This board has the nerve to come for Prince with the VOMIT they stan for. Gaga is nothingness. Janet is a terrorist. Kylie's music can be heard in club alleys with gloryholes all over NY and Australia. Bye.
This board has the nerve to come for Prince with the VOMIT they stan for. Gaga is nothingness. Janet is a terrorist. Kylie's music can be heard in club alleys with gloryholes all over NY and Australia. Bye.
What if Janet really is a terrorist though they always say you have to watch for the quiet ones
He’s not alone. We could be here all day listing the artists who have gushed about Prince, or do so regularly. What’s remarkable is not so much the quantity, but the range. The aforementioned ?uestlove. Q-Tip. 2Pac. Ozzy Osbourne. Mick Jagger. Pete Townshend. Pharrell Williams. Little Richard. Maceo Parker. George Clinton. James Brown. Whitney Houston. Elton John. Miles Davis. Alicia Keys. Eric Clapton. Janet Jackson. Andre 3000. Randy Newman. Billy Corgan. Red Hot Chilli Peppers. Brandon Boyd. Freddie Mercury. Timbaland. Herbie Hancock. Joni Mitchell. Bruce Springsteen. Dave Grohl. Nina Simone. Bob Dylan. R Kelly. Lenny Kravitz. Macy Gray. D’Angelo. TLC. Gwen Stefani. Tony Kanal. Cyndi Lauper. Puff Daddy. Steve Vai. Chaka Khan. Larry Graham. Will.I.Am. Michael Jackson. Duff McKagan. Trent Reznor. Slash. Michael Hutchence. Cee-Lo. Adam Levine. Stevie Wonder. Robin Thicke. Steven Tyler. Bono. Carlos Santana. Rihanna. Tricky. Kylie Minogue. Darren Hayes. Mariah Carey. Stevie Nicks. Ice Cube. Nas. The Jonas Brothers. Beyonce. Jay-Z. Boy George. Quincy Jones. Marilyn Manson. David Lee Roth. Juan Atkins. Rob Zombie. Ne-Yo. Daft Punk.
Legendary.
Quote:
Among students of recording-studio arts, he’s been as groundbreaking as any producer in recent memory, plying unorthodox sounds and juxtapositions that can turn the most musically mundane source material into distinctive sonic manna. Directly or indirectly, the spare, vacuum-packed rhythm tracks of his mid-career classics seeded stuff like the Neptunes’ recent singles and Timbaland’s wiggy manipulations on Missy Elliott tracks. Prince’s unique penchant for stacked vocal harmonies has doubtless informed the work of singers like Lenny Kravitz and Beyoncé. And that’s to say nothing of his sometimes-muted allegiance to old-school soul, which may well have fostered a modern context for contemporary artists like Musiq and Alicia Keys to explore.
