I'm really gonna miss you picking fights
And me falling for it screaming that I'm right
And you would hide away and find your peace of mind
With some indie record that's much cooler than mine
(OH!) so it's gonna be forever or it's gonna go down in flames
(OH!) you can tell me when it's over um if the high was worth the pain
(OH!) gotta long li stuf fix lovers they'll tell ju I'm insane
(OH!) cusshyou know i luh the players and YOU! LOVE! THE! GAME!
Guys, I want to know how much BB combined has sold
is it around 1.85mil?
Really?
DFH has sold 1.35mil, and I'm a little bit depressed that the gap is not big, considering DFH struggled to reach Top 10 on iTunes
Guys, I want to know how much BB combined has sold
is it around 1.85mil?
Really?
DFH has sold 1.35mil, and I'm a little bit depressed that the gap is not big, considering DFH struggled to reach Top 10 on iTunes
DFH was high on itunes since its release in September 9th, it was on the top 100 for months, it's more like a sleeper hit. Bad Blood was high too, but not that much, and not for so long.
Even with that, BB is still #7 on itunes combined and will pass the 2M mark later this month while DFH is #55
Idk which one should be single
like really, NR and WD are both beautiful
I will love to see WD came first because I dont want the song losing its hype. It has waited BB, and for me WD can have Summertime Sadness's potential. It will break Europe's market with Calvin Harris' remix
then NR for year-end single, probably it will contain all iconic moments on the tour, then perform it on Grammy because it's critically acclaimed
I just dont know. I dont mind if NR being released first. The rest of this era will be f**king flawless if these tracks being released as singles
This. She has way too many potential hits this era that something is bound to get pushed aside and not get proper treatment.
Taylor Swift's '1989' World Tour Is Engineered to Be the Best Night of Your Life, and It Is
Taylor Swift’s 1989 World Tour. Those words, which truly mean exactly what they say—world ****ing tour—are emblazoned across the three gigantic screens before which the pop star performs. The lettering is a soft pink neon, the kind of color of lettering you’ve seen in a hundred familiar clips of TV about some lovable dive bar or disco. It’s cool, iconic, and legendary, because everything about Taylor Swift’s 1989 World Tour is an absolute statement. It’s Taylor looking out at the world and saying, “This is who I am now, and I do not care what you think about it.” It also explains why she spent much of the time in between performances of songs—oh yeah by the way, this concert was nearly two and a half hours long—giving pep talks to the crowd. “I know what it’s like to not have that person text you back.” Same, girl. “You’re strong, smart, and beautiful. When you look in the mirror, make sure you remind yourself of that.” ****, you really do get me, Tay! Hell, it’s even hard to call this a “concert.” At times, the 1989 World Tour was more like a self-help conference, or even a full on religious experience. This moment will be remembered by our culture forever—and in 40 years, you’ll probably be able to buy the tour T-shirt at Hot Topic.
She is, on every single level, the pinnacle of American Culture as it exists today. The 1989 World Tour is the perfect pop spectacle, sponsored by various brands such as Diet Coke, Subway, and American Express who don’t even bother putting up any real advertising inside the stadium. Because, honestly, who cares? I imagine corporate execs understand Taylor Swift is the most influential person in the world, so there’s no need to have her eat a meatball sub.
That’s why she brings out an artist like The Weeknd and duets with him and it will be looked at in the future as one of the most important moments of his career. That’s why she brings out the U.S. women’s soccer team on their victory lap for winning the World Cup (the trophy for which Taylor holds twice, because she’s Taylor Swift and she can just hold the World Cup if she wants to).
Not one person I told I was going to a Taylor Swift concert responded negatively. Every single person—lump them into genderless categories like hipsters or goths or punks or hypebeats—responded with a simple “holy shit” or something like it. Because, again, who doesn’t love her?
