Reviews of Beyonce in Sportpaleis Antwerp unanimously positive
Reviews of Beyonce in Sportpaleis Antwerp unanimously positive
The Flemish press is very pleased with the concert of Beyonce in the Antwerp Sportpaleis. With the exception of some minor flaws and tedious films during her clothing bills, the press unanimously positive about the American singer.
"Perfection"
The Standard is Beyonce "perfection":
Very dehydrated she looked yesterday not get out - maybe she now had enough water or she has recovered her moisturizer. Queen B was alive and kicking. Eight costume changes, an eleven-strong band with only female members, a dozen dancers and only two male dancers formed a stunner of a show.
Beyonce combined it all, starring the always fabulous voice of her. What can they that bend and kneading, the what corny ballads to anthems like 'Crazy in Love' and 'Single Ladies' - including the now well-known synchronous dance moves against white wall light.
Beyonce did what was expected of her: the Sportpaleis flat play and afterwards neatly packing with her radiant personality. With a large glitter bow around it.
Stijn De Wolf had been editor or slight criticism about the - according to him superfluous - cutscenes:
The many cutscenes were talking about sexuality, female identity and the courage to be who you are. There Nicely made, not, but the message was somewhat unnecessary. Beyonce is who she so badly wants to be the biggest female pop star of the moment. Mom and happy wife. She is the perfect woman, or that they still make out. But sexuality with Beyonce always what made the brake or a Louis XIV-mask, as in the cutscenes.
Old-fashioned glamor
De Morgen gave the concert of Beyonce 4.5 star. Journalist Tinne Strauven told us that Beyonce is not actually allowed to stand on the podium. Today
By [the doctors] advice Queen Bee stormed the stage at the Sportpaleis in a tiny white cheerleader outfit on the militaristic rhythm of 'Run The World (Girls)' amidst her court, a female band and only female dancers. (...) It immediately became clear that the womenfolk will not get caught. So quickly without patron "No way that I would not be standing here tonight," she explained.
The concert train went through a rotvaart, with lots of sensuality:
The show breathed rococo-a-go-go with a princely recurring theme that was much like the bling version of "Les Liaisons Dangereuses". From start to finish, signed by sensuality. Not least when the singer during the intro of 'Naughty Girl' teased with some samples from disco classic "Love to Love You Baby" and surrounded by a sea of fire with her little veiled derriere shook. This was not just an ass, buttocks were carved out of reinforced concrete.
Old-fashioned glamor was presented to you in 'Party' when the diva tempting paraded amidst a circle raised ostrich feathers. Later she writhed on a grand piano in a lined with Swarovski Crystals, purple catsuit during '1 +1'. A camera caught her image from above in her most seductive pose precoïtale as she commanded her lover "make love to me." Bey awarded you a look at the intimate side of Mrs.. Carter.
Even were the big hits - 'Survivor', 'Crazy In Love' and 'Single Ladies' - builds up until the end, still held the action a powerful and relentless pace. Unless Bey again disappeared for a costume change.
Irresistible one-night-stand
Wim Denolf speaks on the website of Focus Knack then an irresistible one-night stand.
[Beyonce] showed himself two hours a born entertainer: someone whose intense choreography not at the expense of the vocals, and a meticulously thought-out show a hint of spontaneity can give. Yesterday exhausted or not, the super seemed in top form and was quite enjoying herself.
However, he also criticized the video and dance interludes that "especially in the first half the momentum from the concert" shrugged.
http://lifetoday.be/2013/05/recensie...niem-positief/
lol I don't have a good reputation on that site LMAO.
