B'Day is nearly as good. Both albums have one dud each ("Green Light" and "Party")
Get into 'Bills, Bills, Bills' and 'Nasty Girl' and 'Say My Name' and 'Survivor' and 'Bug A Boo' etc etc
I've listened to "Bills, Bills, Bills". I kinda like it.
EDIT: Me gusta "Party".
Quote:
Originally posted by Cheers
Album #2 >>>>>>>>
The only album from her that I use.
Talking the same album? As long as it's not IASF, we're cool. I may or may not listen to it tho. But 4 was my ****, after BTINH release. Start Over & Countdown.
Defeated by Onika Maraj is just. It's more embarrassing than Bionic.
But I'm happy that it's about to flop tbh. Let's give the radio a break from you hun.
EDIT: I use this song for the finger-picking guitar only. I know she would sound at that style. And happy to know she's also sharpening her guitar skills. NOW I need to hang out with her and getting her deeper into the electri one so I will get awesome Alternative/Rock sounding songs in the future.
Swift’s songwriting talent is nothing short of incredible. Though it seems to be effortlessly constructed, “You Belong With Me” is loaded with precise but lightly drawn observations, capturing great depths of character and motivation in a few lines. Her approach is diaristic; the song starts on “a typical Tuesday night,” which means little except that Swift seems to have a fixation with Tuesdays; in “Forever and Always”, she describes meeting a boy on “I believe it was a Tuesday.” The repetition across her oeuvre of these motifs (she is also fond of kissing in the rain) suits the obsessive close reading of relationship turmoil at the heart of nearly all her songs. On this particular typical Tuesday, she’s hanging out in her crush’s bedroom while he argues on the phone with his girlfriend. It’s so natural you could miss how perfectly revealing it is: who else but a high school boy would force his guest to hang around listening to his relationship’s dirty laundry? Later on, Swift captures the giddy thrill of spending time with someone you adore with a few offhand remarks about “worn out jeans” and an amazed sigh of “hey, isn’t this easy?” But I fear the title and the (adorable) video get it wrong: The boy in question does not actually belong with Swift. Listen to her audible inhalation at 2:47, when her breath catches in her throat before she piles on the reasons her object of affection should be with her — Taylor knows his favorite songs, his dreams — delivering them in a rushed, too-insistent *******, in case he should dare interrupt her with the horrible truth that love is not a legality to be argued in a courtroom, and each certainty of which Swift has convinced herself probably means nothing at all. This is the sound of a girl fighting against the gradual realization that she’s stuck in the friend zone, but it’s also the work of a truly impressive pop writer.
Best singles run ever.
****ing happy. Alternative songs please. 