[Kang.]

Originally posted by Willy.

Critical acclaim is so interesting, when you think about it.

Precisely why I made the decision to major in online independent music criticism.

[BoyOnBoy Wonder]

Lykke is definitely more respected than Lana. No doubt about that at all.

[madonnas]

St. Vincent > Lykke and Lana combined

[cheers09]

Originally posted by rihannafan

Too bad no one takes the opinion of a Katy Perry Stan seriously.

and a rihanna stan should be? what a joke

[Clump]

Originally posted by madonnas

St. Vincent > Lykke and Lana combined

Obviously. She is the Queen.

[madonnas]

Originally posted by Clump

Obviously. She is the Queen.

Why is Prince Johnny the best song of the year?

[rihannafan]

Originally posted by cheers09

and a rihanna stan should be? what a joke

Obviously yes. Was that supposed to be a smart response or?

[cheers09]

Originally posted by rihannafan

Obviously yes. Was that supposed to be a smart response or?

stay living in a world where a domestic abuse enthusiast's stans are given even a minute amount of importance. while everyone is perched here on earth

[cheers09]

poor Llama!

[Elusive Chanteuse]

DO YOU WANT TO **** ME BARBARA?

How did Jennifer Hudson win a Oscar against this?

[BoyOnBoy Wonder]

From the tepuis of South America to a monster-filled metropolis, Academy Award®-winning director Pete Docter has taken audiences to unique and imaginative places. In 2015, he will take us to the most extraordinary location of all: inside the mind of an 11-year-old named Riley.

Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions: Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school. Inside Out opens on June 19th, 2015.

This is going to be the return to form for Pixar that people have been wanting for a while. What kinda perfect casting too.

I am cackling just thinking about Mindy Kaling as disgust.

[Ozzy8923]

Mariah Carey (Def Jam) 65-70k

Not too shabby.

[cheers09]

Originally posted by Elusive Chanteuse

DO YOU WANT TO **** ME BARBARA?

How did Jennifer Hudson win a Oscar against this?

omg . she is such a fine actress

[Nicole]

The Telegraph: This Disney reimagining of Sleeping Beauty lacks true enchantment, but Angelina Jolie saves the day, writes Robbie Collin 3/5

Digital Spy: Angelina Jolie is majestic and mesmerizing as Maleficent and keeps the movie afloat during its worst segments. 3/5

Her TALENT.

[Rami328]

Why is no one dragging Louis in SYG
I came in expecting lashings

[BoyOnBoy Wonder]

Originally posted by Rami328

Why is no one dragging Louis in SYG
I came in expecting lashings

Nobody really cares, tbh. 1D has already faded in the eyes of most of us.

[Nicole]

Cinevue: Despite its pitfalls, Maleficent entertains because of Jolie, who holds the wavering threads of Stromberg's spinning wheel together with aplomb. There's certainly enough style and charm to hold audience's attention, vastly improving on the lacklustre Alice in Wonderland (2010) and Oz: The Great And Powerful (2013). 3/5

Raw talent & starpower, something ATRL is not too familiar with

[cheers09]

Originally posted by Rami328

Why is no one dragging Louis in SYG
I came in expecting lashings

what did he do

[b3dro]

Originally posted by Ozzy8923

Not too shabby.

Less than Global?, Hihi

[BoyOnBoy Wonder]

Originally posted by Nicole

Cinevue: Despite its pitfalls, Maleficent entertains because of Jolie, who holds the wavering threads of Stromberg's spinning wheel together with aplomb. There's certainly enough style and charm to hold audience's attention, vastly improving on the lacklustre Alice in Wonderland (2010) and Oz: The Great And Powerful (2013). 3/5

Raw talent & starpower, something ATRL is not too familiar with

Oh good - it's better than Alice and Oz. That's a relief (no sarcasm).