If you want insight into a celebrity's self-image, you could do worse than watch one make the brief walk from the star's chosen chariot to the red carpet prior to an awards show. The frenzied VIP drop-off area at the 2010 Grammy Awards reveals more than any klieg-light TV interview could. Alice Cooper pulls himself from a nondescript car and strolls-nonchalant and unassuming-through the throng before anyone can look twice. Lady Gaga's mini convertible pulls up with her sitting atop the back seat, eyes fixed studiously on a point in the distance; as she exits the car, some of the dozens of wires that orbit her dress get caught on the seat, and there's a collective holding of the breath as she detaches.
And then there's Ke$ha. The 23-year-old steps out of a black SUV with the grace of a baby colt-all legs that she sometimes looks to be still learning to use-squints and rubs her eyes. She's stunning, twirling and spinning in her gold Nicolas Jebran dress, teetering on Guiseppe Zanotti heels. I know the designers' names because she has them scrawled on a cheat sheet, and as she makes her way down the carpet for the preshow carnival-cameras clicking and stressed TV producers yelling her name-she murmurs Jebran's name to remind herself. Her long blonde hair is disheveled, even when styled. She wobbles and looks around warily. Everything in her body language, expression and posture perfectly conveys one thought: "I'm not sure, but I may still be drunk."
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