So I’m reading this new Versatilica Chastain interview and wondering if the interviewer is a member of ATRL.
I'm living for your blunt blonde bob in A Most Violent Year. It's giving me Michelle Pfeiffer–in-Scarface realness.
Oh my God, I’m living for my hair in that movie, too! Every day since, I’m like, Should I just cut my hair off and dye it blonde? because I loved it so much.
Christopher Nolan is so composed and serious … do you ever catch him, like, bopping out to Miley Cyrus when he thinks no one is looking?
No, never, never, never! [Laughs.] But I will say that he’s super funny, and that’s what’s so disarming about him. When you meet him at first, he’s someone you just don’t want to disappoint: He believes so much in you, and you believe in him, and you don’t want to be the one to make a mistake.
Anyway, stan Versatilica!
You nudged Ned Benson to write Eleanor Rigby: Her after his initial screenplay skimped on the female character’s point of view. Is that something you pick up on a lot in the scripts that you read?
It’s absolutely something I pick up on. As a viewer, I want to see more films with Viola Davis — and I want to see her in leading roles! I think there is a huge problem in American cinema where stories about women aren’t nurtured and celebrated and brought to the screen as often as stories about men. But I do feel like times are changing because money means everything, and audiences are flocking to movies like the one Scarlett Johansson did, Lucy, which had a wonderful opening weekend.
http://www.vulture.com/2014/08/jessi...erstellar.html