I really think that GW could have slayed the charts! Such a wasted opportunity. It's everything RTW was trying to be but failed miserably. The choreography, her energy, the whole feeling of the song just scream hit!
Crazy in love 2014 remix remains one of her best work,it's a shame she didn't release as a single.
I need an other I Am Yours kind of show, maybe she can perform the whole CIL 2014 in a small setting, along with Jealous, Start Over and some other songs that need some time to shine.
I really think that GW could have slayed the charts! Such a wasted opportunity. It's everything RTW was trying to be but failed miserably. The choreography, her energy, the whole feeling of the song just scream hit!
I do love how she decided to incorporate it to ST tho. Grown Woman as the outro is such a great choice and a bold statement after the hurricane ST was.
I do love how she decided to incorporate it to ST tho. Grown Woman as the outro is such a great choice and a bold statement after the hurricane ST was.
yeah it is really special, just like 7/11 feels like the end credits song of an enormous blockbuster
The true tragedy is that Jay did not allow/want/think of his wife to be the feature on Holy Grail. I mean, she does it so so much better than JT, her rawness, the lyrics, the emotions, their interactions.. It wouldve been way bigger if she wouldve done it with him.
The true tragedy is that Jay did not allow/want/think of his wife to be the feature on Holy Grail. I mean, she does it so so much better than JT, her rawness, the lyrics, the emotions, their interactions.. It wouldve been way bigger if she wouldve done it with him.
!!!
JT is cute, but Bey takes it to a different dimension
Yeah I played the **** out of Holy Grail in 2013, and yet the OTR version still has more plays according to my iTunes. I understand why JT was on it though, Bey was already on Part II and Jay needed to repay JT for Suit & Tie. That's just how it works.
Beyonce gets a lot of flack for writing credits but I see her more as a Visionary than a songwriter. She has a main producer credit on nearly every song on 4 and a co-writing credit also. She might not sit down and write every song from scratch but that doesn't matter because she is clearly the visionary that creates the final product. The fact she is head producer on complicated and eccentric songs such as Countdown & End of Time is more impressive than any songwriting credit for 'To the left, To the Left' or whatever because at the end of a day, songs are just glorified poetry without good production. The supposed emotion and meaning in lyrics can just as easily be felt through the music itself (just ask Mozart) and of course the vocals also.
End of Time >>> Sweet Dreams by far. And I'll never understand the obsession some seem to have with SD live. I like the song and her performances but EoT is godly.