Imagine you're a white person at a music festival at night with someone you love.
Clearly I am none of those things so it took me a minute to see where they were coming from with this.
I now get it.
I finally understand why some couldn't understand why RTW was so good.
XO is not R&B, it is one of the few straight up pop tracks, radio would play it if it was sang by a band of white boys.
I can definitely see it being played at one of those random raves/festival with a bunch of drunk white people and a token black guy dressing all hipster and jumping around in slow mo.
ONLY in a parallel universe where Damita Jean would scratch GOLD in the US while Madonna's SECRET project gets watched by forum homosexuals younger than 35
BLOW is the album's highlight, a never-ending BLISS
Blow gives me Kelis Tasty teas. It has such a breezy vibe. Pharrell's disco/funk production >>>
Not him giving us the highlight of Bidet (Green Light) AND of Beyonce (Blow). His slayage.