Also Gravity was visually appealing but the storyline was a bit MEH. I respect it for everything besides the writing, which was okay. Definitely overrated, but not a terrible film. The visuals and the suspense kept my eyes glued.
I think Cate is losing her accent. She's been Americanized.
It always changes.
When she lived in the UK it was a mess.
Then she went back to Australia. During promotion for Hanna, it was on point but after returning to the US and doing non stop press, it's more American now.
Also Gravity was visually appealing but the storyline was a bit MEH. I respect it for everything besides the writing, which was okay. Definitely overrated, but not a terrible film. The visuals and the suspense kept my eyes glued.
I think that's what was intended. The visuals were supposed to be the best thing about the film and then the ending which is inspiring.
Then she went back to Australia. During promotion for Hanna, it was on point but after returning to the US and doing non stop press, it's more American now.
Truly a chameleon...
I was loving her speech, but I was like "her accent isn't thick anymore." She sounded a bit Southern. Australian actors always tend to "lose" their accents after some years.
Lupita could kill action, comedy, animation, romantic(would LOVE a rom-com about interracial love ), etc., etc.
She just needs to get a lot of work soon and milk the gravy train.
her essays give me life I love when she dragged Trailor:
Quote:
As if flashed forward by some terrifying time machine, there’s Taylor Swift, America’s latest sweetheart, beaming beatifically in all her winsome 1950s glory from the cover of Parade magazine in the Thanksgiving weekend newspapers. In TV interviews, Swift affects a “golly, gee whiz” persona of cultivated blandness and self-deprecation, which is completely at odds with her shrewd glam dress sense. Indeed, without her mannequin posturing at industry events, it’s doubtful that Swift could have attained her high profile.
Beyond that, Swift has a monotonous vocal style, pitched in a characterless keening soprano and tarted up with snarky spin that is evidently taken for hip by vast multitudes of impressionable young women worldwide. Her themes are mainly complaints about boyfriends, faceless louts who blur in her mind as well as ours. Swift’s meandering, snippy songs make 16-year-old Lesley Gore’s 1963 hit “It’s My Party (And I’ll Cry if I Want to)” seem like a towering masterpiece of social commentary, psychological drama and shapely concision.
