It's nice that she's confident and thinks of herself as a genius but where was this confidence when she enlisted the entire music industry to be featured on her album produced by the industry's biggest pop producer?
ICKI is all bark. She likes to run her mouth but NEVER backs it up.
Addicted (The One That Got Away) - very good, hope to see more Madge songs like this
Bitch I'm Madonna - it's ok. breakdown is unnecessary
Borrowed Time - not very good
Heartbreak City - just ****
Illuminati - this is a good one
Joan of Arc - pretty good
Living for Love - this is EXACTLY the song Madonna needs right now
Make The Devil Pray - okay leaning towards good
Messiah - i kept waiting and waiting for this song to get more uptempo
Rebel Heart - relatively good
Revolution - i like this more than Rebel Heart
Unapologetic Bitch - 2nd/3rd best song out of the demos
Wash All Over Me - amazing
Something weird happened to Bey in the middle of the IASF era. Up until that point, she had been popular for releasing well-crafted, well-produced, slick pop/R&B tracks that could be liked by anyone.
Then it seemed like she only wanted to record ratchet crap once she released Diva and followed it up with Video Phone. This ended during the 4 era, and then started again and became worse during her last one.
Something weird happened to Bey in the middle of the IASF era. Up until that point, she had been popular for releasing well-crafted, well-produced, slick pop/R&B tracks that could be liked by anyone.
Then it seemed like she only wanted to record ratchet crap once she released Diva and followed it up with Video Phone. This ended during the 4 era, and then started again and became worse during her last one.
she's obvs tryna steal rih's listeners. she just can't stop stealing !!!
Sweet Dreams is sooo great, but it's basically carried by the production. The first and last seconds are just perfection. I could listen to that on loop for hours.