I could've sworn last night when I saw Southpaw somebody behind me said, "I think I've seen her somewhere, but I don't know where" when Rita Ora appeared on the screen.
How was it?
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Originally posted by Nicole
Next, ClownM performed Living for Love at the Brits...and fell flat on her face. Because the public finds her unbearable, they laughed and mocked her despite how painful the fall looked.
Madonna LASHED OUT, saying she has it worse than black and gay people.
The following week, Empire, a show about black and gay people blocked her bundled & heavily promoted album from #1 on BB.
Quote:
Originally posted by Nicole
Being the shameless prostitute that she is, ClownM enlisted the star of Empire to be her co-star in the video for her 2nd single, Ghosttown. In the video, the younger black man pursues her and lusts after her (story of her career).
The song failed to chart on the Hot 100, even with the video + performances on Ellen and with Taylor Swift at iHeart.
By this point, Mariah Carey had randomly thrown a new song on iTunes and watched it chart on the Hot 100.
Quote:
Originally posted by Nicole
By this time, ClownM was ready to sell her children for a hit (and posted sexualized videos of them on IG).
As she readied to release her Diplo-produced/Nicki Minaj-featured 3rd single Bitch I'm Madonna (I'm told it's not a parody song but I'm still not sure) she performed onstage with Drake. When her slimy reptile tongue darted into his mouth, Drake almost vomited and the moment exploded in a storm of viral videos, gifs and memes.
ClownM instantly became the laughing stock of the world. Her world crumbled: nothing matters more to her than looking like she's still desired by cool hot "urban" young men. And what the world got to see was the exact opposite: a cool hot "urban" young man literally throwing up after she force-kissed him while a collective "EWWW" was heard from all around the world.
I was reading an article the other day that interviewed a bunch of independent artists about streaming, and the consensus seemed to be: it doesn't matter, because digital music sales make us no money anyway.
They went on to say that they make more money from selling 180g vinyl records at a festival than millions of streams. They also criticized the entire U.S. music industry money ladder, saying they'll get $5 royalty checks from songs getting played thousands of times by U.S. radio stations, but that every now and then some radio station in Japan will spin their song once or twice and they'll get a $70 royalty check in the mail.
