G.U.Y.
#28 Greece
#36 Ecuador
#63 Brazil
#98 Italy
#135 Mexico
#136 Taiwan
#154 Ireland
#197 France
#199 Costa Rica
#212 Canada
#218 United States
#227 Australia
#234 Spain
#243 United Kingdom
#295 Singapore
#336 Lebanon
#337 Kyrgyzstan
#351 Estonia
#385 Switzerland
#394 Austria
G.U.Y.
#28 Greece
#36 Ecuador
#63 Brazil
#98 Italy
#135 Mexico
#136 Taiwan
#154 Ireland
#197 France
#199 Costa Rica
#212 Canada
#218 United States
#227 Australia
#234 Spain
#243 United Kingdom
#295 Singapore
#336 Lebanon
#337 Kyrgyzstan
#351 Estonia
#385 Switzerland
#394 Austria
G.U.Y.
#28 Greece
#36 Ecuador
#63 Brazil
#98 Italy
#135 Mexico
#136 Taiwan
#154 Ireland
#197 France
#199 Costa Rica
#212 Canada
#218 United States
#227 Australia
#234 Spain
#243 United Kingdom
#295 Singapore
#336 Lebanon
#337 Kyrgyzstan
#351 Estonia
#385 Switzerland
#394 Austria
G.U.Y.
#28 Greece
#36 Ecuador
#63 Brazil
#98 Italy
#135 Mexico
#136 Taiwan
#154 Ireland
#197 France
#199 Costa Rica
#212 Canada
#218 United States
#227 Australia
#234 Spain
#243 United Kingdom
#295 Singapore
#336 Lebanon
#337 Kyrgyzstan
#351 Estonia
#385 Switzerland
#394 Austria
G.U.Y.
#28 Greece
#36 Ecuador
#63 Brazil
#98 Italy
#135 Mexico
#136 Taiwan
#154 Ireland
#197 France
#199 Costa Rica
#212 Canada
#218 United States
#227 Australia
#234 Spain
#243 United Kingdom
#295 Singapore
#336 Lebanon
#337 Kyrgyzstan
#351 Estonia
#385 Switzerland
#394 Austria
G.U.Y.
#28 Greece
#36 Ecuador
#63 Brazil
#98 Italy
#135 Mexico
#136 Taiwan
#154 Ireland
#197 France
#199 Costa Rica
#212 Canada
#218 United States
#227 Australia
#234 Spain
#243 United Kingdom
#295 Singapore
#336 Lebanon
#337 Kyrgyzstan
#351 Estonia
#385 Switzerland
#394 Austria
Lars isn't a filmmaker who has "good" or "bad" movies. He's arguably the most postmodern director working today, so trying to argue one way or the other about the quality of his movies is so vastly irrelevant.
Hate him if you want, love him if you want, but there's no right answer.