Not a big Coldplay fan but something like Kingdom Come (originally intended for Johnny Cash) would be nice. Another suggestion is the Dixie Chicks - they were her favorite band growing up and she worked with Dan Wilson.
I'd absolutely LOVE a Dixie Chicks collab... But I don't know if it could happen because I don't think they're together at the moment.
The higher the backlash, the bigger it'll be. Seriously. Everyone liked Safe & Sound but that didn't go much anywhere.
Pff. It's hilarious, not pathetic.
I disagree that it went nowhere... The song received zero airplay and sold 1.3 million copies. If it had received the same amount of airplay as TSOF it could very well be over 2 million right now.
Romeo take me somewhere we can be alone
I'll be waiting all there's left to do is run
You'll be the prince and I'll be the princess
It's a love story baby just say yes
I disagree that it went nowhere... The song received zero airplay and sold 1.3 million copies. If it had received the same amount of airplay as TSOF it could very well be over 2 million right now.
Yeah but it gets no airplay because everyone likes it. When you see everyone hating a song on radio it's always the successful ones. lol
Quote:
Originally posted by muddysquirrel
Why the **** does Flo keep gaining so much. That song is so terrible. Radio is here for blowjobs.
Case in Point
Quote:
I always hope they would send Safe & Sound to radio
v. I actually did hear it on radio a few times. It fizzled out pretty fast though.
Tay's been so happy the past two weeks. Last week was the best week of her life and yesterday her dream came true when they played the video in Times Square. And she's content w/ Conor. Meanwhile, the media/fans/haters are hating on the new era so far
WANEGBT lyric video is #2 on iTunes music video
I think they will release the real one to iTunes, then upload it to YouTube next week
And then, it will get only 1million+ views in one week, because many ppl has watched the un-official one
Genevieve: It’s hard to believe, but “We Are Never Ever Getting Back Together” marks Taylor Swift’s first time atop the Hot 100, in spite of her being one of the top-selling artists of the last five years. (Up until this week, she shared this dubious honor with another pop-music mega-force, Justin Bieber.) It’s not hard to see why, what with the big, shiny Max Martin-branded production and that sing-along-baiting “Wheeee!” in the chorus making this the gosh-darn cheeriest breakup anthem in a summer full of them. But Swift’s teen-speak inflection on the verses and the talky interlude make this song sound as if it were composed using Emoji; it’s adorable, which is kind of Swift’s thing, but after five years of superstardom—and all the controversy and high-profile romances that come with it—it would be nice to see Swift letting some of the worldliness she’s undoubtedly picked up along the way inform her music somewhat. The fact that she has done so before—see 2010’s Speak Now—makes “We Are Never Ever Getting Back Together” seem like a regression, albeit a very likable, listenable one.
Steven: I don’t know if “We Are Never Ever Getting Back Together” is so much a regression as Taylor Swift producing the Taylor Swift-iest song imaginable. Taylor Swift putting out a single called “We Are Never Ever Getting Back Together” is like AC/DC writing a track called “Wink Wink Double Entendre Balls.” Sassy break-up songs are just what she does, and coming after the sometimes-overbearing self-pity of Speak Now (which weighed down even likeable tunes like the hit “Mean”), the cheeriness here is a nice change of pace.
Genevieve: It’s hard to believe, but “We Are Never Ever Getting Back Together” marks Taylor Swift’s first time atop the Hot 100, in spite of her being one of the top-selling artists of the last five years. (Up until this week, she shared this dubious honor with another pop-music mega-force, Justin Bieber.) It’s not hard to see why, what with the big, shiny Max Martin-branded production and that sing-along-baiting “Wheeee!” in the chorus making this the gosh-darn cheeriest breakup anthem in a summer full of them. But Swift’s teen-speak inflection on the verses and the talky interlude make this song sound as if it were composed using Emoji; it’s adorable, which is kind of Swift’s thing, but after five years of superstardom—and all the controversy and high-profile romances that come with it—it would be nice to see Swift letting some of the worldliness she’s undoubtedly picked up along the way inform her music somewhat. The fact that she has done so before—see 2010’s Speak Now—makes “We Are Never Ever Getting Back Together” seem like a regression, albeit a very likable, listenable one.
Steven: I don’t know if “We Are Never Ever Getting Back Together” is so much a regression as Taylor Swift producing the Taylor Swift-iest song imaginable. Taylor Swift putting out a single called “We Are Never Ever Getting Back Together” is like AC/DC writing a track called “Wink Wink Double Entendre Balls.” Sassy break-up songs are just what she does, and coming after the sometimes-overbearing self-pity of Speak Now (which weighed down even likeable tunes like the hit “Mean”), the cheeriness here is a nice change of pace.
lol
it's now down to #2....