Well the only people who've denied Kanye his status thus far are internationals. It's hard to know the Rap Legends when Iggy and Macklemore are the only thing y'all play on radio.
But any American (who isn't mentally slow, or a racist hillbilly) knows Kanye's impact on music the last decade.
Well the only people who've denied Kanye his status thus far are internationals. It's hard to know the Rap Legends when Iggy and Macklemore are the only thing y'all play on radio.
But any American (who isn't mentally slow, or a racist hillbilly) knows Kanye's impact on music the last decade.
Musically it sounded like she remixed a bunch of 80's hits. Visually was displeasing. She was riding off of Blackout's underground image and tried to make it successful. It worked, but felt gimmicky, forced and generic. She was really bringing it with performances and promo.
Everything about this post is a kii. From Blackout being "underground" to calling BTW generic when Blackout was a trend chasing Timbaland baby. So messy.
Anyway, Drake and Big Sean wouldn't be the artists they are today if it weren't for 808s. 
