The Telegraph: The most intrepid scene in the gorgeous, piercing Still Alice is between Julianne Moore and herself.
It’s perhaps the centrepiece moment of an astonishingly delicate and sad performance. To Moore’s precious gallery of portraits – the ailing, lost Carol White of Safe (1995), the strung-out Amber Waves of Boogie Nights (1997), the emotionally imprisoned Cathy Whitaker of Far From Heaven (2002) – Alice Howland must now be added. 5/5
