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Member Since: 4/7/2012 Posts: 2,561     | 
 
 
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					Originally posted by Lorelei  This one is on Amazon, idk if you guys have seen it.
 
 TRACK BY TRACK
 
 'Bubblegum Bitch': Frenetic synth-pop bedlam from 1981 meets 1997. “It's late 90s Britney charm, turned inside out.”
 
 'Primadonna': Smell the waft of poppers across the festival field as a throbbing, fuchsia cloud thunders over your head. “Channelling the archetype of The Star, asking for adoration.”
 
 'Lies': A haunting, melancholic treatise on emotional disappointment. “You only ever touch me in the dark, only if we're drinking, can you see my spark” she sings, exquisitely. "Trying to tell yourself a lover is right for you when you know he is nothing but."
 
 'Homewrecker': Spoken-word ice-queen theatrics befitting the Pet Shop Boys, featuring the line: “Girls and their cars and their gourmet vomit.” "It's about the power of an image: Looking sweet whilst secretly being a total bitch and getting away with it!"
 
 'Starring Role': Ethereal, fragile rumination on living outside reality. “And you don't want to live in reality. That's why you're an artist. You're on the run.”
 
 'The State Of Dreaming': 'Hounds Of Love'-era Kate Bush and a contemplation of the famous Marilyn Monroe quote: “I just want to be wonderful.” "Fantasy protects us"
 
 'Power And Control': Cinematic, Teutonic, Depeche Mode/Killers-sized electro colossus, written and recorded at dawn on ferry to Finland. “About the tactics of power-games in love”
 
 'Living Dead': Pummeling synth-pop paean to regret. “The feeling that you have not lived your life to the full.”
 
 'Teen Idle': "Story of my suicidal cheerleader youth! This song was like my last hurrah of adolescence"
 
 'Valley Of The Dolls': Brooding, elegant, gothic search through loss of identity. “About emptiness, a void that you can't fill with relationships.”
 
 'Hypocrates': Breezy, beautiful, guitar-pop melodies, perhaps Gwen Stefani fronting Crowded House. “Saying 'let me be who I am'.”
 
 'Fear And Loathing': Epic, Trent Reznor-esque, doom-pop reverie on multiple inner personalities. “About seeing the good in people, making a fresh start and cutting yourself free of old ideals”
 |  Ah, I've read this before but the biog is really good too if anyone hasn't read it. It's on her Amazon page.
 
Haha, I want a proper indepth review of each song, though probably abit much to ask I guess    | 
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