People do not think this. And if they do it's because they feel bad. Sorta like the ugly loser on the playground you feel like you should be nice to in case they burst into tears awkwardly & tell on you.
She is an icon, even though she is post humous now and in a vegetable state.
Britney is a 90s icon no matter how or where she's ended up today. She was a great figure. Looking back, wow, there were probably more icons from the 90s than most generations.
Remember when Artpop leaked in that ****** quality from Japan?
OMG I remember I was having lunch with a friend of mine in a Chinese restaurant and she was a little monster so she started playing all the tracks in the middle of the restaurant
She had LMLYD, that should've reminded the GP of her existence
It becomes clear now that LMLYD, while perfect for Ellie's voice (no one else could have given it that girlish wide eyed innocence in the verses), was a smash because of 50 Shades of Grey.
You just love arguing for the sake of it don't you. You know what, if you truly believe that, then good for you. I'll leave you to it
What are you arguing? Mi Reflejo was successful. 600k for a Latin album was big, only a few others were doing better (Donde Estan Los Ladrones sold like 850k, I think a Mana album sold 1m around that time too).
Idk who she pissed off at EW but god damn did they love to go in on her
Reminds me of this when NME gave Mariah's hits 1/10.
Quote:
I FEAR Mariah Carey. Superficially, she might seem like a purveyor of saccharine bilge like 'Hero', whose message seems wholesome enough: that if you vacate your mind of all intelligent thought, flutter your eyelashes and wish hard, sweet babies and honey will follow.
But that's ********. You don't sell 90million records unless you reserve that fluffybunny stuff for your sucker fans. To attain 13 Number One singles, all featured on this anthology, you gotta be cold-eyed, hard-boiled and have balls of steel. Noticed how in interviews, Mariah sounds more deep-throated than on record? She knows what she's about. She'll do whatever it takes. And her most fiendish weapon is the duet. If the MOR market needs servicing, she'll duet with Luther or Whitney and outdo them in the soulful gurgle stakes ("Eeeooowaarghoourgh") gurgle for gurgle. If her contemporary edge needs sharpening, she'll hang with the Wu-Tang Clan ('Fantasy'), fluttering about making twittery, orgasmic noises like Ol' Dirty Bastard just deflowered her ("Eeurrgghow! Oo!"). If you're big in the R&B charts, like Brian McKnight, she'll be in there ('Whenever You Call') like a heat-seeking parasite. She don't give a ****. She destroys competition by sucking them dry and spitting them out. Heard much from Boyz II Men since she cut 'One Sweet Day' with them?
Read more at http://www.nme.com/reviews/mariah-ca...Mky7l2IEzt5.99
Mi Reflejo was successful. 600k for a Latin album was big, only a few others were doing better (Donde Estan Los Ladrones sold like 850k, I think a Mana album sold 1m around that time too).
