Album : The Truth About Love (2012)
Track No: 8
Genre: Pop
Writer: Pink, Billy Mann, David Schuler
Producer: Billy Mann, David Schuler
Quote:
Originally posted by billboard.com
“Much like "True Love," the album's title track finds Pink contemplating the secret - or lack thereof - to a long-lasting bond. "The truth about love / is it's blood and it's guts / Purebreds and mutts, sandwiches without the crust," she sings in one of many great couplets. "
Album : Greatest Hits: My Prerogative (2004)
Track No: 1
Genre: Dance-pop, electropop
Writer: Bobby Brown, Gene Griffin, Teddy Riley
Producer: Bloodshy & Avant
Quote:
“The cover received mixed to negative reviews from contemporary critics. Stephen Thomas Erlewine of Allmusic called the cover "a useless remake, which seems to exist solely for its video". Spence D. of IGN said that the lyrics fit perfectly with Spears's relationship with the media at the time. He also added, "As for her interpretation, it's an interesting chameleonic diversion that comes off like a mash-up between vintage Prince-styled production, Cameo swagger, and Madonna sultriness, but never seems to capture the gloss and glory of any of the aforementioned influences". Christy Lemire of msnbc.com called it "utterly unnecessary". Louis Pattison of the New Musical Express commented that "judging by the ****-you sentiments" of the cover, Spears liked to play the role of "[the] pop brat careering off the rails". Sarah Hepola of Salon.com wrote in an article about contemporary teen idols that the cover "became an anthem for teen-idol rebellion". American director Quentin Tarantino included the song in a playlist that inspired him during production of his 2009 film Inglourious Basterds. "
Album : Silent Shout (2006)
Track No: 1
Genre: Electronica, minimal techno, post-industrial, trance, trip hop
Writer: Karin Dreijer Andersson, Olof Dreijer
Producer: The Knife
Quote:
“Paul Woloszyn of MusicOMH gave a positive review, describing "Silent Shout" as "brooding, bassy, dance-fuelled electronica" that is "pure evil." Likewise, Sharon Edge of Contactmusic.com opined, "the lush and dreamy production is reminiscent of Bristol's finest, while the electronic beats call godfathers of electro Kraftwerk to mind." Edge went on to praise the song as "an intriguing and promising taster" that contains "a moody dance angle to it in the style of VNV Nation. "