West Coast is the only song that is 10/10 from Ultraviolence. There are other few good tracks like Old Money and Sad Girl, but as a whole, the album isn't cohesive like Born to Die is. I can't go further than halfway of a song for almost all of Ultraviolence.
I feel like the very first verse of the album on Want Some Mo' isn't all that, and the featured verse by that guy is TERRIBLE, but then she goes OFF at the end of the song. But not a good way to start a project at all. JP gets dinged for that and I'm not a huge fan of Ready 4 Action either.
Azealia saved the two least compelling songs for the end of the album, it's longer, and has more verses.
I'd like to be able to hear Junglepussy's album in more than 128kbps before I make the final call too. Production and mixing is important to me and Azealia's album is really good in that regard.
Want Some Mo is life. How dare you? I still think you'll agree with me in like, 3 months. SG is such a powerful project. But Azealia's production is better.
I don't think I'll ever write a better song than "Miss Camaraderie", ever. It's better than "212". It's the most meaningful song to me. When you're an artist and you write songs, they play in your head all the time, and "Miss Camaraderie" plays in my head when I sleep, when I wake up. When I'm on my deathbed, that's going to be what's ringing in my head. That horn section is what it's going to sound like when I'm leaving the world.
@Jameson No way, it's too powerful for the opening track. Want Some Mo was perfect because it's good but the best is still coming. Me is the PERFECT closing track though.
@Jameson No way, it's too powerful for the opening track. Want Some Mo was perfect because it's good but the best is still coming. Me is the PERFECT closing track though.[
This I agree with. I like your interpretation of Want Some Mo but it would work better if she was established. This is a girl with the name Junglepussy, people are going to dismissive going in. She needs to hit 'em with the hee right off the bat.
