The well known indie publication roughly gave the singer, song-writer and actress a rating of 4.9 for her debut album The Fool. "The single [OctaHate] introduced us to an artist who could confidently weave between glitchy bubblegum and pounding EDM thrash while delivering a gutsy, emotive performance that deftly plucked at the heartstrings. On the album, Weaver can’t seem to figure out who she is.", explains Pitchfork contributor Miles Raymer.
The single [OctaHate] introduced us to an artist who could confidently weave between glitchy bubblegum and pounding EDM thrash while delivering a gutsy, emotive performance that deftly plucked at the heartstrings. On the album, Weaver can’t seem to figure out who she is.
The well known indie publication roughly gave the singer, song-writer and actress a rating of 4.9 for her debut album The Fool. "The single [OctaHate] introduced us to an artist who could confidently weave between glitchy bubblegum and pounding EDM thrash while delivering a gutsy, emotive performance that deftly plucked at the heartstrings. On the album, Weaver can’t seem to figure out who she is.", explains Pitchfork contributor Miles Raymer.
