''First, I’m not apologizing for my work, nor will I dodge the immediate question. The flags, armbands, and gas mask (and perhaps my use of symmetry?) are all representative of Nazism.''
In the new CMA special issue of People magazine, Musgraves talks about how she came up with a rough chorus and melody and then took it with her to a songwriting session with Perry.
Explains why 1989 is so similar to Prism.
