Ooooooooooh don't talk about Beyst right now. I wanna rip her ****ing head off.
All of this ******** is her own doing. Bitchass.
How your album gone die in the matter of two ****ing months if even that.
Bitch.
Bernard is musically irrelevant. It's just the truth.
The era was frontloaded. I remember all that hype:
- all that Pepsi deal **** (which resulted in ****ing Grown Woman promo). Wasn't it supposed to promote her actual lead single? This makes me think that Grown Woman was actually originally intended to be the lead with a traditional album release, but response was tepid and Bernard got scared of flopping.
- all the media storm that was created by the surprise release, which my original theory (too lazy to get the posts) is true. Bernard was scared of flopping and waited until all the other major pop girls released to play his cards last because he could not compete head-to-head with the other girls.
With the lack of banjerz on that album, he would have done worse than 4 had it not been for the gimmick (yes, it is a TOTAL gimmick) that helped him sell so much. People literally bought the album just because of word-of-mouth and people talking about it.
Once they got it and played it a few times, they were over it.
His music hasn't resonated with anyone in quite some time, and I don't mean black gays and Wal-Mart cashiers with names 99% of society can't pronounce.
Proved he is not an album seller and can't sell on his own name alone.
Also endorsed the theory that he is really more hard work than actual talent. Bernard has to truly promote and work like a slave (funny because they always try to drag Rihanna for this), e.g. the I Am...Solange Fist era, where she had to ho' herself out to barely keep pace with Gags.
And then the pretentiousness of those staged and fake ass documentaries where he claimed to be a real artist that makes real albums. I mean, the shelf-life and replay value of the BERNARD album is pretty LOW. And the sad part is that he tries so hard and wants so badly to create a classic body of work, yet fails miserably each time. Desperately trying hard to appear deep and have some kind of artistic credibility.
In an effort (a first for Springsteen) to gain dance and club play for his music, and more non-whites in his audience, remixes for the first singles from the album were executed by maestro Arthur Baker.
Remixed the songs, had the album go 15x Platinum, released 7 singles, yet still, none of them went #1.
Mariah is an obese fraud who can't sing
but at the same time Greasy shouldn't expect everyone outside redneck america to know those barnyard folk songs.....
Mariah is an obese fraud who can't sing
but at the same time Greasy shouldn't expect everyone outside redneck america to know those barnyard folk songs.....
He had one HUGE album, then never even had close to a hit era again.
He's just along the likes of Lauryn Hill and Alanis Morissette.
The Miscalculation of Lauryn's Bills is nowhere near as iconic as Born in the U.S.A. And it's more-so the song than the album that's iconic. There's actually quite an interesting story around the song, I remember analyzing it in a AP History class. A lot of people see it as a patriotic song when it really isn't.
Mariah is an obese fraud who can't sing
but at the same time Greasy shouldn't expect everyone outside redneck america to know those barnyard folk songs.....
Dear Damien M, I am not sure who you are (no shade), but Bruce has sold 70 million albums outside of the United States and his strongest music markets are actually in Europe (Spain, UK, Scandinavia), where he still gets moderate hit singles at this stage in his career. His last tour also grossed over $200 million outside of the United States.
Mariah is an obese fraud who can't sing 
