Quote:
Originally posted by YR.
These people talking about #1s on a lot of countries, they do realize that the songs in MOST (90%) of these countries sell less than 1000 copies a week (the number one). I'm not shocked at the US because I wouldn't buy a ****ing song THAT I CAN'T EVEN TELL WHAT THE ARTIST IS SAYING IN HALF OF IT. They have a perfect song (Aura) that has a great chorus and the video hype would be so HUGE but they just released this Zedd-Wannabe-MESS when they actually have ZEDD ON THE RECORD. This is just all too much for me, sorry for my meltdown. I just CAN'T AT HOW PRETENSIOUS IS A AN ARTIST TO JUST GIVE UP WHEN YOU HAVE SO MUCH TALENT BY RELEASING A MESS LIKE THIS. Because I can say that ARTPOP will be the **** and it will be, i'm so sure of it. I just wish that someone would just hold her and say that THIS SONG WAS NOT OK. Gaga doesn't have someone holding her, everybody arround her treats like she is the goddess, the second coming of jesus christ. Desperate talentless people like DJWS that just keep pushing her DOWN. I don't want Gaga to be killed of by her ego. This release shows that she is heading towards this. I'm just very sad right now tbh
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Wow this is exactly how I feel, and exactly what I was referencing when I said it's hard to stan for her sometimes. It's frustrating that since BTW era they've been making career damaging single choices when she actually has veritable smashes right in front of them.
And I was so positive they learned from BTW era that I just
knew the first single was going to be the biggest song of her career, instantly HUGE, undeniable EPIC. Especially after 2 1/2 years of writing material. And then...usher in
Applause.
I just don't get it, at all. I would understand choosing a risky single because it's truly EPIC, and the risk is therefore worth it. But why chose a risky single that is, after it grows on you, still just "good" at best? Where is the gain?
It's all so bizarre.
I need a Luke Bryan appreciation thread.
