@giteshpandya · 4h
Source tells me #Interstellar finished FRI-SUN at about $47M, far short of $50M Paramount projected. Lets see what studio reports.
@giteshpandya · 7m
Final opening wknd gross on #BigHero6 came in at $56,215,889, exactly what Disney projected yesterday. No inflating of #s here.
@giteshpandya 4m
Paramount has reported its official opening wknd gross for #Interstellar: $47,510,360. That's a full $2.5M below studio's $50M estimate.
@giteshpandya · 4h
Source tells me #Interstellar finished FRI-SUN at about $47M, far short of $50M Paramount projected. Lets see what studio reports.
@giteshpandya · 7m
Final opening wknd gross on #BigHero6 came in at $56,215,889, exactly what Disney projected yesterday. No inflating of #s here.
@giteshpandya 4m
Paramount has reported its official opening wknd gross for #Interstellar: $47,510,360. That's a full $2.5M below studio's $50M estimate.
This is humiliating for Nolan and his fans :/
Is $2.5M really that big of a deal? That's only a 5% difference.
With Ultraviolence, Lana Del Rey remains a singular figure in music, sounding (and addressing the idea of authenticity) like no one else. In FACT’s review of Born To Die, Tom Lea described Del Rey as “the most theorised pop singer to emerge since Lady Gaga – in fact, by the time this album’s done its damage, she may well have surpassed Gaga in that regard.” It was true then and has only became truer as Gaga’s career has flatlined, leaving Del Rey (and Beyoncé) as fodder for arguments about what it is to be a woman, a feminist, a pop star, or a role model.