Regardless of any chart positions her sales are on the rise and her presence in the industry is. The label will keep her as long as this is the case because she has potential to break out.
Like she said in the FROOT FAQin Hell, they believe she is literally at the tipping point and look at the huge US sales she's getting.
Do you guys think she would have been even more successful if she'd released EH 2.0 like her label wanted?
The Archtypes
State of Dreaming
Radioactive
Bubblegum Bitch
Primadonna
Lies
Starring Role
Power and Control
Homewrecker
Su-Barbie-A
Valley of The Dolls
Living Dead
Teen Idle
Hypocrates
Lonely Hearts Club
Sex Yeah!
Buy The Stars
Fear and Loathing
The album is down to 33 (in the UK) in todays mid weeks. To be honest I'm not really fussed about the UK anymore because she seems to really be onto something Stateside. Still impressed with her sales, I predicted she'd do like 20k but not this b*tch doubling what I thought she'd do :dead banana:
I. Hate. The way UK ignores a lot of artists after a few albums
She has never been a force in the UK and she has completely ignored TV and radio and in return radio has shunned her so this album was never going to be a big hit.
If she starts to promote soon it could have some longevity.
Turned my friend into a diamond with just Radioactive, she's already played it 32 times
I think Radioactive might be my favourite Marina song. The acoustic really shows off the fantastic lyrics and the main version proves how versatile she is, sonically speaking. Pleased to see it'll most likely be on her tour setlist while she promotes FROOT.
