in my 4 years stay, i never got my way around tour stats
kinda confusing
it takes a while but you get used to it.
Britney Spears
The Axis at Planet Hollywood
Las Vegas, Nev.
Feb. 4, 6-7, 11, 13-14, 17-18, 20-21, 25, 27-28, 2015
$5,463,018
39,040 /
54,381
13 / 0
$495, $174, $94, $55
Caesars Entertainment/Live Nation
Feb. 4, 6-7, 11, 13-14, 17-18, 20-21, 25, 27-28, 2015 - the dates of the show(s) for this gross.
$5,463,018 - how much all of these shows grossed combined
39,040 /54,381 - means that out of 54,381 tickets available, only 39,040 were sold
13 / 0 - means out of 13 shows, none were sold out.
$495, $174, $94, $55 - not sure what this means, but I think it's ticket prices or something.
Trying SO hard to contain myself and avoid posting in the "Aniston Cake run ends with less than 2 million" thread because I REFUSE to be banned over that worthless flop of an "actress".
3. “Under The Skin” (2014)
We showered Jonathan Glazer's sci-fi mind-prober “Under The Skin” with much love and affection during last year's wrap up, and it deserved every syllable. Did you really think it wasn't going to factor in here? Years in development, the project finally came alive once the story became centered on a single female extraterrestrial who makes contact with Earth, and slowly begins to learn the complexity of human existence. Scarlett Johansson was cast as the most unique protagonist of the century so far, and set loose in Glasgow to lure unsuspecting victims into the black jelly that turns them in floating Raisin Bran flakes of skin. The film is an organism within itself, and the way it's constructed, from Mica Levi's electroacoustic score through its use of improvisation, minimal dialogue, and an unshakable sense of constant wonder, it's begging to be analyzed by future archeologists. If not for Johansson's iconically stoic presence and embodiment of femininity, then for its audacity to comment on the current state of the human condition in such a left-field and insatiably transportive way.
15. “Her” (2013)
Up until “Her,” it was easy to split the credit for Spike Jonze’s remarkable films with his collaborators: Charlie Kaufman’s singular screenplays for “Being John Malkovich” and “Adaptation,” the beloved source material and Dave Eggers script for “Where The Wild Things Are,” even the amazing music of his music video subjects like the Beastie Boys and Bjork. But “Her,” about a lonely man (Joaquin Phoenix) who falls in love with his operating system (Scarlett Johansson, in a performance that got Oscar buzz despite being voice-only), was all Jonze, and was at least as good as his previous films. Combining one of the most rigorous visions of the near-future ever seen on screen with an intensely personal and surprisingly raw story, anchored by one of Phoenix’s most disarmingly lovely turns, “Her” was a terrifying tale of singularity disguised as a heartbreaking romance. Or possibly the other way around.
@ Jolie's Lips seething. Woo @ Legend Aniston her power over the minds of Nicole and her minions!
